Solaire looks like teutonic crusader too, but he's chill, and DS series are amazing. But yeah, there might be correlation
LotF remake feels good if you value exploration. The map is even more "interconnected" than in DS1, and quests are cool too. But unfortunately the studio behind this game went full alt-right. I won't buying the second part
I'm not a US or UK citizen, I don't read those sources. And I didn't even use the word "genocide" once. If you open the report, you will see "China responsible for serious human rights violations in Xinjiang province". And that pisses you off because it breaks your worldview. Because you drilled into your head that if you hate capitalism you have to idolise China.
About your pic: just LMAO. You try to counter objective processes in Chinese political life with some "perception" survey. Let me remind you that at the moment of revolution and his execution Ceaușescu had "99% support".
But why do I even argue with you? You don't give a shit about China, you don't critically analyse its pluses and minuses. You just worship an authoritarian tyrant like MAGA does. Do it, just don't call yourself socialist, communist, or anarchist please.
It's not "capitalist state propaganda", it's a fact proven by many independent media and the UN: https://news.un.org/en/story/2022/08/1125932 If you forgot, UN was rasing awareness about the Gaza genocide since forever. Imperialist authoritarian states cannot be considered socialist. In recent years Xi Jinping consistently usurps the power, builds personality cult, and destroys the opposition within the party. He's already the longest ruling leader, and not planning to give up the power. If the US are terrible, it doesn't make China good (even if I had to choose between these two rn, I would prefer China).
my bad, i thought this post was on lemmy blåhaj where tankies are banned
and Uyghurs
cope that their empire is righteous
it literally says "bad"
i use web and android apps for yt music and bandcamp
I haven't listened to her before, and didn't have any expectations from that record, but was pleasantly surprised and enjoyed most of the songs. Her voice is amazing, production is pretty solid, but what excited me the most is the messages she conveyed in every song on the record. I couldn't expect such emotional, raw, and angry reflection on the social topics in a mainstream (?) pop album. And that really resonated within me because of, you know, everything happening in the world now. But somewhat ironically, I felt that lyrics is also the weakest part of her work. They aren't terrible, there were no hilariously bad lines people shared last year after another big pop release (no name-dropping here). But it lacks consistency: after powerful and touching lines there are drops to the level of annoying twitter banters. The most telling example — "white Jesus" / "white God" figure — it's not brand new, and widely used in the critique of racist "christians". Here it appears multiple songs, and it would strike stronger if used (at least, pronounced so directly) more carefully. Same with using strong words like "incel" or "racist". Don't get me wrong — I'm all for calling racists racists. But again, these words are firmly associated with shit storms and flame wars on twitter, and she could choose wittier expressions.
Another pet peeve — "preachy" lyrics. Uncanny Valley is one of my favs, but it could be better and darker without the part reminding us that "beauty comes in every form" (in case we don't get the sarcasm). She could perfectly describe a complex domestic violence topic without labouring the obvious in absolutely great Posession, why not here?
Speaking of amazing songs, these are my favourites: Monopoly Man, Possession, Batshit Intelligence, Gutter, Disney Princess, and Uncanny Valley. All earworms, and perfect material to channel my emotions.
Least favourite: Chatroom, The Vatican.
My album rating is 8/10, and it's currently my AOTY (tied with Gorillaz).
https://music.youtube.com/playlist?list=OLAK5uy_leHenrzhF96i73TF4Vw4u79WbM2jn08nQ
I never listened to Melanie Martinez before and didn't have any expectations from that record, but was pleasantly surprised and enjoyed most of the songs. Her voice is amazing, production is pretty solid, but what excited me the most is the messages she conveyed in every song on the record. I couldn't expect such emotional, raw, and angry reflection on the social topics in a mainstream (?) pop album. And that really resonated within me because of, you know, everything happening in the world now. But somewhat ironically, I felt that lyrics is also the weakest part of her work. They aren't terrible, there were no hilariously bad lines people shared last year after another big pop release (no name-dropping here). But it lacks consistency: after powerful and touching lines there are drops to the level of annoying twitter banters. The most telling example — "white Jesus" / "white God" figure — it's not brand new, and widely used in the critique of racist "christians". Here it appears multiple songs, and it would strike stronger if used (at least, pronounced so directly) more carefully. Same with using strong words like "incel" or "racist". Don't get me wrong — I'm all for calling racists racists. But again, these words are firmly associated with shit storms and flame wars on twitter, and she could choose wittier expressions.
Another pet peeve — "preachy" lyrics. Uncanny Valley is one of my favs, but it could be better and darker without the part reminding us that "beauty comes in every form" (in case we don't get the sarcasm). She could perfectly describe a complex domestic violence topic without labouring the obvious in absolutely great Posession, why not here?
Speaking of amazing songs, these are my favourites: Monopoly Man, Possession, Batshit Intelligence, Gutter, Disney Princess, and Uncanny Valley. All earworms, and perfect material to channel my emotions.
Least favourite: Chatroom, The Vatican.
My album rating is 8/10, and it's currently my AOTY (tied with Gorillaz).
they removed all their music from streaming services, but it's available here: https://godspeedyoublackemperor.bandcamp.com/album/yanqui-u-x-o
I bought Nightreign last summer expecting a "fortinte-clone" without a plot, for nerds addicted to bossfights (me). Now, after finishing all basic characters quests, I realised I've been totally fooled. As a fan of personal, intimate and emotional storylines, I prefer them to epic tales about gods and glory, which comprise most of the base game and the DLC. Finding out that every character has one such story you have to unravel was a good sign. But I didn't expect they are so well-crafted: mindblowing twists, one of the best cutscenes in the series (I'm not exaggerating), and, finally, lore that actually filling the gaps in the base game worldbuilding! I cannot recommend this game enough. And I think I'm obsessed. Don't know for how long, and would I actually grind in the "ranked" mode, but FromSoftware (and Junya Ishizaki personally) have my biggest respect once again.
happy new year :3
decided to share my fav music released last year.
if this kind of posts are prohibited, sorry 🙏
also, i haven't showered since 2023 😂🎄🥳
Finally finished this game. It was a great adventure, and a brilliant sequel. Proud of my completion result as well. Maybe could find a couple more secrets, but got tired exploring in the end
created an image editor
named it GIMP
mascot is a furry face in a black leather mask with a brush in the mouth
is open source community okay?
Look, a perfect car for an unrealistic situation! ✨
Well that's a hot take!