The skeleton walkers did initially give me vibes of the cybermen ghosts of 10's run. They're not quite there, but everyone can see and acknowledge them, and they seem to be bleeding in from another reality.

Yes, this helps, thanks.

I already understood the need to avoid private money agents like Paypal, visa, etc. In the UK we have the BACS and FPS systems that allow for direct free money transfer. Though they should be more usable for day to day transactions, they work well enough if you need to send a significant amount of money between bank accounts.

Your explanation of the anonymity seems like the real value add of these digital currencies. The fact this only applies to the buyer and not the seller is a good choice, and definitely wins over blockchain crypto. Looking at it more closely, the fact they use signed tokens rather than proof-of-x is also a very good choice.

I will need to read up on Taler's docs more closely. But looking at the summary of features on their site something hits me as an immediate problem - you need to "load up" a wallet. If Jane Doe wants to buy a coffee, it's far easier to just use a bank card (which may interface through a private money agent like visa, or a middleman like google/apple). Loading up private wallets isn't a difficult concept (it's how gift cards work), but it does add extra steps of friction that I think will need to be removed before this can really be taken up by the general public.

It may harm the anonymity aspect, but I think that to get people using it a system that could operate like a tap-once-and-done bank card payment, loading up a wallet for immediate spend seems like the best solution. It would also help alleviate any fears that typically are associated with blockchain based digital currency - primarily of losing the signed digital money as it sits in a wallet out with the bank account's protections. And once the system is normalised and people are used to it, then all the architecture is there for anyone that really needs the anonymity.

Preface: I've heard people say far too often that the ESC is "too political", and that's nonsense. The ESC is not political enough. It is produced and sanitised and sterile with just enough of a hint of backroom politics to keep people angry in the right way without causing too much damage to the status quo. It needs to be more political, and it needs to be the artists themselves being political. Art without politics is worth less.

Now on to the episode: I enjoyed it. Being an ESC episode, I knew there had to be a Graham Norton cameo, and that did not disappoint. The acerbic "wish I hadn't signed away my appearance rights" was great. I recognise the name Rylan, but I actually have no idea who that is IRL.

We have in this episode one of the most dangerous villains we've ever had, and it was a random wronged victim, not a demigod, not a race of nazi-standin stormtroopers, just a regular person who was maligned by society. I like this a lot. It's a reminder that if you push people too far, you make them into lone wolf villains that can be more dangerous than you could imagine. The fact that the Corp killed an entire planet for fake honey is disgusting, but makes for an entertaining story. Totally not subtle but at this point I feel like subtlety even outwith doctor who is kind of dead, at this point I don't mind it that much. The fact that the threat was really high stakes but not "the entire universe" high (because someone has to stay alive to hold the Corp to account) paradoxically makes it seem like higher stakes than usual. As in, it could actually happen without meaning the series has to end. Doctor going nuts is a bit off putting to watch, but that's the point. It reminds me a bit of 10s first outing where after the PM kills all the Sycorax he loses it, though certainly not as off the rails as happens in this ep.

I enjoyed the song contest parody, especially the juxtaposition of the horror and the camp awfulness. Lots of diversity here in the casting and characters, which is good as always. The gambling rule was a good justification for the plot to proceed as it did. The whole episode is poking fun at and criticising the awful things that sponsors of nice events and causes do. I wonder how the ESC / Morrocanoil feel about this - the ESC's main sponsor, and there's suggestions they operate in Israeli-occupied Palestinian territories, which bears some echoes to what the Hellia went through. I notice that they didn't explicitly mention the ESC by name once in the episode. did they have difficulty getting the rights to that? Can't imagine why... The whole hellia story needs to be explored in more detail.

Grumbles: Plotwise I am a bit confused how Kid got into the station in the first place. Surely it would take more then just having one Helper already on the inside. I'm getting the same annoying reaction of "this highly important place has really shit security" that I got from UNIT previously. Is there no 2FA in the future?

There was a pronoun thrown in there (she/her), and aside from a "definite article" gag it was the only one. I usually dont nit-pick on these things but it stood out in a bad way here. It would have fit in better if they had done that more than once, maybe with a few neo pronouns thrown in as well (there are aliens after all).

Miscellaneous wider plot notes: A confusing susan cameo, amazing they actually got Carol Ann Ford for that. Wonder if that's going to be followed up or not. Finally got answers for Mrs flood. I'm glad it wasn't the master. Interesting they're making bigeneration a general thing, and not just a one-off.

I really enjoyed this one. A nice tight mostly self contained sci-fi story, set in Lagos, but with some nice ties in to the wider plot.

Random aside, this isn't the first time I've come across Lagos in a multi-dimensional sci fi story. M.R. Carey's Pandominion series uses the locale to good effect. In a perfect world that shouldn't really stand out but having been through enough London/New York focused stories from so many franchises it's nice to see somewhere new take the role of global crossroads for interesting stories.

