cross-posted from: https://lemm.ee/post/45060454

I've been seeing her name a lot lately in terms of good science fiction and fantasy. I feel like I've lost so much attention span in terms of my ability to read and stuff and I'd like to start getting back into it, perhaps starting with her (or Terry Pratchett lol).

If I start with her, what's a good place to start with her work?

I understand that the newer version has a different ending and some new characters and scenes that weren't in the original. But the original is what got all the accolades and was considered his best book.

Which way should I go?

I read The Count of Monte Cristo some years ago, and it remains one of my favorite novels. This year, I committed to read The Three Musketeers. I chose a Librivox audiobook narrated by Mark Smith, since I had enjoyed his recording of Tarzan of the Apes.

The audiobook used a public-domain translation which apparently toned down or removed the more risque parts of the story. If you want to read or listen to an audiobook (which I recommend), I guess try to find a more modern translation, even if you have to pay for it. The Librivox recording is of high quality, with excellent narration.

I very much enjoyed the story. The true pleasure of the novel is the bond between D'Artagnan and the musketeers, and discovering their personalities. Much like Little Women, this is a novel that you remember for the characters. On top of that, you get to know the "lackeys" of the four. I had assumed the lackeys would be irrelevant to the plot, instead, they all manage to play a role in the larger story.

#Milady

The most interesting character for me was the villain Milady. My opinion of her swung wildly across the story.

(SPOILERS)

About a third of the way through the book, D'Artagnan becomes smitten with Milady. He disguises himself as Milady's lover, the Comte de Ward, to have sex with her. This is glossed over in the translation I listened to, but I was alarmed when I read about it in a separate summary. What D'Artagnan does would now be considered rape, and it's no wonder Milady flies into a rage when she discovers the truth.

In another chapter, D'Artagnan's melancholy friend and father-figure Athos confides his own dark past: years before, he was a count, and married a young girl from his village. He later discovered this girl had been branded on her shoulder as a felon. Athos cut her clothes off and had her hanged. Ashamed to his core by the scandal, he renounced his title, took on the name Athos, and joined the Musketeers. Later, it's revealed that Athos' wife survived the hanging, and became Milady.

I can accept the explanation that Athos, as a nobleman, was bound by duty to carry out the execution. Still, in the moment of reading, what he did felt pretty damn brutal. I suppose I was thinking of Jean Valjean in Les Miserables, or the people who were sent to penal colonies for breaking a plate in a burglary.

All of that's to say that I started the second half of the book feeling like maybe Milady had been wronged a little bit, and may have had some reasons for seeking revenge on D'Artagnan and friends. I was accustomed to modern storytelling convention, which has no patience for purely evil characters. If the story were written today, the branding would have been treated as a tragic misunderstanding.

I hate to say it, but when Milady is captured in England on her way to assassinate the Duke of Buckingham, part of me was hoping she'd escape and get away with it.

I was sobered up by the end, when Milady has mercilessly poisoned Madame Bonacieux, and when we hear the Executioner's story. At that point, I was disabused of my notion that Milady was some victim of circumstance. If Athos had not discovered Milady's brand, she would have ruined him, too, if not killed him.

All I can do is give my compliments to Dumas' writing talents: just like the character Felton in the later chapters, I had been thoroughly seduced by the character of Milady. Milady's latest victim...was me!

#Conclusion

I'm glad to have finally read The Three Musketeers. I am encouraged to try to find some of Dumas' less-popular stories, including The Last Cavalier at some point.

CJ Sansom, the popular crime author who created the character Matthew Shardlake, has died aged 71.

The historical novelist, whose full name was Christopher John Sansom, died on Saturday, according to his publisher Pan Macmillan.

His Tudor murder-mystery novels have recently been adapted to the screen by Disney+, with the first season to be released on Wednesday.

­Sansom’s first novel, Dissolution, featuring the lawyer-turned-­detective Shardlake, dub­bed the “Tudor Morse”, was published 21 years ago.

