8
submitted 1 week ago* (last edited 1 week ago) by khaosworks@startrek.website to c/daystrominstitute@startrek.website

The story on the tapes jumps ahead to five years after McGivers’ death, around 2273. The exile started in late 2267, 4 months pass bringing us into 2268, McGivers becomes pregnant, dies, Kali is born late 2268, five years later brings us to 2273.

Lear refers to tapes CA5-47-31M, CA5-49-2P and CA5-39-17U. How the naming convention is organised is not clear, although the “5” could indicate the year of exile.

Lear notes that Kali’s maturity and intelligence at 5 were consistent with a child twice her age. Advanced development in children in science fiction is a common trope (see Alexander Rozhenko), but at least her Augmented heritage accounts for some of it.

In CA5-53-12K, Khan encourages Kali to quote from Kubla Khan (“The shadow of the dome of pleasure / Floated midway on the waves”) while Kali wants to read more Shakespeare, showing good taste for a child her age.

CA5-61-3P says that Paolo, Kamora, Joachim and Delmonda were selected for the rescue mission. It was established in the last episode that the ship could only hold four people.

Tuvok searches the entries from Day 1800-1900 and plays the last entry, which would be approximately 5.2 years into the exile. Khan quotes from William Butler Yates’s 1919 poem The Second Coming: “Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world” and references the last two lines of the poem: “And what rough beast, its hour come round at last, / Slouches towards Bethlehem to be born?” Yeats was contemplating the aftermath of World War I, the start of the Irish War of Independence and the flu pandemic of 1918-1919, which explains the poem’s apocalyptic imagery and its sense of the end of one era of history and the instability that accompanies the birth of another.

Ursula and Madot have broken up due to the death of their unborn child in the previous episode.

Kali packs a copy of the Complete Works of William Shakespeare. In the cargo pod Chekov encounters in ST II, there is no copy of the Complete Works seen, but there is a copy of King Lear, Shakespeare’s play of a king’s descent into madness.

Kali references the sinking of Sea Venture as her inspiration for naming the rescue ship Venture. Sea Venture’s was part of a supply fleet to Jamestown in Virginia in 1609. It got separated from the fleet and was wrecked on the then-uninhabited island of Bermuda. It is believed to have inspired Shakespeare’s The Tempest. That play in turn also inspired the 1956 science fiction film Forbidden Planet, which also influenced Star Trek.

Khan corrects Kali, who believes the wreck also inspired As You Like It, by pointing out that the play was written in 1599. There is a bigger problem here, though, as while several of Shakespeare’s plays have shipwrecks, As You Like It is not among them. Kali may be thinking of The Comedy of Errors (1592) or even Twelfth Night (1601-1602), if we’re sticking to comedies, although those also predate the wreck of Sea Venture.

Once the ship leaves, the caves will collapse and be uninhabitable, which explains why Khan and his Augments were living in the cargo pod in ST II. The ship uses a “spatial compression drive”, which sounds similar to the coaxial warp drive that could fold space in VOY: “Vis à Vis” or the spatial trajector of VOY: “Prime Factors”.

Khan alludes to Starfleet not checking back on them in the five years since the exile, a question that is as yet unanswered in this series.

The question of what destroyed Ceti Alpha VI, however, is resolved. Delmonda explains that when the power that allows the drive to bend space and time was about to lose containment, he chose to vent the energy out of the Elborean ship’s forward ports, and that destroyed Ceti Alpha VI.

This actually connects to one risk of the Alcubierre drive (which also bends spacetime), which is that everything that is caught at the leading edge of the Alcubierre “warp bubble” gets accumulated and carried along. Once the bubble stops at its destination and collapses, all that accumulated energy/debris would be released with devastating effect. I emphasise as I have always done that Star Trek warp drive is not the Alcubierre drive.

Delmonda’s replies to Khan as the latter offers to part as friends, “I have been and always shall be yours.” This is, of course, what Spock says to Kirk in his room in ST II and then paraphrases of when he dies at the end of the movie.

Tuvok dates the crash of the rescue ship at 21 years prior. Give my sums above, this would place the time of the framing sequence in 2294, although the first episode started in 2293. The dates are a bit fuzzy here because Lear and Tuvok are on the surface of Ceti Alpha V twenty-six years after the exile, which would be consistent with the 2293 date but not 2294. Possibly Excelsior was in orbit for several months after that, which might explain Sulu’s impatience.

8
submitted 1 week ago* (last edited 1 week ago) by khaosworks@startrek.website to c/startrek@startrek.website

The story on the tapes jumps ahead to five years after McGivers’ death, around 2273. The exile started in late 2267, 4 months pass bringing us into 2268, McGivers becomes pregnant, dies, Kali is born late 2268, five years later brings us to 2273.

Lear refers to tapes CA5-47-31M, CA5-49-2P and CA5-39-17U. How the naming convention is organised is not clear, although the “5” could indicate the year of exile.

Lear notes that Kali’s maturity and intelligence at 5 were consistent with a child twice her age. Advanced development in children in science fiction is a common trope (see Alexander Rozhenko), but at least her Augmented heritage accounts for some of it.

In CA5-53-12K, Khan encourages Kali to quote from Kubla Khan (“The shadow of the dome of pleasure / Floated midway on the waves”) while Kali wants to read more Shakespeare, showing good taste for a child her age.

CA5-61-3P says that Paolo, Kamora, Joachim and Delmonda were selected for the rescue mission. It was established in the last episode that the ship could only hold four people.

Tuvok searches the entries from Day 1800-1900 and plays the last entry, which would be approximately 5.2 years into the exile. Khan quotes from William Butler Yates’s 1919 poem The Second Coming: “Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world” and references the last two lines of the poem: “And what rough beast, its hour come round at last, / Slouches towards Bethlehem to be born?” Yeats was contemplating the aftermath of World War I, the start of the Irish War of Independence and the flu pandemic of 1918-1919, which explains the poem’s apocalyptic imagery and its sense of the end of one era of history and the instability that accompanies the birth of another.

