Eight episodes every two years, I don't think so. That's not going to be something you necessarily pass on to your kids. And I think that's a loss.
That's pretty profound.
Eight episodes every two years, I don't think so. That's not going to be something you necessarily pass on to your kids. And I think that's a loss.
That's pretty profound.
Is this loss?
I think what gave earlier Trek so much soul was the non-human characters that allowed you to explore humanity through them. Spock, Data, Odo all lived in and around humans, and explored what that meant.
And Seven and T'Pol.
Thank you, yes. I just started with the first 3, but those are perfect examples as well.
I agree. It's what makes sci-fi good, in my opinion. It's a useful tool to look at the failings of humanity, but in a way that subverts people's self-defence mechanisms. For example, racist might agree treating intelligent aliens as animals is bad without thinking about themselves at first. With a tiny amount of reflection, they will realize it also applies to their beliefs. This can work for so many other topics, like DS9 covers the use of terrorism against Fascists using aliens as stand ins for actual groups that have and do exist in our world.
It gets tired though. And it inevitably puts humans on a pedestal as the thing the robot aspires to be, the thing the Vulcan needs to learn to embrace, the thing 7of9 needs to get back to…
I miss the more 'monster of the week' type storytelling weaved through with season long (or longer) arcs that spanned 20-ish episode seasons. I liked the kind of storytelling where episodes stood on their own but had hints in them that formed a big picture. And every now and then there was an episode that was wholly dedicated to the overarching plot.
This kind of storytelling leaves a lot of room for characterisation episodes or exploration of an intriguing concept. And don't you dare calling this filler. Filler is meaningless. Exploring concepts and characters is not meaningless.
I want more filler episodes the same way Magic The Gathering wants bad cards:
The solution to the aforementioned problem leads to the second reason “bad” cards exist. Different cards have different functions and appeal to different players.
We make some cards for the multi-player crowd. We make cards for the flavor crowd. We make cards for the silly crowd. We make the big creatures and spells for "Timmy." We make the combo cards for "Johnny." We take each different group of Magic players and throw some cards their way.
The problem is players tend to define “bad cards” as cards that they personally see no reason to play. But certain cards aren’t meant for them in the first place.
https://magic.wizards.com/en/news/making-magic/when-cards-go-bad-2002-01-28
Somewhere out there, there's a single lonely soul who really, really gets Threshold.
I don't judge that person, but I'm not inviting him to join my DND group either.
arnt people having problems with MTG right now, using Marvel and other IP, they dont like how its not original anymore.
Bad or just plain meh eps stand out a lot further on shorter seasons though. I mean if i had the choice of watching s3 of SNW again or any given voyager season - even the first three- i'd choose the latter.
Everyone’s in here arguing and dissecting filler episodes and serialized seasons and I see a lot of good arguments on both sides. But, no one is mentioning a modern Trek series that did a mix of filler episodes and episodic ones, developed characters, and had full season arcs: Lower Decks
Granted, it’s a cartoon so it’s much easier for a deus ex machina or goofy cop-out ending but for 10ish 30 minutes episodes a season, they did a great job of telling modern stories while feeling like Trek Classic^TM^
while feeling like Trek ClassicTM
Because there was so, so much memberberries.
I found it mostly somewhar funny, but I don't know if I got half the jokes if I hadn't watched Old Trek so much.
I would argue that it was a good show even without all of that but the nostalgia made it more fun for sure. LD had great writers who told interesting stories. And, it could go from strange and campy to highbrow and serious from one scene to the next but they were also telling stories with through lines and arcs and still providing the filler.
To be fair, I haven’t watched Discovery or much Strange New Worlds yet, so I could be off base. But, it seems like Strange New Worlds is trying to thread that needle.
I wouldn't say got all the jokes, but His Lordship enjoyed the fuck outta LD and he barely remembers any trek outside of some next gen and only knows DS9 through forced repeated exposure.
Different levels, but we had the same fun. We both absolutely lost it at the resolution in Strange Energies, some things are just universal
I agree. We only had 2 episodes to see Spock and La'an get together, it felt like whiplash when we just saw him pining over Chapel. Looking back at shows like DS9 a season of romantic build up meant 23-24 45-minute long episodes with random encounters, drama, things left unsaid - which made the finales that much more enjoyable.
Not to compare too much, but look at Jim and Pam's romance in the Office. Seasons 2 and 3 were long. It was meant to have us wanting the romance, to see every twist and turn. We had an entire episode for booze cruise, where we finally heard Jim admit it while seeing that they were obviously with the wrong people. We had entire episodes where there was reflection on just one moment of their relationship. You just can't get that in a half-"season" 4 episode arc.
I think my favorite example is Brooklyn 99, and the Jake/Amy relationship.
First season introduces the idea (but really later on in the season that its apparent it could be more), season 2 is will they won't they until a kiss at the end, season 3 they start a relationship, season 4 finishes with them moving in together, season 5 gets a proposal and the wedding, etc.
They take time developing the relationship as an idea, but they don't do the silly "Oh no, misunderstandings made us break up again!" crap, just a progressing relationship over the course of the series.