He wrote six further novels featuring Shardlake and two standalone historical novels, Winter in Madrid, and Dominion.

Sansom recently won the Crime Writers’ Association Cartier Diamond Dagger Award for his outstanding contribution to the genre.

There are more than three million copies of his books in print, according to his publisher.

We wanted to invite other Lemmy readers to join us in a reading challenge, we have tried to structure this so it’s very flexible with regards to genre, and we don’t require you to join or post on !books@lemmy.world. We had just put in the work to make it and thought we could share the fun. (Admins/Mods please feel free to delete if inappropriate or unwelcome) cross-posted from: https://literature.cafe/post/9497120

Want to read more, but need motivation or direction? Want to gamify or expand your reading? Try book bingo! Our hope with this challenge is to provide a fun way for you to keep up with your reading goals throughout the next 12 months.

How does it work?

The goal is to read something that fits the theme for each bingo square in any single row, column, or corner diagonal of your choice (one work per theme/square). If you would like to, you’re welcome to complete the entire card (or multiple cards). But to clarify, normal bingo rules apply, you only need 5 in a row for a bingo.

Since this is about helping you along in your reading journey, there’s no requirement to read any particular kind of work. Prefer a different format, like graphic novels or audio books? Go for it. Want to read in a different language? Cool. Only have time or energy for single short stories. That’s fine, too. You can read fiction of any genre, nonfiction of any topic, books of poetry, or whatever else interests you, as long as it works for the square. We wanted this to be as open and flexible as possible, to be welcoming to as many people as possible.

We hope you’ll participate in the community throughout the year by sharing how you’re doing with bingo, helping others with suggestions, and posting your feelings about what you’re reading in dedicated threads or the weekly "What are you reading?" thread.

In mid-April, 2025, we'll put up a turn-in post to collect what everyone's been reading; we'll be using that thread to put together a summary, once the bingo period ends. Additionally, if there's a way to provide community flair or some other recognition to participants, that's how we'll determine eligibility. So, if you want to be counted and/or recognized, please make sure to contribute to that post, even if you've made other bingo posts or comments during the year!

Rules

• You must read a different work for every square you complete, even across multiple cards. There is no conflict, however, with overlapping other reading challenges that aren't associated with c/Books.
• Repeating authors on the same card isn’t forbidden (especially for the “There Is Another…” and “Same Author, New Work” squares), but we encourage you to read as new to you or different authors for every square on a card.
• Likewise, we encourage you to primarily read things you haven’t read before.
• If you’re having trouble filling a certain square, we’ve provided a few alternates you can substitute in (see below). Please limit your substitutions to one per card.
• The 2024 Bingo period lasts May 1st, 2024 – April 30th, 2025. Anything you finish during that time period is eligible, as long as you were no more than halfway through on May 1st.

Upping the Difficulty

Want an additional challenge? Try one of these, or come up with a variation of your own (and share them!).

• Hard Mode: Each square description includes an optional extra restriction to the theme, which you can do or ignore on a square-by-square basis. It's up to you!
• Genre Mode: Read only one genre.
• Review Mode: Write a review (ratings alone don’t count) for the books you read for bingo, either here on c/Books, a personal blog, Bookwyrm, The Storygraph, Hardcover.app, or elsewhere.

The Card

Link to a bigger copy

The Squares

Row 1

• 1A - Older Than You Are: Published before your birthdate. HARD MODE: Published before 1924.
• 1B - Water, Water Everywhere: The title refers to some form or body of water. HARD MODE: Not liquid water.
• 1C - What’s Yours Is Mine: Theft, piracy, fraud, or espionage is a major topic or plot point. HARD MODE: No MacGuffins.
• 1D - Family Drama: Family is important, but sometimes it's also the cause of problems. Family dynamics are fundamental to the narrative. HARD MODE: Involves three or more generations of family members.
• 1E - It Takes Two: Written by two or more authors. HARD MODE: Written by three or more authors.

