My understanding of the concept was that it was something like multiple channels of data being sent along the same wire. So long as the frequencies are the right kind of different they’ll essentially exist completely independent of each other.
Maybe this requires a minimum of two time dimensions so that the variance can result in the different beings following time along different “tracks”?
I took Troi’s awareness of the beings to be a result of the intermittent overlapping bits of time where they did overlap. Like, it happened too quickly to perceive visually, but enough for the empath to have something to pick up on.
Here's a shot at the balloon filling up with water explanation:
It's like two cars driving down a highway at night. You see the headlights from the car ahead of you illuminating the scenery, but you never catch up to them.
I think OP is implying that time works like a film strip, so that if I’m five minutes behind you, I see where you were five minutes ago.
That’s the way time travel in Trek works. If you travel from Time B in the future to Time A in the past at a given place, you see the place as it was at that time, including the people who were there.
I think that rather being just shifted in time a la time travel, they were actually dealing with a flex in spacetime, like a curve in the road you can’t quite see around, but Diana could see their essence like light from the tail lights, as in your example.
In other words, they were caught in a time warp, again.
10/10
Huh. It occurs to me that the writers were treating the passage of time as though they were frame rates of film/ video.
I'm not sure there's anything to this but the concept of matter and energy in our observable reality "vibrating" at a certain frequency might have something to do with the episode. Putting this in film terms we would say that the universe runs at 120fps (or more) while the Enterprise, crew, et al, reside/ experience reality at 60fps, and the orifice aliens experience it on the alternating frames also at 60fps. We're seeing two different narratives taking place on alternating frames.
This doesn't explain why the same planet is still there on the alternating frames.
@commander_la_freak @emeralddawn45
That's a new way to explain it, “frame rate”.
Most #scifi that touches on #ParallelWorlds and #TimeTravel use some sort of vibration or frequency. Even in the 90s Japanese #anime entitled #SerialExperimentsLain, it used the Schumann resonance to explain its plot. And of course in #Marvel and #DC they do the same.
But, yeah, I'm not sure either about it. Is there a way to find out which author/writer first thought of this idea? Or, was it based on a real-life theory that scifi authors picked-up independently? Or, was it Star Trek that created this approach?
(And again, that frame rate approach is great. ^_^)
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