Ursula and Madot have broken up due to the death of their unborn child in the previous episode.

Kali packs a copy of the Complete Works of William Shakespeare. In the cargo pod Chekov encounters in ST II, there is no copy of the Complete Works seen, but there is a copy of King Lear, Shakespeare’s play of a king’s descent into madness.

Kali references the sinking of Sea Venture as her inspiration for naming the rescue ship Venture. Sea Venture’s was part of a supply fleet to Jamestown in Virginia in 1609. It got separated from the fleet and was wrecked on the then-uninhabited island of Bermuda. It is believed to have inspired Shakespeare’s The Tempest. That play in turn also inspired the 1956 science fiction film Forbidden Planet, which also influenced Star Trek.

Khan corrects Kali, who believes the wreck also inspired As You Like It, by pointing out that the play was written in 1599. There is a bigger problem here, though, as while several of Shakespeare’s plays have shipwrecks, As You Like It is not among them. Kali may be thinking of The Comedy of Errors (1592) or even Twelfth Night (1601-1602), if we’re sticking to comedies, although those also predate the wreck of Sea Venture.

Once the ship leaves, the caves will collapse and be uninhabitable, which explains why Khan and his Augments were living in the cargo pod in ST II. The ship uses a “spatial compression drive”, which sounds similar to the coaxial warp drive that could fold space in VOY: “Vis à Vis” or the spatial trajector of VOY: “Prime Factors”.

Khan alludes to Starfleet not checking back on them in the five years since the exile, a question that is as yet unanswered in this series.

The question of what destroyed Ceti Alpha VI, however, is resolved. Delmonda explains that when the power that allows the drive to bend space and time was about to lose containment, he chose to vent the energy out of the Elborean ship’s forward ports, and that destroyed Ceti Alpha VI.

This actually connects to one risk of the Alcubierre drive (which also bends spacetime), which is that everything that is caught at the leading edge of the Alcubierre “warp bubble” gets accumulated and carried along. Once the bubble stops at its destination and collapses, all that accumulated energy/debris would be released with devastating effect. I emphasise as I have always done that Star Trek warp drive is not the Alcubierre drive.

Delmonda’s replies to Khan as the latter offers to part as friends, “I have been and always shall be yours.” This is, of course, what Spock says to Kirk in his room in ST II and then paraphrases of when he dies at the end of the movie.

Tuvok dates the crash of the rescue ship at 21 years prior. Give my sums above, this would place the time of the framing sequence in 2294, although the first episode started in 2293. The dates are a bit fuzzy here because Lear and Tuvok are on the surface of Ceti Alpha V twenty-six years after the exile, which would be consistent with the 2293 date but not 2294. Possibly Excelsior was in orbit for several months after that, which might explain Sulu’s impatience.

6
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/daystrominstitute@startrek.website

Lear’s senior thesis was an examination of the Federation ban on genetic engineering and the blurred lines when it comes to Augmentation, using the expression “God is in the grey areas,” a variation on the expression “God is in the details.” The phrase is attributed to various people, including Ludwig Mies van der Rohe and Gustave Flaubert, and is usually taken to mean that when attention is given to details big rewards can be derived. A related expression is “the Devil is in the details”, meaning that while things may seem simple on the surface, an examination of the details will reveal complications. It’s more likely that Lear means the latter rather than the former.

Lear also mentions discrimination against hundred of people with small percentages of Augment DNA, many of them Starfleet officers. Known Starfleet officers with Augmented genetics include SNW’s La’An Noonien Singh, although to what extent she has Augmented abilities is unclear, and Una Chin-Riley, although she is not a descendant of Earth Augments but is augmented due to her Illyrian background - both as of 2261. Dal R’El (PRO) was a Human Augment hybrid, and as a result was initially barred from entering Starfleet Academy in 2385. The 2370s would see Julian Bashir (DS9: “Doctor Bashir, I Presume”) and the members of the Jack Pack (DS9: “Statistical Probabilities”).

Tuvok expresses skepticism about Starfleet officers judging people with Augment ancestry that they do not control but Lear says he’d be surprised. She may be referring to incidents like Chin-Riley’s court martial in 2260 for concealing her Illyrian heritage (SNW: “Ad Astra Per Aspera”).

Tuvok also thinks Lear isn’t telling him the whole story. He says Vulcans find it incredibly difficult to lie, and many are incapable of it, and that this somehow this makes them sensitive to others lying.

Tuvok’s admission that lying is difficult for Vulcans rather than impossible is probably as close as we can get to a fair formulation of the “Vulcans never lie” myth. If we accept Vulcan logic as being devoted to the principle of c’thia, or “reality-truth”, an acceptance of reality as it is, as opposed of what we want it to be, then one can see why it becomes difficult as a matter of principle to deviate from it. Most times when we see Vulcans lie it is usually for what they consider the greater good, or justified as such, with Spock being a prime example. Even Tuvok himself lied when he went undercover in the Maquis (VOY: “Caretaker”).

McGivers and Khan’s as-yet-unborn daughter is named Kali, the Hindu goddess associated with time, death and destruction, although Western depictions of her mostly emphasize the latter qualities, mainly because of her association with the Thuggee cult.

Barolo wine is a red wine from the Piedmont region of France, made from nebbiolo grapes. The bottle in Ivan’s possession comes from a warlord in Kashmir, at the Northern tip of India, bordering Afghanistan.

Ursula’s “If you strike at a king, you best not miss,” is a combination of a saying attributed to Ralph Waldo Emerson (“When you strike at a king, you must kill him.”) and the more famous pop culture formulation from The Wire (“You come at the king, you best not miss.”). Ivan’s retort, “I never miss,” is also what James Bond quips when he despatches Elektra King in The World is Not Enough.

