Europeans and Asians also have roughly 2% Neanderthal DNA on average, so it's likely we absorbed a significant chunk of their population into our own.
The Tower is bad, but The Devil may be worse. Once you know what Yorinobu is up to, the one ending where he's stopped before he can pull it off is pretty bad.
Lightfall sunsetted everything I was using that wasn't an exotic. Completely destroyed my build.
Yeah, the Culling of Stratholme broke him, but it wasn't the wrong decision. And Uther and Jaina turning on him is part of why it broke him.
so long as you’re in immediate danger.
*not in immediate danger
~~Kane~~ Westwood lives in death!
At what point does it become a grass roots movement?
Worse. The network went under and they finished up the show with the remaining budget, cramming the front half of what was supposed to be season 5 into season 4. They didn't get picked up by TNT until after they filmed the series finale. After unexpectedly getting renewed, they filmed a new season 4 finale and pushed the already filmed finale back to the end of season 5. And JMS had to scramble to fill content now that half of it had already been used.
I think that's technically true regardless.
Epic also generated a lot of bad blood by scooping up Kickstarter projects and ordering the devs to cancel the Steam releases, releases that had already been paid for by backers. A bunch of potential customers refused to buy from Epic on principle after that.
This has been a problem for far, far, longer than you think. The silver age definitely had it, the golden age probably did, and I wouldn't be surprised if it cropped up in the proto-superhero stories, like Zorro. It's a consequence of having a long-form story where the narrative's status quo isn't allowed to meaningfully change and characters either aren't allowed to die or aren't allowed to stay dead. Recurring antagonists also can have much richer characterization and more complex relationships with the protagonists, which makes writing stories about them more appealing the more often they appear.
The usual trajectory for a new superhero or new incarnation of an existing superhero is to start off with street-level problems, then get a nemesis that has strong ties to those street level problems, then have the dynamic between the two grow in prominence to eclipse all other parts of the plot. The Joker, for instance, always starts off as either a mob boss with a gimmick or a serial killer with a gimmick, not far removed from the mundane crime Batman always starts with, but always winds up with a fixation on Batman and spawns stories designed as some commentary on Batman's no-killing rule. Again and again and again, dozens of times over the decades.
Why? Because the dynamic between the two characters tends to be fascinating and results in audience engagement.