For normal albums: Artist/Year - Album [release ID if necessary for ambiguity for various versions of an album]/Disc-track - title.extension . Compilations (soundtracks, promo mixes from shows, etc.) get "Various Artist" as the album artist and sorted under "Various Artists" of the top level of my albums directory. Stuff from other sources would sometimes get their own special directory at the top level outside "albums".

Tags are everything, that's where the in-depth data is. album folders hold extra art, inserts, metadata, etc.

I don't really make manual playlists using relatively pathed m3u anymore because support is inconsistent across the apps I've used to listen to my library. These days Plex, jellyfin, ncmpcpp (tui front-end for mpd) all handle their own playlists. Those are mostly just spontaneous groupings or automated shuffles I don't really keep track of.

Back in the day I made mixtapes on actual cassettes, recorded from the radio, my CDs, and later tracks I found on Napster and soulseek. Later I moved on to making tons of playlists in foobar2000. Some of those playlists probably still litter my hard drive (now dead text because the files having long since been reorganized and moved). For the really good tight playlists I made of that era, I'd make physical mix CDs that I would master with sound forge. Had a few people that would trade these around. Make a mix, master, make many copies, distribute. Those CDs often died in cars and turned into coasters, so I'd keep the bin and cue files of the masters to make replacements. Those tracks would ultimately get turned back into mp3 or flac depending on quality and tagged with my own title, cover art, etc. and get filed away in the Various Artist folder. Then I got an mp3 player and it's been either full album listening or dynamic playlists for me ever since.

I still make yearly playlists in Spotify as I discover new stuff or rediscover old stuff, like a musical diary. Those playlists inspire library additions via the artist directly, Bandcamp flac files, or other means.

Rhymes with anise. ;)

Have you seen the preview? It gives away pretty much the entire plot. This movie seems to share a lot more in common with Coraline than the theme of the title. Strip away from Coraline the fanciful neighbors, talking cat, and layer the supernatural world directly on top of the real world (in place of Coraline's Being John Malkovich style umbilical tunnel). Then smother the characters with generic horror elements popular today. Now you have this movie, which is "totally not Coraline minus everything that reminds us of Neil Gaiman, we promise." They clearly made this movie because someone wanted a live action Caroline, but didn't want to deal with the ick and marketing disaster of producing the work of a once beloved, now known creep and abuser, author.

Hey Beep, forget to switch accounts?

Do I really even want to know what LinkedIn games are?

More like working class traitor.

Give em The Harkness Test

I don't ask people about their politics. I just act like true things are true, e.g.: human instigated climate change, COVID, the efficiency of a single payer healthcare system, a oblate spheroid earth, and the moon landing. I'm politely understanding of the flaws in their world view, but I NEVER pretend that any of it is even up for debate. You can balance not being rude with not backing down from the objective reality you live in by showing an genuine fascination with their weird cult beliefs.

Conspiracy theories, religion, myths, and magic are all very comfortable fantasies that wither in the face of the existential dread from understanding that the universe is horrific and absolutely indifferent to your personal suffering. Being excellent to each other and maintaining faith in the potential of humanity (tempered by knowledge of our depravity) is our only hope of survival both physical, philosophical, political, and spiritual.

Ok, sorry that turned into a rant. This shit matters though, so not that sorry.

"Sensors" sounds like a magical solution that hasn't been thought through, but the marketing guys already sold it and won't listen to the engineers explaining how difficult it is to actually build such a thing.

Similarly, there are a lot of really lazy bad maps out there that are trying to make some point about a statistic, but are really just population density maps. Give your up votes to the person that links the appropriate xkcd.

It's the gritty psychedelic dystopian cyberpunk movie we didn't deserve. Nintendo had no idea how to produce a movie and just let them run fucking wild. Hollywood should be encouraged to take more chances. Fucking electric bumper cars demolition derby style car chase. Dino-people. Devo (the concept not the band). Psychic fungi. And all the other fucking weirdos. It's not even awesomely bad, it's badassly awesome.

What's most surprising to me is how closely the latest animated Movie Bros. movie followed the very broad strokes of the plot of the original, like a sanitized and fully kitsch commercial reboot, which is kind of appropriate for the world we live in.

I'm no nationalistic fanatic of the flag, but is it really so difficult to understand that the flag is a symbol?

Obviously each flag, be they for nations or other groups, represents more than just a piece of cloth to many people. Taking offence at someone else's identifying with what a flag symbolizes is not okay. But, I tend to look skeptically at worship of any kind of idol, be it flag, cross, or text. That still doesn't mean it's okay to hate or persecute people for their beliefs, even if they appear silly to you and as long as they don't hurt others.

One group can demonstrate their respect for the nation by physically following some rules around the flag and others can demonstrate their loyalty to their ideals of the nation being violated by flying the flag upside down or burning a flag.

A flag or banner is not just a piece of cloth, never has been.