The song the young Augments are listening to on Ivan’s boombox is “Your Touch” by Particle House, released in 2021. There were several references in previous episodes to this still being a timeline where Khan and his people left Earth in 1996, but if we are to take this as accurate, perhaps we are in the timeline where the Eugenics Wars took place in the 2020s (SNW: “Tomorrow and Tomorrow and Tomorrow”).

We know that McGivers eventually died because of the Ceti eels, and we are now told how she became infected.

Ivan’s scream of “Khan!” is of course echoing the infamous scene where Kirk also screams Khan’s name in ST II.

I’m pretty much on board with the idea that Lear is Kali. The sums work out (she would be around 25-26 years old), as well as why Delmonda would hand her McGivers’ logs and Lear’s interest in how the Federation deals with people with Augment ancestry. They could of course throw us a twist, but it’d be a cheap one given the build-up.

As Marla slips away, Khan quotes from the last stanza of Kubla Khan: “A damsel with a dulcimer / In a vision I once saw: / It was an Abyssinian maid / And on her dulcimer she played, / Singing of Mount Abora. / Could I revive within me / Her symphony and song, / To such a deep delight ’twould win me, / That with music loud and long, / I would build that dome in air…”

8
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/startrek@startrek.website

Lear’s senior thesis was an examination of the Federation ban on genetic engineering and the blurred lines when it comes to Augmentation, using the expression “God is in the grey areas,” a variation on the expression “God is in the details.” The phrase is attributed to various people, including Ludwig Mies van der Rohe and Gustave Flaubert, and is usually taken to mean that when attention is given to details big rewards can be derived. A related expression is “the Devil is in the details”, meaning that while things may seem simple on the surface, an examination of the details will reveal complications. It’s more likely that Lear means the latter rather than the former.

Lear also mentions discrimination against hundred of people with small percentages of Augment DNA, many of them Starfleet officers. Known Starfleet officers with Augmented genetics include SNW’s La’An Noonien Singh, although to what extent she has Augmented abilities is unclear, and Una Chin-Riley, although she is not a descendant of Earth Augments but is augmented due to her Illyrian background - both as of 2261. Dal R’El (PRO) was a Human Augment hybrid, and as a result was initially barred from entering Starfleet Academy in 2385. The 2370s would see Julian Bashir (DS9: “Doctor Bashir, I Presume”) and the members of the Jack Pack (DS9: “Statistical Probabilities”).

Tuvok expresses skepticism about Starfleet officers judging people with Augment ancestry that they do not control but Lear says he’d be surprised. She may be referring to incidents like Chin-Riley’s court martial in 2260 for concealing her Illyrian heritage (SNW: “Ad Astra Per Aspera”).

Tuvok also thinks Lear isn’t telling him the whole story. He says Vulcans find it incredibly difficult to lie, and many are incapable of it, and that this somehow this makes them sensitive to others lying.

Tuvok’s admission that lying is difficult for Vulcans rather than impossible is probably as close as we can get to a fair formulation of the “Vulcans never lie” myth. If we accept Vulcan logic as being devoted to the principle of c’thia, or “reality-truth”, an acceptance of reality as it is, as opposed of what we want it to be, then one can see why it becomes difficult as a matter of principle to deviate from it. Most times when we see Vulcans lie it is usually for what they consider the greater good, or justified as such, with Spock being a prime example. Even Tuvok himself lied when he went undercover in the Maquis (VOY: “Caretaker”).

McGivers and Khan’s as-yet-unborn daughter is named Kali, the Hindu goddess associated with time, death and destruction, although Western depictions of her mostly emphasize the latter qualities, mainly because of her association with the Thuggee cult.

Barolo wine is a red wine from the Piedmont region of France, made from nebbiolo grapes. The bottle in Ivan’s possession comes from a warlord in Kashmir, at the Northern tip of India, bordering Afghanistan.

Ursula’s “If you strike at a king, you best not miss,” is a combination of a saying attributed to Ralph Waldo Emerson (“When you strike at a king, you must kill him.”) and the more famous pop culture formulation from The Wire (“You come at the king, you best not miss.”). Ivan’s retort, “I never miss,” is also what James Bond quips when he despatches Elektra King in The World is Not Enough.

The song the young Augments are listening to on Ivan’s boombox is “Your Touch” by Particle House, released in 2021. There were several references in previous episodes to this still being a timeline where Khan and his people left Earth in 1996, but if we are to take this as accurate, perhaps we are in the timeline where the Eugenics Wars took place in the 2020s (SNW: “Tomorrow and Tomorrow and Tomorrow”).

We know that McGivers eventually died because of the Ceti eels, and we are now told how she became infected.

Ivan’s scream of “Khan!” is of course echoing the infamous scene where Kirk also screams Khan’s name in ST II.

I’m pretty much on board with the idea that Lear is Kali. The sums work out (she would be around 25-26 years old), as well as why Delmonda would hand her McGivers’ logs and Lear’s interest in how the Federation deals with people with Augment ancestry. They could of course throw us a twist, but it’d be a cheap one given the build-up.

As Marla slips away, Khan quotes from the last stanza of Kubla Khan: “A damsel with a dulcimer / In a vision I once saw: / It was an Abyssinian maid / And on her dulcimer she played, / Singing of Mount Abora. / Could I revive within me / Her symphony and song, / To such a deep delight ’twould win me, / That with music loud and long, / I would build that dome in air…”

5
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/daystrominstitute@startrek.website

The title may be a reference to the Aristotelian concept of the common good, although that has been used to justify utilitarian positions, where the correct decision is deemed to be one that benefits the greatest number of members of a given community. Of course, that means that the minority may bear the brunt of the disadvantages.

The synopsis of the episode confirms the spelling of Elborean and Delmonda.

McGivers’ log says it’s the 208th day of the exile, which means about a month has elapsed since the last episode.