Row 2

• 2A - New Release: New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you've read by this author.
• 2B - Plays With Words: Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
• 2C - Independent Author: Self-published by the author. Works later published though a conventional publishing house don't count unless you are reading it before the switch, and it's republished before April 30th, 2025. HARD MODE: Not published via Amazon Kindle Direct.
• 2D - Bookception: Features a book-related aspect. HARD MODE: Something other than a book, like an author or library.
• 2E - Disability Representation: A main character has or gains a disability to which they must adapt. This disability must be grounded in reality: if a 4,000 year old Prince of the Shokan lost an arm, that would count; if he became a werewolf, it would not. HARD MODE: The piece is at least partially from their perspective.

Row 3

• 3A - Eazy, Breazy, Read-zie: A light, popcorn-worthy read that’s not real deep (see also “beach read” and “airport novel”). HARD MODE: You actually read it while on a vacation/staycation.
• 3B - Stranger in a Strange Land: The primary PoV is dropped into a completely unfamiliar situation or location. HARD MODE: Not portal fiction or isekai.
• 3C - One Less: A book that’s been on your TBR list for a long time. HARD MODE: Overlaps with at least one other bingo square theme.
• 3D - There Is Another…: Not the first in a series. HARD MODE: Series has 5 or more entries.
• 3E - LGBTQIA+ Lead: A main character identifies as LGBTQIA+. HARD MODE: Includes a significant romance between characters that identify as LGBTQIA+.

Row 4

• 4A - Now a Major Motion Picture: The work has been adapted into a show or single episode, movie, play, audio drama, or other format. HARD MODE: The adaptation is regarded as better than the original work.
• 4B - It’s About Time: The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
• 4C - Award Winner: Has won a significant literature award. HARD MODE: More than one award.
• 4D - Mashup: A combination of two or more genres or non-fiction topics. HARD MODE: Unusual combo, like fantasy thriller.
• 4E - Local to You: The author lives in or writes about a location local to you (city, state, province, territory, etc.). HARD MODE: The author has spent a significant amount of time there, but wasn't born there.

Row 5

• 5A - Debut Work: An author’s first work. HARD MODE: The author is widely regarded as having a profound impact on the genre/topic.
• 5B - It's a Holiday: Takes place during a specific holiday, which is significant to the plot. HARD MODE: Not Christmas, a fictional variation of Christmas, or other winter festival.
• 5C - Institutional: Set at a non-commercial institution or facility, like a school, science lab, or prison. HARD MODE: Not a school.
• 5D - Minority Author: Minority or LGBTQIA+ author. A minority can be any member of a generally underrepresented population where you live. HARD MODE: Minority and LGBTQIA+.
• 5E - Among the Stars: Features space, astronomy, or stardom. HARD MODE: The title references the theme, too.

Alternates

These are available as swaps if one of the categories is difficult for your chosen genre, or if it fits better with your reading preferences. There is no obligation to do these otherwise.

• Same Author, New Work: An author you’ve read before, but a series (or standalone) you haven’t. HARD MODE: Give an author you didn’t like a second chance.
• She Blinded Me With Science: The author has a background and degree in a hard science. HARD MODE: More than one post graduate degree.
• Pseudonymous Work: Published under a pen name. HARD MODE: The author generally never writes under their own name.
• Translated: Not originally in your native tongue. HARD MODE: Has been translated into at least ten other languages. This Wikipedia page is a good place to start for widely translated works.
• A Change in Perspective: Written in third-person perspective. HARD MODE: Second-person perspective.

Resources

If you make or find any bingo-related resources, ping or DM me so I can add them here. Thanks!

• 2024 Bingo Recommendations List
• The Storygraph Reading Challenge - You don’t need to use The Storygraph or any other reading tracker to do this challenge, this is just an additional support tool for those interested.

