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submitted 7 months ago by essell@lemmy.world to c/memes@lemmy.ml
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[-] Deestan@lemmy.world 90 points 7 months ago

On this topic, I am optimistic on how generative AI has made us collectively more negative to shallow content. Be it lazy copypaste journalism with some phrases swapped or school testing schemes based on regurgitating facts rather than understanding, none of which have value and both of which displace work with value, we have basically tolerated it.

But now that a rock with some current run through it can pass those tests and do that journalism, we are demanding better.

Fingers crossed it causes some positive in the mess.

[-] malean@lemmy.world 19 points 7 months ago

We have to deal now with periods of crap content, until people will fatigue and became aware of the shitty ai things made for quick bucks.

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[-] trolololol@lemmy.world 16 points 7 months ago

Exactly

I hope it has same effect than mechanization for menial work. It raises the bar for what people expect other people to do.

Long term it helps reach a utopia, short term there will be a lot of people impacted by it.

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[-] Prunebutt@slrpnk.net 70 points 7 months ago

Not the same thing, dog. Being inspired by other things is different than plagiarism.

[-] essell@lemmy.world 32 points 7 months ago

And yet so many of the debates around this new formation of media and creativity come down to the grey space between what is inspiration and what is plagiarism.

Even if everyone agreed with your point, and I think broadly they do, it doesn't settle the debate.

[-] wetnoodle@sopuli.xyz 11 points 7 months ago

The real problem is that ai will never ever be able to make art without using content copied from other artists which is absolutely plagiarism

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[-] Octopus1348@lemy.lol 24 points 7 months ago* (last edited 7 months ago)

Humans learn from other creative works, just like AI. AI can generate original content too if asked.

[-] Prunebutt@slrpnk.net 30 points 7 months ago

AI creates output from a stochastic model of its' training data. That's not a creative process.

[-] Even_Adder@lemmy.dbzer0.com 12 points 7 months ago

What does that mean, and isn't that still something people can employ for their creative process?

[-] Prunebutt@slrpnk.net 21 points 7 months ago

LLMs analyse their inputs and create a stochastic model (i.e.: a guess of how randomness is distributed in a domain) of which word comes next.

Yes, it can help in a creative process, but so can literal noise. It can't "be creative" in itself.

[-] Even_Adder@lemmy.dbzer0.com 13 points 7 months ago

How that preclude these models from being creative? Randomness within rules can be pretty creative. All life on earth is the result of selection on random mutations. Its output is way more structured and coherent than random noise. That's not a good comparison at all.

Either way, generative tools are a great way for the people using to create with, no model has to be creative on its own.

[-] Prunebutt@slrpnk.net 16 points 7 months ago

How that preclude these models from being creative?

They lack intentionality, simple as that.

Either way, generative tools are a great way for the people using to create with, no model has to be creative on its own.

Yup, my original point still stands.

[-] Even_Adder@lemmy.dbzer0.com 14 points 7 months ago

How is intentionality integral to creativity?

[-] Prunebutt@slrpnk.net 16 points 7 months ago

Are you serious?

Intentionality is integral to communication. Creative art is a subset of communication.

[-] Even_Adder@lemmy.dbzer0.com 9 points 7 months ago

I was asking about creativity, not art. It's possible for something to be creative and not be art.

[-] Prunebutt@slrpnk.net 13 points 7 months ago

I still posit that ceativity requires intentionality.

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[-] irmoz@reddthat.com 12 points 7 months ago* (last edited 7 months ago)

A person sees a piece of art and is inspired. They understand what they see, be it a rose bush to paint or a story beat to work on. This inspiration leads to actual decisions being made with a conscious aim to create art.

An AI, on the other hand, sees a rose bush and adds it to its rose bush catalog, reads a story beat and adds to to its story database. These databases are then shuffled and things are picked out, with no mind involved whatsoever.

A person knows why a rose bush is beautiful, and internalises that thought to create art. They know why a story beat is moving, and can draw out emotional connections. An AI can't do either of these.