Delmonda says a “pandem” is “a collection of minds bonded beyond convenience or aptitude”. Given the literary proximity of Khan’s story to Milton’s Paradise Lost, one can’t help but think of “pandemonium”, which was Milton’s name for Hell, or “the place of all demons” (pan + demon).

The deception that Delmonda detects from Khan is of course his spin on how he came to Ceti Alpha V - not by choice, but because Kirk exiled them there.

Joachim calls the Elboreans “Elbs”. Erica says he’s the best fisherman of their group and the first one to chart the “Sunless Sea”, taking the name from McGivers’ quoting of the opening of Coleridge’s “Kubla Khan”: “Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea.”

Ursula says her and Madot’s baby is due in eight more weeks (two months), which is consistent with it being about seven months since the start of the exile, since the baby was conceived about a week into the exile (KHA: “Paradise”).

Khan says the four most terrifying words in the English language are, “We come in peace.” In DIS: “The Vulcan Hello”, T’Kuvma exhorts his people to “lock arms against those [the Federation] whose fatal greeting is… ‘We come in peace.’”

McGivers alludes to the fairy tale of “Hansel and Gretel” when she says “no wandering through the caverns without breadcrumbs”.

As noted at the start of “Paradise”, in 2287 (six years prior to 2293) an “anonymous source” (or so she told the Starfleet Civilian Resource Allocation Committee) gave Lear McGivers’ logs recorded while on Ceti Alpha V. She now reveals that it was Delmonda.

7
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/startrek@startrek.website

The title may be a reference to the Aristotelian concept of the common good, although that has been used to justify utilitarian positions, where the correct decision is deemed to be one that benefits the greatest number of members of a given community. Of course, that means that the minority may bear the brunt of the disadvantages.

The synopsis of the episode confirms the spelling of Elborean and Delmonda.

McGivers’ log says it’s the 208th day of the exile, which means about a month has elapsed since the last episode.

Delmonda says a “pandem” is “a collection of minds bonded beyond convenience or aptitude”. Given the literary proximity of Khan’s story to Milton’s Paradise Lost, one can’t help but think of “pandemonium”, which was Milton’s name for Hell, or “the place of all demons” (pan + demon).

The deception that Delmonda detects from Khan is of course his spin on how he came to Ceti Alpha V - not by choice, but because Kirk exiled them there.

Joachim calls the Elboreans “Elbs”. Erica says he’s the best fisherman of their group and the first one to chart the “Sunless Sea”, taking the name from McGivers’ quoting of the opening of Coleridge’s “Kubla Khan”: “Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea.”

Ursula says her and Madot’s baby is due in eight more weeks (two months), which is consistent with it being about seven months since the start of the exile, since the baby was conceived about a week into the exile (KHA: “Paradise”).

Khan says the four most terrifying words in the English language are, “We come in peace.” In DIS: “The Vulcan Hello”, T’Kuvma exhorts his people to “lock arms against those [the Federation] whose fatal greeting is… ‘We come in peace.’”

McGivers alludes to the fairy tale of “Hansel and Gretel” when she says “no wandering through the caverns without breadcrumbs”.

As noted at the start of “Paradise”, in 2287 (six years prior to 2293) an “anonymous source” (or so she told the Starfleet Civilian Resource Allocation Committee) gave Lear McGivers’ logs recorded while on Ceti Alpha V. She now reveals that it was Delmonda.

4

Sulu dates the scans made by Enterprise of the Ceti Alpha system as Stardate 3143.1. TOS: “Space Seed”, according to the logs, takes place between Stardate 3141.9 and 3143.3. The latter log is apparently recorded just before the hearing where Kirk decides Khan’s (and McGivers’) fate. This is consistent with Kirk already having decided to offer Khan exile before the hearing commences.

The ban on genetic augmentation is such a core part of Star Trek lore now that it’s easy to forget that it was only inserted into continuity in DS9: “Doctor Bashir, I Presume” - Season 5, Episode 15, in 1997. Indeed, in episodes like TNG: “Unnatural Selection”, 9 years earlier, Picard and Pulaski come across a genetic manipulation program on Darwin Station and don’t even blink.

Lear asks why Kirk never checked on the “seeds he planted”, echoing Spock’s last words from “Space Seed”: “It would be interesting, Captain, to return to that world in a hundred years and to learn what crop has sprung from the seed you planted today.”

Ceti Alpha VI’s explosion places this episode six months into the exile, which is about two months after the previous episode where Khan and McGivers are married. McGivers confirms this a few minutes later into the episode.

Khan uses the same phrase (“laid waste”) as he does in ST II to describe the consequences to Ceti Alpha V of Ceti Alpha VI exploding.

Joachim’s advice to Erica about aiming the pointy end echoes a line from The Mask of Zorro, where Alejandro Murrieta is asked if he knows how to use a sword and replies, “The pointy end goes in the other man.”

McGivers relates the events of Zefram Cochrane’s first warp flight, making a warp-capable ship from a nuclear missile, and making contact with Vulcans, as chronicled in First Contact. She would be unaware of the involvement of time-traveling Borg and the crew of Enterprise-E, of course.

“Superior” is an adjective often used by and with Augments. In “Space Seed”, Spock notes that “superior ability breeds superior ambition,” a sentiment Archer echoes in ENT: “The Augments”. Khan describes McGivers as a “superior woman” as he accepts her going into exile with him. In ST II, Joachim and Kirk both refer to Khan as the “superior intellect”, although Kirk does so mockingly.

The alien is Delmonda of Elboria, many thousands of light years away, and they have journeyed two “spans”, presumably meaning years. I am not certain of the spelling of Elboria (and for a minute I thought he was saying El-Auria, i.e. Guinan’s system), but the Alborians are a reptilian race that appeared in the DS9 YA novel The Pet, and they don’t fit the description of these aliens.