The idea of an engine powered by stories is a great sci fi concept. I did feel some of the elements were a tad in my face - the heart of the engine is a... heart? ok, ;). Imagery aside, one of the last lines is just wanting credit for your work, and that's very timely given the current space of the creative landscape being very unforgiving for artists. Stories are a massive part of our culture, and sharing them, adapting them, remixing them to our needs, and then resharing them with yet more people is vitally important.

The inclusion of Martin's doctor was totally unexpected, and I hope that eventually leads somewhere. I can see a lot of potential there. Exploring the full story with Anansi would be great.

Mrs Flood relies on the NHS for her meds. Something to rile up the "Doctor Who's gone too woke" haters - An interdimensional immigrant using our healthcare (and I'll bet Mrs Flood doesn't even pay taxes)!

Loved it.

First off, the premise is great. It's a trope that's been done quite a lot now (childhood toy/show/experience gone wrong), but it still works well. Great animation and voice acting on the cartoon characters, including the Doctor and the Nurse when they as they went from 2D out to 4th wall-busting characters.

A thought occurred to me while watching - right now the BBC is partnered with Disney. If they had partnered with HBO instead like they have on other dramas... we would have had an episode full of bugs bunny and "What's up doc", a la Space Jam. I'm not sure if that would have been better or worse. :)

Breaking the 4th wall and going meta can be difficult, but I think it paid off. The "real" fans poking fun at the show's nonsense was self aware which helps. All the fans saying "Blink", an episode the Doctor was hardly even in, was hilarious.

I am glad they did keep follow on with Belinda really wanting to go home and not mess around in an abandoned building for at least one more episode.

I still have no clue what's going on with the larger plot about Mrs Flood.

The time loop has left me confused. I'm not entirely sure what happened there. I guess this is one of those paradoxy things that doesn't have a beginning, but that whole plot point was quite unsatisfying.

Poking fun at those fake "buy a plot of land on the moon", "name a star after you" deeds is great. I never understood them.

AI/AL generator just seemed a wee bit too on the nose for "things in the zeitgeist right now", but the reveal did get a chuckle out of me. Definite cyberman vibes here, and at one point he/it used the word "conversion", I wonder if some draft had cybermen in it or if that's just doctor who script language leaking through. I like the design of the armed robots: they look a bit childish and gamey like giant toys, but it fits thematically if ultimately they were designed by an incel manboy.

Interesting idea behind the brain-computer interface being buggy - computers think in powers of 2, 8 is a common grouping, and it's easy to make an off-by-one bug. If someone has managed to grab a subtitle track, it would be great to scan through and check every ninth word for the whole episode, and see if there are more hidden messages. I love when shows do that.

A minor logic issue around the names used - We're not called sunkind, nor do we live on planet human, so I'm not sure why everything was missbelindachandra-xyz, but logic aside it was amusing. Also, I guess Sasha 55 was a clone? That's usually what name-number means in sci-fi, but we never got a real explanation of that. For the rest of the season if they decide to just keep going by "the Nurse" and "the Doctor", I would love that.

Given what's been in the news lately about companies like 23andme, and the privacy associated with DNA, when the doctor scanned her, my first reaction was "oh, that's a bit weird, does he really just DNA-scan everyone he comes across?", so for her to immediately call him out on it was fantastic.

I like that the Nurse's character is wary of men, given her previous bad relationship, and it's good to have a character willing to call the Doctor on his BS. Even acting with the best of intentions, a man in a position of power over a woman can't be doing things that make her feel uncomfortable, like basically kidnapping her. I really hope that in the next episode she keeps this up and doesn't immediately forgive and forget.

On disintegrating that poor cat: Don't hurt the cat. I hate it when animals get hurt even in fiction. Wreck the humans and bots all you want, fine, but not the poor animals. I am annoyed that there wasn't some sort of timey wimey explanation that fixes it and brings it back to life, it just gets played off for laughs with a "went to live on a farm".

Some issues, but a pretty good opener. 7/10

ahem, that's PROFESSOR Hanks, thank you very much

"Key franchises"? And they don't think WW is a key franchise? Out of all their films from the past few years, the WW ones have been some of the best. If they don't want to do anything with it, they don't deserve the IP.

Women are a better person to be in the past than a good quality piece of wood

I could not get into the baby episode. The talking babies just put me off. Might have been scarier than the actual monster.

But the devil's cord was better. Great concept. Good mix of fun and serious and a nice follow up to the toy maker. I didn't feel it really made the most use of the beatles though, the maestro could have been in any time period with any musician. I was pleasantly surprised by the twist at the end.

RTD likes his recurring threads, so I guess the pantheon is going to anchor this series. So far we've had masters (gods?) of toys and music. What next - the different parts of what makes being human? Love? Food? And how does Ruby fit into it.

So far ncuti and millie are fitting in well. A bit different, bringing their own flair, but still capturing the right feel.

More ascension stuff this episode. I wonder if that's ever going to be explored, or if it will only ever be left as a gag. It seems like the kind of thing that would be difficult to dig into in a satisfying way.

To be honest, I could get behind fines for overrunning street works. Hell, go further: fines for any overrunning, underdelivering or overbudget public contracts. That would quickly resolve the mess that the torys have made giving out dodgy contracts to their mates.