For real though. 8 or 10 episodes is nothing, especially when they're spread out intentionally to just keep people subscribed to a monthly streaming service.
TV shows of yesterday still matter largely because there is so. much. content. This shit was available for free with a basic ass television and some strips of metal wired into it. And you got 24 episodes a season. And sometimes there was more than one season in a year.
Artificial scarcity is obvious when things get that different.
It's Brannon Braga, if you don't want to click through to the article.
Lots of talk of filler in this thread, and it certainly can be a problem, but there are reasons to watch things other than a serialized plot, and if it's good, it's not filler. Exploring themes and context and setting and characters are perfectly valid, and longer seasons let a show do that. I very much like having at least a few serialized threads running through a show, and characters that never, ever change can be a bit boring, but IMHO the term "filler" gets tossed around much too loosely in a lot of online discourse around genre TV.
good filler episodes let you advance backstory of all the characters, which is something you may not have space for in the episodes advancing the main plot, so you do actually care about them.
not like strange new worlds (which i do like), where there is this asian woman pilot on the bridge and after 3 seasons i don't even remember her name. i mean wtf is with that?
That’s a dumb comparison but I’m all for longer seasons. TNG had like 20 something episodes per. I’m even okay if they aren’t all JJ Abrahms cinematic quality. Bring back cheap TV!
As Ronald D Moore said you can do any genre in Star Trek having longer Seasons gives them more opportunity to have those different genres the shorter seasons and super serialized format taken to the extreme have stripped Away that Swing for the fences mentality that Star Trek once had. Does that mean sometimes you're going to have a bad episode every once in awhile yeah, but it also means that you're going to have great ones.
We all know the perfect balance between episodic and serialized television was Deep Space Nine. Because it had that perfect balance of you could do an episodic swing for the fences story or if you needed to tell a story over you know four or five episodes you could going the extreme one way or the other is always going to be a recipe for disaster.
Given the purchase of Paramount by the Ellison family, I unfortunately think we are going to witness the eshitification of Trek in the coming decade 😢
Edit: meaning they will want to remove the "wokeness"
Enshitification of Trek has already been here for a decade.
It doesn't all happen at once, but in the last decade there's been six new Trek shows and one and half of them have been decent.
For everyone saying this can’t be done anymore, etc. etc. I’d like to introduce you to The Pitt.
They just made fifteen (15!) one-hour episodes with no filler and they will have another 15 ready to show in January - a turnaround time of under 12 months.
Deep space nine type gray areas are a must. Give me a spock by the pale moonlight episode.
This guy stinks, but I agree that Trek is better with more episodes per season. Bring in more guest writers, and do cheaper episodes. Try weird stuff! Some of the best episodes are just are just two guys, sometimes one's an alien, talking in front of a camera
Take it slow, take your time, let us fill in the blanks, give us the journey, let’s grow together.
So long as it doesn't mean adding filler episodes where any changes to the established situation get undone in the last five minutes, yes.
Big fat nope. Disagree. The British had it right before. Quality over quantity.
So when do we get the quality?
That's the neat part!
Brits: Must be nice. We get 1 series with like 3 episodes annually and a Christmas special every leap year. Unless it's a panel show or Taskmaster which each have 10 series a year.
Long form content, in general, seems to be going out of fashion.
It's not just TV. Short articles outperform long deep dives in papers. Same with longer YouTube videos, which extends to the rise of shorts. Mobile and 'short session' games make up a huge chunk of playtime. I'm not sure about 'big' literature, but even fanfiction and amateur works are skewing towards collections of short, fluffy pieces instead of long-form adventures now.
It's not just attention spans or strained attention capacity either; my impression is energy/time levels to devote to that are dropping. I know a working couple with no kids that still transitioned to shorter-form YouTube stuff over TV because they're just too tired from work + basic maintenance.
I disagree. I don’t think episodic TV cranking out 24 episodes in a season is the best way to do it. There’s too much filler and not enough attention paid to the overall story arc. Many shows were excellent for seasons 1-2 but then the creativity faded.
There is a middle ground, I think. Breaking bad, for example, had a contiguous storyline, but also had limited episodes. Critically, I think, the network didn’t come in and say “can you do another 3 seasons of the same thing”.
Most importantly, this just isn’t how TV is made anymore. Nobody comes home on 6 on Tuesdays cause their favourite show is on, and it’s a routine.
Viewers today (and I do include myself there) want either something lowkey engaging to have as background noise or something that demands your attention—and really, I’ll give my attention to 10x1h but not 24 times per year.
Babylon 5 is literally the only show I can think of with full length seasons and seasons that don't have episodes wasted on filler, and that really only applies to seasons 3 and 4, when the showrunner personally wrote every single script. He also wrote all of season 5, but there were production issues that messed with the pacing of the front half. The stress of writing 22 cohesive and relevant episodes every year was also getting to him. Somewhere in the 10-14 per year range feels like the sweet spot to me.
That said, a season needs to come out each year, not every other year. When there's too much time between seasons, the audience and the writers start losing track of how little time has passed in-universe and then characters start getting over things oddly fast.
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