McGivers quotes the first lines of Samuel Taylor Coleridge’s 1797 poem “Kubla Khan: or A Vision in a Dream”. Famously, Coleridge claimed he composed the entire poem in an opium-induced dream, but only managed to get a few stanzas down before he was interrupted by a “man from Porlock” on business, causing him to forget the 200-300 line poem.

The lines are also used in Orson Welles’ 1941 classic Citizen Kane to describe the opulent estate of the titular Charles Foster Kane, an extension of Kane’s ego and hubris but ultimately a crumbling ruin where he dies in isolation - foreshadowing the fate of Khan’s colony, perhaps?

5

Sulu dates the scans made by Enterprise of the Ceti Alpha system as Stardate 3143.1. TOS: “Space Seed”, according to the logs, takes place between Stardate 3141.9 and 3143.3. The latter log is apparently recorded just before the hearing where Kirk decides Khan’s (and McGivers’) fate. This is consistent with Kirk already having decided to offer Khan exile before the hearing commences.

The ban on genetic augmentation is such a core part of Star Trek lore now that it’s easy to forget that it was only inserted into continuity in DS9: “Doctor Bashir, I Presume” - Season 5, Episode 15, in 1997. Indeed, in episodes like TNG: “Unnatural Selection”, 9 years earlier, Picard and Pulaski come across a genetic manipulation program on Darwin Station and don’t even blink.

Lear asks why Kirk never checked on the “seeds he planted”, echoing Spock’s last words from “Space Seed”: “It would be interesting, Captain, to return to that world in a hundred years and to learn what crop has sprung from the seed you planted today.”

Ceti Alpha VI’s explosion places this episode six months into the exile, which is about two months after the previous episode where Khan and McGivers are married. McGivers confirms this a few minutes later into the episode.

Khan uses the same phrase (“laid waste”) as he does in ST II to describe the consequences to Ceti Alpha V of Ceti Alpha VI exploding.

Joachim’s advice to Erica about aiming the pointy end echoes a line from The Mask of Zorro, where Alejandro Murrieta is asked if he knows how to use a sword and replies, “The pointy end goes in the other man.”

McGivers relates the events of Zefram Cochrane’s first warp flight, making a warp-capable ship from a nuclear missile, and making contact with Vulcans, as chronicled in First Contact. She would be unaware of the involvement of time-traveling Borg and the crew of Enterprise-E, of course.

“Superior” is an adjective often used by and with Augments. In “Space Seed”, Spock notes that “superior ability breeds superior ambition,” a sentiment Archer echoes in ENT: “The Augments”. Khan describes McGivers as a “superior woman” as he accepts her going into exile with him. In ST II, Joachim and Kirk both refer to Khan as the “superior intellect”, although Kirk does so mockingly.

The alien is Delmonda of Elboria, many thousands of light years away, and they have journeyed two “spans”, presumably meaning years. I am not certain of the spelling of Elboria (and for a minute I thought he was saying El-Auria, i.e. Guinan’s system), but the Alborians are a reptilian race that appeared in the DS9 YA novel The Pet, and they don’t fit the description of these aliens.

McGivers quotes the first lines of Samuel Taylor Coleridge’s 1797 poem “Kubla Khan: or A Vision in a Dream”. Famously, Coleridge claimed he composed the entire poem in an opium-induced dream, but only managed to get a few stanzas down before he was interrupted by a “man from Porlock” on business, causing him to forget the 200-300 line poem.

The lines are also used in Orson Welles’ 1941 classic Citizen Kane to describe the opulent estate of the titular Charles Foster Kane, an extension of Kane’s ego and hubris but ultimately a crumbling ruin where he dies in isolation - foreshadowing the fate of Khan’s colony, perhaps?

4
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/daystrominstitute@startrek.website

The title refers to Khan and McGivers’ discussion about the importance of memorialising the dead, which he describes as magical thinking - the state of mind that connects seemingly unrelated events or phenomena, usually with supernatural causes. In psychiatric terms, it is thinking that one’s inner beliefs and thoughts can influence external events.

Khan says he knows what Ursula is doing in the medlab. In the previous episode, Madot and Ursula had successfully made Madot pregnant.

Khan asks Ivan, “My brother, what have I done?” and Ivan replies, “What you always do. Guided us, inspired us, protected us.” In ST III, after destroying Enterprise, Kirk asks McCoy, “My God, Bones, what have I done?” and McCoy replies, “What you had to do. What you always do. Turn death into a fighting chance to live.” This is the second time the series parallels Khan with Kirk, the last episode noting that when things don’t go according to plan, Khan changes the plan, much like Kirk changing the rules when faced with a no-win situation (ST II).

Ursula’s medical analysis translated says Richter died from a broken neck, and that he suffered fractures to his arm and legs before his death. She notes his age at 16 and his race as Caucasian.

Ursula’s description of the Ceti eel is consistent with Khan’s own description of them to Chekov and Terrell in ST II.

Paolo extended his dynoscanners’ range last episode by scavenging a Starfleet part - a coil - that he found in McGiver’s quarters.

Madot’s suggestion to use diatomaceous earth is a good one. It’s used for pest control even today in exactly a manner as she says.

Lear says Reliant’s mission to the Ceti Alpha system in 2285 was “5 years ago”. It is clearly rounding, since the current year established in the first episode was 2293. Lear’s skepticism about Reliant not noticing a missing planet or Enterprise being unaware of Ceti Alpha VI’s instability are questions that occasionally pop up in fan discussions about ST II.

McGivers’ recording now jumps to Day 119, nearly 4 months into the exile.

Ursula says McGivers’ HCG (Human Chorionic Gonadotropin, known as the pregnancy hormone) levels are over 30,000. At 6 weeks of pregnancy, the expected HCG level is between 152 to 32,171 mIU/mL.

