I have been thinking more and more about how our personal lives impact our access to literature and information in general.

For example, I am reading a book I am rather enjoying, but it's in French with no translation in any other languages. It's also from a local small publishing company. At the moment, I am not aware if it has been published as an e-book, that would make it more available, but for what I know this one book is accessible only to people in a rough 100km radius from where I am, and has a language requirement.

In a similar way, news is highly language based, and new outlets will differ significantly in what news they are distributing depend ing on language and geographical location (have you heard about the Serbian protests in the last weeks? I wouldn't if it hadn't been for a Serbian friend - and I have very limited first hand access to news about it).

How conscious are you that you live - necessarily - in a bubble? When do you notice it most?

Related, check out this website: novelty-insights.com where you can analyse your goodreads book data to see what sort of categories you read most from - a sort of "filter" we apply to ourselves, sometimes willingly, sometimes unconsciously.

Overview: 3.5/5 stars

This book talks about difficult themes in the history of Africa and then US, centered around discrimination and exploitation. The book follows a variety if people along the last three centuries that dealt with various elements of discrimination, with slavery being a central theme.

While the topic in interesting, the writing style felt mostly flat to me. The characters were human, but it felt most of them were objects of their own lives instead of subjects. It seems they suffered not only from the outside world but also a lack of inner development. That was true not only of the characters that had limited to no agency, but also of the ones that had freedom and took revolutionary actions: they all felt limited and fairly unengaging.

From the more academic perspective, it gives glimpses of philosophical debates in the history of African Americans. This was the but I personally enjoyed the most.

All in all, an okay book about an interesting and well-researched topic.

I’m looking for a book that would explain the ideologies that played into the creation and development of the European Union. I’m less interested in the practicalities. Do you have a suggestion?

Plot (minimal spoilers)

In the 1800, at the hight of the English colonial empire, a Chinese boy called Robin is taken away from his motherland to study translation at Oxford, where translation is the key to the magical silver works. At Oxford, he is confronted with deep-rooted discrimination. There, he finds friendship and, after all, a sense of belonging. But the Empire's greed knows no bounds, and Robin will have to make difficult choices.

Commentary

This book is a masterpiece, a tapestry of words woven with many theme, each complementing and expanding the others. The recurring theme is language, but that’s just the beginning. This book talks about friendship, about happy days, dedication and success, it talks about exploitation, capitalism, colonisation and deep-seated rage. It uses an empathic, charming writing to talk about harsh truths that are hard to confront. As a reader, you get lulled in, starting the story with a fairly standard beginning for a coming of age story with a steam punk setting, but you soon find yourself in a very different literary landscape, a landscape rarely explored with this much talent.

My kid is crawling all over the place and learning to stand. He is little less than a year. What are some games I can start playing with him? What games did you play with your little one?

No spoilers here, but there will be spoilers in the comments

As the third book of the Locked Tomb quadrilogy, Nona the Ninth is wild. What do you think of it? And what do you think the ending means?

I’d love to read more old epic poems, but I don’t know where to start. I gave it a go at reading the Iliad, but dropped out at the Catalog of Ships. Even before that, I struggled with it and found it fairly boring. Do you have any advice? Are the Eddas more entertaining?

Politically, Napoleon divides the history of Europe in “before” and “after”. He grabbed the power in France after the Revolution with such skills that he had virtually no opposition. From there he conquered everything, from Egypt, to Russia and Spain. His fall was equally momentous. And then he did it again, leaving everyone confused and the political board of Europe forever reshuffled.

Victor Hugo is a man of that time, trying to make sense of all of this turmoil while mainly talking about people and their inner worlds. In Les Misérables he concentrated on the lowest of the low, poor people making bad choices.

At the time, it was believed that crimes had to be punished, but there was no hope for the criminal to be reinstated into society as a fully functioning member. Hugo makes the opposite claim: criminals are just good people in bad situations. And he talks about them.

While the length can scare readers off, I would encourage anyone to start it. Every page is a little masterpiece of human perception and empathy, with an author taking his time to fully build up not only stages but also souls.

By this I mean, a book you had to brace yourself to read, and you feel proud for having read. Did you enjoy the process of reading it?

Is it interesting characters? Or believable motivations? Maybe writing style? Is the world building?

And how likely are you to enjoy a book that doesn’t fit your own criteria?

I’ve rarely seen the term “speculative fiction” being used, so I don’t really have an idea of what it encompasses. Would someone care to explain? I remember “Anathem” being described as such - and by the way: what an amazing book! I recommend it to all nerds, in particular those into history/philosophy/scifi.

A bit criticism to the Silmarillion is that the style is very dry and the plot is disconnected.

This is by design. The Silmarillion wanted to be the creating work of the UK mythology. As such, it mimicked the style of other mythological sagas: the Mabinogion most notably, the minor Homer, the Eddas. Part of the idea is to create a shared well-know scene from which other authors can draw to set their own works.

In some ways, it was incredibly successful: nowadays it’s impossible to talk about Elfs without referencing Tolkien’s in some ways.