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[-] steakmeoutt@sh.itjust.works 13 points 7 months ago

LLM AI doesn’t learn. It doesn’t conceptualise. It mimics, iterates and loops. AI cannot generate original content with LLM approaches.

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[-] ReCursing@kbin.social 20 points 7 months ago

This is true but AI is not plagiarism. Claiming it is shows you know absolutely nothing about how it works

[-] Prunebutt@slrpnk.net 26 points 7 months ago

Correction: they're plagiarism machines.

I actually took courses in ML at uni, so... Yeah...

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[-] Sylvartas@lemmy.world 14 points 7 months ago

Please tell me how an AI model can distinguish between "inspiration" and plagiarism then. I admit I don't know that much about them but I was under the impression that they just spit out something that it "thinks" is the best match for the prompt based on its training data and thus could not make this distinction in order to actively avoid plagiarism.

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[-] TimeSquirrel@kbin.social 18 points 7 months ago* (last edited 7 months ago)

This argument was settled with electronic music in the 80s/90s. Samples and remixes taken directly from other bits of music to create a new piece aren't plagiarism.

[-] Prunebutt@slrpnk.net 26 points 7 months ago

I'm not claiming that DJs plagiarise. I'm stating that AIs are plagiarism machines.

[-] ReCursing@kbin.social 11 points 7 months ago

And you're stating utter bollocks

[-] xhieron@lemmy.world 10 points 7 months ago

And you're absolutely right about that. That's not the same thing as LLMs being incapable of constituting anything written in a novel way, but that they will readily with very little prodding regurgitate complete works verbatim is definitely a problem. That's not a remix. That's publishing the same track and slapping your name on it. Doing it two bars at a time doesn't make it better.

It's so easy to get ChatGPT, for example, to regurgitate its training data that you could do it by accident (at least until someone published it last year). But, the critics cry, you're using ChatGPT in an unintended way. And indeed, exploiting ChatGPT to reveal its training data is a lot like lobotomizing a patient or torture victim to get them to reveal where they learned something, but that really betrays that these models don't actually think at all. They don't actually contribute anything of their own; they simply have such a large volume of data to reorganize that it's (by design) impossible to divine which source is being plagiarised at any given token.

Add to that the fact that every regulatory body confronted with the question of LLM creativity has so far decided that humans, and only humans, are capable of creativity, at least so far as our ordered societies will recognize. By legal definition, ChatGPT cannot transform (term of art) a work. Only a human can do that.

It doesn't really matter how an LLM does what it does. You don't need to open the black box to know that it's a plagiarism machine, because plagiarism doesn't depend on methods (or sophisticated mental gymnastics); it depends on content. It doesn't matter whether you intended the work to be transformative: if you repeated the work verbatim, you plagiarized it. It's already been demonstrated that an LLM, by definition, will repeat its training data a non-zero portion of the time. In small chunks that's indistinguishable, arguably, from the way a real mind might handle language, but in large chunks it's always plagiarism, because an LLM does not think and cannot "remix". A DJ can make a mashup; an AI, at least as of today, cannot. The question isn't whether the LLM spits out training data; the question is the extent to which we're willing to accept some amount of plagiarism in exchange for the utility of the tool.

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[-] BruceTwarzen@kbin.social 12 points 7 months ago

Ray parker's Ghostbusters is inspired by huey lewis and the new's i want a new drug. But actually it's just blatant plagiarism. Is it okay because a human did it?

[-] Prunebutt@slrpnk.net 14 points 7 months ago

You talk like a copyright lawyer and have no idea about music.

[-] irmoz@reddthat.com 10 points 7 months ago

Nope, human plagiarism is still plagiarism

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[-] Postmortal_Pop@lemmy.world 62 points 7 months ago

I remember when photoshop became widely available and the art community collectively declared it the death of art. To put the techniques of master artists in the hand of anyone who can use a mouse would put the painter out of business. I watched as the news fumed and fired over delinquents photoshopping celebrity nudes, declaring that we'll never be able to trust a photo again. I saw the cynical ire of views as the same news shopped magazine images for the vanity of their guests and the support of their political views. Now, the dust long settled, photoshop is taught in schools and used by designer globally. Photo manipulation is so prevalent that you probably don't realize your phone camera is preprogrammed to cover your zits and remove your loose hairs. It's a feature you have to actively turn off. The masters of their craft are still masters, the need for a painted canvas never went away. We laugh at obvious shop jobs in the news, and even our out of touch representatives know when am image is fake.