Appreciation

• This challenge is inspired by, but totally separate from, the one run by r/Fantasy on Reddit. We deeply appreciate the past organizers and the work they did that we are now benefitting from.
• Thank you for so much to misericordiae for the design and production of the card.
• 2024 bingo card font credits: Bungee Shade, by David Jonathan Ross; Roboto Condensed, by Christian Robertson.

cross-posted from: https://sh.itjust.works/post/16399125

I used to love the Douglas Preston and Lincoln Child books

Like Relic, and the Pendergast series etc. I feel like they got pretty schlocky, but it's been quite a while, and I don't really remember. Are any of their other stuff worth a read?

I’m too lazy to remove the personal information from a pic of my card, so here is the cover of the first book I checked out.

cross-posted from: https://mstdn.social/users/compoundchem/statuses/112053145362352366

Image description: Infographic on the aroma of books. The smell of old books is produced by the gradual breakdown of cellulose and lignin in paper. Type of paper and age of the book affect the compounds produced, which include furfural, vanillin and benzaldehyde. The aroma of new books is equally variable, the compounds causing it coming from adhesives, inks, and chemicals used for paper treatment. Many of these chemicals are odorless themselves, but can react and contribute to the release of aroma chemicals.

(Originally published earlier today on mstdn.social) - Click the Fedi-Link to visit.

About the book: https://app.thestorygraph.com/books/c08dd045-da79-4980-b2df-793ca92bd8dd

My review

Time to go back to good old crime novels, including a twist (lesbians. the twist is lesbians.).

I’ve already talked about how funnily enough, I consider most crime novels uplifting, as long as the grueling horrors aren’t too detailed. Their structure is very clear-cut and they’re not taking any risks, usually, following a very neat timeline of « oh no, someone died! », « oh no, things are getting worse! » (which may or may not include other people dying, or terrible family secrets being revealed, this novel being in the latter category), and « ah, justice has been brought! » (sometimes by murdering the murderer, because crime novels support the death penalty, i guess).

You’d think that with such a cookie-cutter scenario, thrillers wouldn’t be able to surprise me.

And yet!!

In Speak of the Devil, seven women find the body. They could all be the murderer. One of them is in a weird off and on again relationship with the local cop, Woman Number 8, who will investigate the case. And the seven women agree that, whoever committed that murder, they’ll all be in trouble if they don’t all cover for each other.

Except that the cop is smart, and the others make mistakes, and thinks will slowly unravel, and by the end of the novel, we won’t be sure what is even going on anymore.

~~The death penalty is extremely wrong! But also, whew, I’d also behead that guy.~~

Loads of content warnings because this is a feminist crime novel, including a beheading in the prologue, and horrific (and impressingly diverse) forms of abuse throughout the entire story.

On my website: https://alexsirac.com/speak-of-the-devil/

The first 10 of 50…

1. Check this place out, it’s dope

2. Technology solves problems 🤩 (future good)

3. Technology creates problems 😕 (future bad)

4. A world much like our own where some subtle differences highlight humanity/reality/society/perception

5. What if your cock was a bomb?

6. Rockets are not phallic, please stop saying that

7. Here is why religion is bad

8. Homestuck

9. Four thousand pages on the adventures of Prentiss Plum, a space pirate, scientist, and award-winning Virgo

10. Winking parody that doubles down on sexbots

…

cross-posted from: https://feddit.uk/post/6599809

Reading stories regularly strengthens social-cognitive skills—such as empathy—in both children and adults. And this, in turn, ensures that we can empathize with characters more effectively and more quickly when we are reading. This is the subject of linguist Lynn Eekhof's Ph.D., which she will receive at Radboud University on 15 January. "I think we need to capitalize more on the wonder of what stories do, rather than merely seeing reading as a practical skill."