McGivers says that in 4 months they’ve only lost 3 to the eels. Counting Richter as one of them, that means two more of the colony have died, which would bring the numbers down to 67.

Marla tells Khan how the Prime Directive is drilled into them, specifically not to provide advanced technology to those who haven’t developed it themselves.

Khan weds Marla, the ceremony officiated by Ursula, transforming her status from Khan’s Woman to his wife, as he called her in ST II.

6
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/startrek@startrek.website

The title refers to Khan and McGivers’ discussion about the importance of memorialising the dead, which he describes as magical thinking - the state of mind that connects seemingly unrelated events or phenomena, usually with supernatural causes. In psychiatric terms, it is thinking that one’s inner beliefs and thoughts can influence external events.

Khan says he knows what Ursula is doing in the medlab. In the previous episode, Madot and Ursula had successfully made Madot pregnant.

Khan asks Ivan, “My brother, what have I done?” and Ivan replies, “What you always do. Guided us, inspired us, protected us.” In ST III, after destroying Enterprise, Kirk asks McCoy, “My God, Bones, what have I done?” and McCoy replies, “What you had to do. What you always do. Turn death into a fighting chance to live.” This is the second time the series parallels Khan with Kirk, the last episode noting that when things don’t go according to plan, Khan changes the plan, much like Kirk changing the rules when faced with a no-win situation (ST II).

Ursula’s medical analysis translated says Richter died from a broken neck, and that he suffered fractures to his arm and legs before his death. She notes his age at 16 and his race as Caucasian.

Ursula’s description of the Ceti eel is consistent with Khan’s own description of them to Chekov and Terrell in ST II.

Paolo extended his dynoscanners’ range last episode by scavenging a Starfleet part - a coil - that he found in McGiver’s quarters.

Madot’s suggestion to use diatomaceous earth is a good one. It’s used for pest control even today in exactly a manner as she says.

Lear says Reliant’s mission to the Ceti Alpha system in 2285 was “5 years ago”. It is clearly rounding, since the current year established in the first episode was 2293. Lear’s skepticism about Reliant not noticing a missing planet or Enterprise being unaware of Ceti Alpha VI’s instability are questions that occasionally pop up in fan discussions about ST II.

McGivers’ recording now jumps to Day 119, nearly 4 months into the exile.

Ursula says McGivers’ HCG (Human Chorionic Gonadotropin, known as the pregnancy hormone) levels are over 30,000. At 6 weeks of pregnancy, the expected HCG level is between 152 to 32,171 mIU/mL.

McGivers says that in 4 months they’ve only lost 3 to the eels. Counting Richter as one of them, that means two more of the colony have died, which would bring the numbers down to 67.

Marla tells Khan how the Prime Directive is drilled into them, specifically not to provide advanced technology to those who haven’t developed it themselves.

Khan weds Marla, the ceremony officiated by Ursula, transforming her status from Khan’s Woman to his wife, as he called her in ST II.

11
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/daystrominstitute@startrek.website

It’s been a busy week, so I apologise for the lateness of the annotations.

Lear estimates the opening recording (Tape CA5-29-4), where Khan admits he lied to Joaquin about the circumstances of his father Joachim’s death, between Day 6000 and 6500 of the exile, which makes it about 16.4 to 17.8 years after, or around mid-2283 to late 2284. This is assuming that TOS: “Space Seed” takes place in early 2267, given that it was the last episode of Season 1, which mostly takes place in 2266, and was broadcast on 16 February 1967.

This brings the years in line with the now-accepted 2285 dating for ST II, rather than taking Kirk and Khan’s statement that 15 years have passed literally. That would have been true if you took the real world time span between 1967 and ST II’s release in 1982, but the preponderance of evidence places ST II in 2285 - not least the 2283 vintage of McCoy’s Romulan Ale - rather than 2282.

Lear then cross references between Days 30 and 45, the former of which is one day after the events of the previous episode.

“Uneasy lies the head that wears the crown,” is from Shakespeare’s Henry IV, Part 2, Act III sc i.

Khan’s recording continues to state it’s been more than 15 years since it rained on Ceti Alpha V. Ceti Alpha VI exploded six months into the exile, laying waste to Ceti Alpha V, so that is another indication that the 15 years statement in ST II should no longer be literal.

Richter becomes the first victim of the Ceti eel. Khan states in ST II that they eventually kill 20 of his group, including McGivers. Incidentally, they are not named in the movie, but are named in the script. The name is also present in the novelisation by Vonda M. McIntyre and then picked up by Shane Johnson (as she then was) in the 1989 Star Trek: The Worlds of the Federation and also in Greg Cox's 2005 To Reign in Hell: The Exile of Khan Noonien Singh.

Dynoscanners were first mentioned in ST II, when Reliant picked up signs of life on what they thought was Ceti Alpha VI. Dynoscans were also mentioned in TNG: “Reunion” and TNG: “Ethics”.

McGivers says that when things go wrong Khan changes the plan. This reminds me of Kirk’s penchant of changing the rules in order to win, something Saavik comments on in ST III.

Richter’s compulsion to obey Khan’s commands is an effect of the Ceti eel, as Khan explains in ST II. But eventually as the larva grows, comes madness and death.

McGivers says it is Day 41 of the exile, with just about 3-4 months to go before Ceti Alpha VI explodes. However, this must be a mistake, because she also says Khan and Richter have been missing for two days, which makes it Day 31, since the hunting party left on Day 29.

Ursula calls for 10 ccs of “coranaline” to treat Richter, which I don’t believe has been mentioned before, but from the context could be a sedative or analgesic.

Sylvana and Richter are the next deaths, bringing the numbers down to 69.

17
submitted 1 month ago* (last edited 1 month ago) by khaosworks@startrek.website to c/startrek@startrek.website

It’s been a busy week, so I apologise for the lateness of the annotations.