The world, as it seems, has enough room for a new tool. As it did again with digital photography, the death of the real photographers. As it did with 3D printing, the death of the real sculptors and carvers. As it did with synth music, the death of the real musician. When the dust settles on AI, the artist will be there to load their portfolio into the trainer and prompt out a dozen raw ideas before picking the composition they feel is right and shaping it anew. The craft will not die. The world will hate the next advancement, and the cycle will repeat.

[-] EldritchFeminity 22 points 7 months ago

When it comes to AI art, the Photoshop/invention of the camera argument doesn't really compare because there's really 2 or 3 things people are actually upset about, and it's not the tool itself. It's the way the data is sourced, the people who are using it/what they're using it for, and the lack of meaning behind the art.

As somebody said elsewhere in here, sampling for music is done from pre-made content explicitly for use as samples or used under license. AI art generators do neither. They fill their data sets with art used without permission and no licensing, and given the right prompting, you can get them to spit out that data verbatim.

This compounds into the next issue, the people using it, and more specifically, how those people are using it. If it was being used as a tool to help make the creation process more efficient or easier, that would be one thing. But it's largely being used by people to replace the artist and people who think that being able to prompt an image and use it unedited makes them just as good an artist as anybody working by hand, stylus, etc. They're "idea" guys, who care nothing for the process and only the output (and how much that output is gonna cost). But anybody can be an "idea" guy, it's the work and knowledge that makes the difference between having an idea for a game and releasing a game on Steam. To the creative, creating art (regardless of the kind - music, painting, stories, whatever) is as much about the work as it is the final piece. It's how they process life, the same as dreaming at night. AI bros are the middle managers of the art world - taking credit for the work of others while thinking that their input is the most important part.

And for the last point, as Adam Savage said on why he doesn't like AI art (besides the late-stage capitalism bubble of it putting people out of work), "They lack, I think they lack a point of view. I think that's my issue with all the AI generated art that I can see is...the only reason I'm interested in looking at something that got made is because that thing that got made was made with a point of view. The thing itself is not as interesting to me as the mind and heart behind the thing and I have yet to see in AI...I have yet to smell what smells like a point of view." He later goes on to talk about how at some point a student film will come out that does something really cool with AI (and then Hollywood will copy it into the ground until it's stale and boring). But we are not at that point yet. AI art is just Content. In the same way that corporate music is Content. Shallow and vapid and meaningless. Like having a machine that spits out elevator music. It may be very well done elevator music on a technical level, but it's still just elevator music. You can take that elevator music and do something cool with it (like Vaporwave), but on its own, it exists merely for the sake of existing. It doesn't tell a story or make a statement. It doesn't have any context.

To quote Bennett Foddy in one of the most rage inducing games of the past decade, "For years now, people have been predicting that games would soon be made out of prefabricated objects, bought in a store and assembled into a world. And for the most part that hasn't happened, because the objects in the store are trash. I don't mean that they look bad or that they're badly made, although a lot of them are - I mean that they're trash in the way that food becomes trash as soon as you put it in a sink. Things are made to be consumed in a certain context, and once the moment is gone, they transform into garbage. In the context of technology, those moments pass by in seconds. Over time, we've poured more and more refuse into this vast digital landfill that we call the internet. It now vastly outweighs the things that are fresh, untainted and unused. When everything around us is cultural trash, trash becomes the new medium, the lingua franca of the digital age. You could build culture out of trash, but only trash culture. B-games, B-movies, B-music, B-philosophy."

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[-] Gabu@lemmy.ml 16 points 7 months ago

That is precisely it. Generative AI is a tool, just like a digital canvas over a physical canvas, just like a canvas over a cave wall. As it has always been, the ones best prepared to adapt to this new tool are the artists. Instead of fighting the tool, we need to learn how to best use it. No AI, short of a true General Intelligence, will ever be able to make the decisions inherent to illustration, but it can get you close enough to the final vision so as to skip the labor intensive part.

