We have to accept that Star Trek is almost like scifi’s version of the Simpsons. It’s done everything.
¡Ay, Dios no me ama!
We have to accept that Star Trek is almost like scifi’s version of the Simpsons. It’s done everything.
¡Ay, Dios no me ama!
Nowadays, especially nowadays, I'm just grateful that the optimistic spirit/energy of star trek is having a next next generation of its own. I'm here for it. Mostly (sorry disco).
Which imaginary treknologies strike you as the most scientifically sound?
For me it's the replicator turning shit into food, but everything may as well be magic.
Not sure how that makes it science based…
Just barely, but isn't that normal for treknobabble to be ripped from science headlines?
The movie has personality to spare, taking full advantage of its Vietnam-era setting, from the character archetypes in play to the musical choices.
Skull Island is a masterpiece in subverting soldier tropes. I giant middle finger to the generic GI Joe character we got in Godzilla.
Every heroic last stand is easily swatted by the monsters and we get Sam Jackson as Ahab leading them all to their deaths. I don't think they ever glorify the soldiers in the entire movie, which was fucking refreshing.
I just want to tell you how much I liked the episode that explored Klingon honor and how that hunting scene kept being recontextualized.
The show reminds me of Lower Decks in that it's different but it's the same. Cant wait to see more.
Somebody show this clown TNG The Most Toys, the one where the emotionless android feels a surge of hate and blasts the space billionaire that enslaved him.
RIKER: Mister O'Brien says the weapon was in a state of discharge.
DATA: Perhaps something occurred during transport, Commander.
And then he gets away with it because Riker hates billionaires too 😎👌
Just attribute the minor differences to the temporal cold war 👌
My brutal but fair take:
I feel the bigwigs for Star Trek would sacrifice us all, in a heartbeat, for their own Grogu to get the kiddos buying merch.
“The house I grew up in was built by the Dublin Corporation,” Meaney says.
“How could we build houses then and can’t build them now?... It’s fking Thatcherism, Reaganism, the neoliberals and the trickle-down economy that Fianna Fáil and Fine Gael both bought into, [the idea] that the market will sort everything out. B***ocks.”
Our boy doesn’t hold back and I’m here for it!
I feel this is a powerful argument against prequels in general, not just for star trek.
Like, I cant help but think you're right. The latter half of disco did indeed move the setting to a place where Academy can pick up and it seems like it's working.