Lear estimates the opening recording (Tape CA5-29-4), where Khan admits he lied to Joaquin about the circumstances of his father Joachim’s death, between Day 6000 and 6500 of the exile, which makes it about 16.4 to 17.8 years after, or around mid-2283 to late 2284. This is assuming that TOS: “Space Seed” takes place in early 2267, given that it was the last episode of Season 1, which mostly takes place in 2266, and was broadcast on 16 February 1967.

This brings the years in line with the now-accepted 2285 dating for ST II, rather than taking Kirk and Khan’s statement that 15 years have passed literally. That would have been true if you took the real world time span between 1967 and ST II’s release in 1982, but the preponderance of evidence places ST II in 2285 - not least the 2283 vintage of McCoy’s Romulan Ale - rather than 2282.

Lear then cross references between Days 30 and 45, the former of which is one day after the events of the previous episode.

“Uneasy lies the head that wears the crown,” is from Shakespeare’s Henry IV, Part 2, Act III sc i.

Khan’s recording continues to state it’s been more than 15 years since it rained on Ceti Alpha V. Ceti Alpha VI exploded six months into the exile, laying waste to Ceti Alpha V, so that is another indication that the 15 years statement in ST II should no longer be literal.

Richter becomes the first victim of the Ceti eel. Khan states in ST II that they eventually kill 20 of his group, including McGivers. Incidentally, they are not named in the movie, but are named in the script. The name is also present in the novelisation by Vonda M. McIntyre and then picked up by Shane Johnson (as she then was) in the 1989 Star Trek: The Worlds of the Federation and also in Greg Cox's 2005 To Reign in Hell: The Exile of Khan Noonien Singh.

Dynoscanners were first mentioned in ST II, when Reliant picked up signs of life on what they thought was Ceti Alpha VI. Dynoscans were also mentioned in TNG: “Reunion” and TNG: “Ethics”.

McGivers says that when things go wrong Khan changes the plan. This reminds me of Kirk’s penchant of changing the rules in order to win, something Saavik comments on in ST III.

Richter’s compulsion to obey Khan’s commands is an effect of the Ceti eel, as Khan explains in ST II. But eventually as the larva grows, comes madness and death.

McGivers says it is Day 41 of the exile, with just about 3-4 months to go before Ceti Alpha VI explodes. However, this must be a mistake, because she also says Khan and Richter have been missing for two days, which makes it Day 31, since the hunting party left on Day 29.

Ursula calls for 10 ccs of “coranaline” to treat Richter, which I don’t believe has been mentioned before, but from the context could be a sedative or analgesic.

Sylvana and Richter are the next deaths, bringing the numbers down to 69.

[-] khaosworks@startrek.website 20 points 2 months ago

I thought that the way they came to understanding what was going on was a little rushed and a bit too speculative, not being based on actual evidence and it was just convenient that they happened to be right that Batel was the Beholder. That entire bit of exposition sounded like it was out of Doctor Who rather than Star Trek: rapid fire vaguely plausible assertions that you just gloss over to get along with the plot and treating concepts like evil not as abstract but actual entities. There was none of the tension of putting things together from actual clues.

Are we meant to believe then that there is a degree of time travel or simultaneity going on? Because aside from the glib “effect before cause” thing which is the equivalent of “shut up, just run with it”, how precisely does Batel become the Beholder? How does three sets of DNA in her - Gorn, Human and Illyrian - translate to having all the abilities of all races that have faced evil?

It would have made more sense to have her go back in time after defeating Gamble (which is what I was expecting) or to say that the prison existed in non-linear time or something. As it is, it’s left pretty much up in the air and we are asked to accept it.

Are we also meant to believe that she was the one who left the messages for M’Benga and La’An, and why leave them in Swahili and Chinese respectively? Why not just put them in English? And how did Batel learn those langauges?

There were good bits, and heartfelt bits, but mostly it was kind of meh for me as finales go.

[-] khaosworks@startrek.website 37 points 2 years ago* (last edited 2 years ago)

The back pain due to injury is true, but the reason he sat down that way isn’t because of that. Frakes confirmed in an interview that he did it because he thought that would showcase Riker’s cockiness. Nobody stopped him from doing it, so it stuck.

The back injury, however, is the reason behind the “Riker Lean”.

[-] khaosworks@startrek.website 52 points 2 years ago

“Now don’t worry, I’m sending a hologram of myself that only you can see and hear, and T’Pol says there’s a 92% chance if you do as we say you’ll get sent home.”

“You seem awf’ly calm about this, Cap.”

“I may have had some experience. I find saying Oh Boy every now and then helps.”

[-] khaosworks@startrek.website 22 points 2 years ago* (last edited 2 years ago)

Allowing the rotational periods of the planet to continue and liquid dihydrogen monooxide to immobilize me. Allowing the rotational periods of the planet to continue and liquid dihydrogen monoxide traversing subterranean layers. Into the azure colored atmosphere once more, when the currency has been expended. A single moment in the years that consist of a lifespan and liquid dihydrogen monooxide traversing subterranean layers.

[-] khaosworks@startrek.website 44 points 2 years ago* (last edited 2 years ago)

T’Lyn was such a wild woman this week. Admiring Nya’al’s appearance, telling Tendi that what matters is being a loyal friend, saying she was alarmed by D’Erika’s combat abilities and then tossing that report out of the ship with a flimsy justification. Even Mariner said so. OUT OF CONTROL I TELL YOU!

[-] khaosworks@startrek.website 24 points 2 years ago

Now I want to know how T’Lyn knows what Borg smell like.

[-] khaosworks@startrek.website 27 points 2 years ago* (last edited 2 years ago)

Oh, where do I start?

It’s a really, really tight script, for one, with little or no filler. Unlike TMP, it moves swiftly from scene to scene, from setup to setup, establishing its themes of mortality, aging, the inability to let go of the past, the tragedy and joy of moving forward, of rebirth right off the bat, in so subtle ways that most don’t catch it until later or a rewatch.