cross-posted from: https://literature.cafe/post/5745653

cross-posted from: c/ebookdeals @ Literature.cafe

Discover Sir Terry Pratchett's Discworld, the beloved comic fantasy universe that’s brimming with wit, wisdom, and wonder. Start where it all began in the seminal novel The Color of Magic, which follows the misadventures of the inept wizard Rincewind as he serves as tour guide to Twoflower, Discworld's first-ever sightseer. The hapless duo’s journeys continue in The Light Fantastic and Sourcery, where the scale of world-threatening hazards (and accompanying absurdities) increase exponentially. You’ll get over 35 Discworld novels in all, touching all corners of this whimsical realm and all manner of its denizens, and you’ll help Room to Read with your purchase!

**The titles in this bundle are available through Kobo.com. To access the content, create or log in to your Kobo.com account.

This bundle is only available to those in the US.**

Basically the title. I always feel like winter is a nice season for cosy reading, curious to see your suggestions

I do not see how to tag for spoiler here so

SPOLIER ALERT

"Bag of Bones" delves deeply into the theme of grief as its protagonist, Mike Noonan, grapples with the sudden loss of his wife. The book explores Mike's emotional turmoil, guilt, and attempts to find solace. The supernatural elements, such as ghostly visions and eerie occurrences, serve as metaphors for the haunting impact of loss in the grieving process.

The book beautifully portrays the ways in which grief can unravel a person's life, affecting relationships and one's sense of self. Through Mike's journey, you can witness the complexities of mourning, as he navigates the painful process of letting go while also uncovering the secrets of his wife's past. Bag of Bones offers a poignant exploration of how grief can be all-encompassing, shaping characters and driving them to confront both personal demons and external mysteries.

This book made me cry ... repeatedly. And I hadn't cried in years. It's not one of King's major works. Neither is it particularly a fan favourite nor is it a critical success, but it's possibly my favorite King book.

Mort is a funny, heartwarming introduction to Death, one of the major Discworld characters. It starts off with Death deciding to take on an apprentice, Mort. Turns out, Death loves curry, has an adopted daughter, Ysabell, and gets REALLY UPSET and VERY ANGRY indeed when people harm or kill cats and kittens. And he rides a horse who is most adorably named Binky.

After starting on his new job and getting acquainted with Death’s household consisting of Ysabell and his servant Albert, Mort starts to realise that one of the reasons for Death taking on an apprentice was so that Ysabell would have a companion to talk with. After showing him the ropes so to speak, Death starts to send Mort on solo missions. One of the souls he has to usher into the beyond is that of young Princess Keli who is about to be assassinated by an assassin sent by her uncle. Unfortunately, Mort falls for the princess and in order to save her kills the assassin instead, thus interfering with fate, precisely something he had been told not to do. Mort is too scared to confess to Death about what he has done, so he just stays silent. Unluckily for him, reality of the history that was to be starts to resist the reality of what Mort has done, leading to the possibility that Princess Keli, whom Mort had saved, might end up dying. So now Mort tries his best to somehow save the princess’ life.

Some of my favourite things about this book are the style of humour and getting to know Death. Death is a cat loving anthropomorphic personification making sometimes refreshing, sometimes very insightful takes about mortals and existence in general:

"TAKE THESE THINGS, NOW, said Death, fingering a passing canapé. I MEAN, MUSHROOMS YES, CHICKEN YES, CREAM YES, I’VE NOTHING AGAINST ANY OF THEM, BUT WHY IN THE NAME OF SANITY MINCE THEM ALL UP AND PUT THEM IN LITTLE PASTRY CASES? ‘Pardon?’ said Mort. THAT’S MORTALS FOR YOU, Death continued. THEY’VE ONLY GOT A FEW YEARS IN THIS WORLD AND THEY SPEND THEM ALL IN MAKING THINGS COMPLICATED FOR THEMSELVES. FASCINATING. HAVE A GHERKIN.”