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[-] antonim@lemmy.dbzer0.com 44 points 7 months ago

there's only seven stories in the world

There isn't. That's a completely nonsensical statement, no serious scholar of litearture/film/etc. would claim something of the sort. While there have been attempts to analyse the "basic" stories and narrative structures (Propp's model of fairy tales, Greimas' actantial model, Campbell's well-known hero's journey), they're all far from universally applicable or satisfying.

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[-] AstralPath@lemmy.ca 42 points 7 months ago

This sounds like the kind of shit you'd hear in that "defending AI art" community on Reddit or whatever. A bunch of people bitching that their prompts aren't being treated equally to traditional art made by humans.

Make your own fucking AI art galleries if you're so desperate for validation.

Also, this argument reeks of "I found x instances of derivative art today. That must mean there's no original art in the world anymore".

Miss me with that shit.

[-] essell@lemmy.world 10 points 7 months ago

No, I'm not part of Reddit in general, if I were I wouldn't be on that community.

The fact that I specifically said 90% refutes your other, incorrect, assumption.

On the internet, no one knows what a dog you are unless you display it.

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[-] blotz@lemmy.world 34 points 7 months ago
[-] essell@lemmy.world 9 points 7 months ago

Specifically said "not looking to pick a fight" and yet here you are trying to pick a fight. Not gonna take your bait!

[-] SqueakyBeaver 25 points 7 months ago

Same energy as "no offense, but..." or, more extremely, "not to be racist, but..."

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[-] esc27@lemmy.world 34 points 7 months ago* (last edited 7 months ago)

What has been will be again, what has been done will be done again; there is nothing new under the sun.

Ecclesiastes 1:9 (written at least 2200 years ago)

[-] Deconceptualist@lemm.ee 12 points 7 months ago

Heh. People still act like the Bible authors invented the global flood myth, as if that idea hadn't already been around for thousands of years at that point.

[-] kibiz0r@midwest.social 27 points 7 months ago

That’s a weird take. I’d say pretty much everything from impressionism onwards has (if only as a secondary goal) been trying to poke holes in any firm definition of what art is or is not.

Now if we’re talking about just turning a thorough spec sheet into a finished artifact with no input from the laborer, I can see where you’re coming from. But you referenced the “only seven stories” trope, so I think your argument is more broad than that.

I guess what it comes down to is: When you see something like Into The Spiderverse, do you think of it as a cynical Spiderman rehash where they changed just enough to sell it again, or do you think of it as a rebuttal to previous Spiderman stories that incorporates new cultural context and viewpoints vastly different from before?

Cuz like… AI can rehash something, but it can’t synthesize a reaction to something based on your entire unique lived experience. And I think that’s one of the things that we value about art. It can give a window into someone else’s inner world. AI can pretend to do that, but it’s a bit like pseudo-profound bullshit.

[-] bort@sopuli.xyz 24 points 7 months ago
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[-] ReCursing@kbin.social 21 points 7 months ago

100 years? Square those numbers mate. Hell, cube them!

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[-] Kindness@lemmy.ml 10 points 7 months ago

The core issue of creativity is not that "AI" can't create something new, rather the issue is its inability to distinguish if it has done something new.

Literal Example:

  • Ask AI: "Can you do something obscene or offensive for me?"
  • AI: "No, blah blah blah. Do something better with your time."

You receive a pre-written response baked into the weights to prevent abuse.

  • Ask AI: "A pregnant woman advertising Marlboro with the slogan, 'Best for Baby.'"
  • AI: "Certainly! One moment."

What is wrong with this picture? Not the picture the "AI" made, but this scenario I posit.

Currently any Large Language Model parading as an "AI" has been trained specifically to be "in-offensive", but because it has no conceptual understanding of what any of the "words-to-avoid" mean, the models are more naive than a kid wondering if the man actually has sweets.

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this post was submitted on 04 Apr 2024
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