For fanservice, it makes good use of a loose end from TOS continuity which is simple enough for non-fans to get without much exposition, and memorable enough that old viewers will remember it. The relationship between the Big Three is no longer as broken as it was throughout most of TMP, and the banter naturalistic and enjoyable, even among the supporting crew.

Nick Meyer adds all these little touches in the background that make it ripe for literary analysis. A Tale of Two Cities and its themes of sacrifice, Kirk’s fondness for antiques, never really established before, echoing his nostalgia for times past. In Khan’s cargo carrier, you see on the shelf as Chekov discovers the SS Botany Bay tag: Dante’s Inferno, stacked on top of Milton’s Paradise Lost/Paradise Regained, stacked on top of Moby Dick, showing the progression of Khan’s experiences on Ceti Alpha V, echoing his hope in reference to Milton at the end of “Space Seed” - to rule in Hell, build his own Paradise - now replaced by obsessive revenge.

ST II also sets up TNG, in its way, by introducing Peter Preston, David Marcus and Saavik - essentially Scotty, Kirk and Spock’s offspring - the next generation of voyagers that the old guard are trying to give way to, but the past just won’t let them and indeed threatens that legacy.

And then of course there’s the space battles - never really as well executed due to SFX limitations in TOS - but yet leaning so completely into the nautical and submarine metaphor established by Roddenberry and “Balance of Terror”. It was a risky move in an era dominated by adrenaline-fueled Star Wars dogfight-like starship combat, but Meyers’ direction made it work. There’s never a time you don’t know exactly what’s going on in that battle, or what tactics the two sides are employing.

You’re right in the sense that it’s not traditionally what one expects of Star Trek, leaning more into the pulp adventure mold rather than the aliens and exploration mold. But to a degree it’s still an optimistic future. Kirk’s son and Spock’s daughter ready to take the reins, the Genesis Planet representing the potential for new life, Kirk himself experiencing a rebirth of sorts as he finds his youth restored as his best friends told him it would be - on the bridge of a starship. But who says the final frontier can’t be inside us, too? (Archer said as much)

And in the end, it’s a complete movie. The forced-on-Meyer shot of Spock’s torpedo casing notwithstanding, it’s a complete story from start to finish, with no “The Human Adventure Is Just Beginning” tease or the sequelitist tones of the next two movies. All the information you need to know is in here. You could watch it without tying it to a larger universe and be completely satisfied with the experience. All you really need to know beforehand is that it’s connected to this TV show from the 60s.

[-] khaosworks@startrek.website 25 points 2 years ago* (last edited 2 years ago)

As I note in my annotations, I got very emotional whenever I heard them refer to Scotty as “Mr Scott”. Not sure why, it just sounded so right. When they said, “Thank you, Mr Scott,” I mentally added: “That’s something he’s going to get used to hearing over the years.”

The moment I heard Pike say he missed Batel and then praise Ortegas I immediately knew they were going to be placed in jeopardy and sure enough…

It was also immediately obvious when the Gorn youngling left Batel alone why it did so, so glad they didn’t string that out as some big mystery.

The colony design meant that filming exteriors was cheaper, I suppose. It’s the equivalent of building a gated community as a Ren Faire, though there’d definitely be a demand for it.

Wish they’d have given some hints to why that Gorn was on the Cayuga saucer, though. Why was it trying to access command level functions? Intel or something else? And how did it get there without Enterprise noticing or was it there before they arrived? Questions, questions…

At least Martin Quinn, who plays Scotty, is a Paisley boy like David Tennant and Steven Moffat, which means using his natural accent will be easier to make out, as the Paisley accent is less harsh than, say, a Glaswegian one. He’s a bit young for Scotty though, at 28. I’d always assumed Scotty was at least five to ten years older than Kirk.

Nice, fast moving action finale - but I echo the frustration at having this be a cliffhanger.

[-] khaosworks@startrek.website 39 points 2 years ago

It’s a replicator. The transporter waveguides at the back are common in Intrepid-class replicators. You can see a smaller one in Janeway’s quarters.

Under the replicator is supposed to be an equipment storage locker (according to the Star Trek Fact Files and the USS Voyager Illustrated Handbook), so it’s likely for creating extra away team equipment. It may also be for food - we see a food dispensing slot in the USS Enterprise transporter room in TOS: “Tomorrow is Yesterday”.

[-] khaosworks@startrek.website 35 points 2 years ago

Aha! I just noticed that the lead writer on this episode is Kathryn Lyn, who also wrote the best episode of Lower Decks to date: the incredible “wej Duj”.

No wonder I thought that Ortegas’ line about “Notice how I move my eyebrow but no other muscles in my face,” sounded like something Mariner would say.

[-] khaosworks@startrek.website 36 points 2 years ago* (last edited 2 years ago)

Annotations up at https://startrek.website/post/282663.

This was a very TOS episode yet in terms of feel.

The dialogue could easily have come from the mouths of the TOS cast, and the situation on the planet reminiscent of officers violating the Prime Directive like in TOS: “The Omega Glory” or “Bread and Circuses”. Even Mount's delivery when on the planet was Shatner-esque.

I can readily imagine Kirk, McCoy and a random redshirt or Chekov on the planet in Pike, M’Benga and La’An’s place, and Sulu pulling it together like Ortegas.

[-] khaosworks@startrek.website 28 points 2 years ago

The way Illyrians were segregated into Illyrian and non-Illyrian cities except for people who could pass echoes the Jim Crow era of US history, with black people being segregated and some of them trying to pass for white.

The refusal of service to those who were found to be Illyrian is like antisemitic attitudes in pre-war Nazi Germany, or the refusal of service to homosexuals. Most of what happened can be compared to any persecuted minority, racial or sexual.

That’s the beauty of a good metaphor. And the ugly universality of bigotry.

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khaosworks

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