“He gave it an experimental shake. AND DUE TO LIVE ANOTHER THIRTY, THIRTY-FIVE YEARS, he said, with a sigh. ‘And he goes around killing people?’ said Mort. He shook his head. ‘There’s no justice.’ Death sighed. NO, he said, handing his drink to a page who was surprised to find he was suddenly holding an empty glass, THERE’S JUST ME.”

Death also happens to be very keen on trying to understand more about humans and various human activities, such as how people have fun. This leads to some unintentionally hilarious circumstances: “WHAT IS THIS FUN? ‘This is!’ TO KICK VIGOROUSLY IS FUN? ‘Well, part of the fun. Kick!’ TO HEAR LOUD MUSIC IN HOT ROOMS IS FUN? ‘Possibly.’ HOW IS THIS FUN MANIFEST? ‘Well, it – look, either you’re having fun or you’re not, you don’t have to ask me, you just know, all right? How did you get in here, anyway?’ he added. ‘Are you a friend of the Patrician?’ LET US SAY, HE PUTS BUSINESS MY WAY. I FELT I OUGHT TO LEARN SOMETHING OF HUMAN PLEASURES. ‘Sounds like you’ve got a long way to go.’ I KNOW. PLEASE EXCUSE MY LAMENTABLE IGNORANCE. I WISH ONLY TO LEARN. ALL THESE PEOPLE, PLEASE – THEY ARE HAVING FUN? ‘Yes!’ THEN THIS IS FUN. ‘I’m glad we got that sorted out. Mind the chair,’ snapped Lord Rodley, who was now feeling very unfunny and unpleasantly sober. A voice behind him said quietly: THIS IS FUN. TO DRINK EXCESSIVELY IS FUN. WE ARE HAVING FUN. HE IS HAVING FUN. THIS IS SOME FUN. WHAT FUN.” As the story progresses, it starts getting clearer that the loneliness of his job was getting to him, providing some clue to Death’s actual intentions for hiring Mort: "‘Drowning your sorrows, are you? I HAVE NO SORROWS. ‘No, of course not. Forget I mentioned it.’ He gave the glass a few more wipes. ‘Just thought it helps to have someone to talk to,’ he said. The stranger was silent for a moment, thinking. Then he said: YOU WANT TO TALK TO ME? ‘Yes. Sure. I’m a good listener.’ NO ONE EVER WANTED TO TALK TO ME BEFORE. ‘That’s a shame.’ THEY NEVER INVITE ME TO PARTIES, YOU KNOW. ‘Tch.’ THEY ALL HATE ME. EVERYONE HATES ME. I DON’T HAVE A SINGLE FRIEND.” After all, his job was such that “Death must be the loneliest creature in the universe. In the great party of Creation, he was always in the kitchen.”

This is followed by an interesting and humorous phase of Death actually trying to find an alternate job for himself. He ultimately ends up getting the job of a cook at "Harga’s House of Ribs down by the docks” where he thoroughly enjoyed himself as he “spun and whirled, chopping, slicing and frying. His skillet flashed through the fetid steam. He’d opened the door to the cold night air, and a dozen neighbourhood cats had strolled in, attracted by the bowls of milk and meat – some of Harga’s best, if he’d known – that had been strategically placed around the floor. Occasionally Death would pause in his work and scratch one of them behind the ears. ‘Happiness,’ he said, and puzzled at the sound of his own voice.” This leads to a truly hilarious scene when as a result of being summoned during the Rite of AshkEnte, Death appears “wearing an apron and holding a small kitten.”

Death’s efforts with trying to find work that he would actually enjoy doing and Mort’s princess problem inevitably collide leading to a satisfying conclusion. This is the second time I am reading this book and I think I enjoyed and loved it even more than I did the first time around. I would love to share some more jokes here, but then I would probably end up copy-pasting the whole book! This book definitely does the job of making me laugh and feeling a little better than usual.