1132
Fuck up a book for me please
(lemmy.world)
"We did it, Patrick! We made a technological breakthrough!"
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Now do Finnegans Wake.
Hard: And an odd time she’d cook him up blooms of fisk and lay to his heartsfoot her meddery eygs, yayis, and staynish beacons on toasc and a cupenhave so weeshywashy of Greenland’s tay or a dzoupgan of Kaffue mokau an sable or Sikiang sukry or his ale of ferns in trueart pewter and a shinkobread (hamjambo, bana?) for to plaise that man hog stay his stomicker till her pyrraknees shrunk to nutmeg graters while her togglejoints shuck with goyt and as rash as she’d russ with her peakload of vivers up on her sieve (metauwero rage it swales and rieses) my hardey Hek he’d kast them frome him, with a stour of scorn, as much as to say you sow and you sozh, and if he didn’t peg the platteau on her tawe, believe you me, she was safe enough.
Easy: Something something... crash
James Joyce was widely regarded as a pretentious ass even back then. Tons of people have done stream of consciousness much better. The only people who should bother with Finnegan are academics. There is literally no substance or point to the story - it is entirely narrative fart sniffing.
It may be pretentious and impenetrable but that doesn't make it bad. There are puns you have to know multiple languages to get, densly layered references, unusual structures and fun wordplay abounds. The word quark came from FW. It's challenging, but fun to read because it's challenging.
I'm not saying git gud, no one should have to read FW. It's kind of uniquely just a joy to read for the sake of enjoying the sounds of words and how they play together. Reading it for the plot or the characters is kind of missing the point, I think.
That's the whole problem with the AI summarizer: it requires you to believe that the only reason to write anything is to communicate some simplistic idea: a command, a moral, or an instruction. But writing isn't just to convey a plot or moral lesson in the least, smallest words possible. Writing is poems and songs, plots and novels, screenplays and anecdotes, slogans and slogs. Writing can just be fun for the sake of words and doesn't have to always convey some easily summarized or quantified concept.
Don't get me wrong, I generally agree with the sentiment that it's got plenty of artistic merit lurking around in there, but about 90% of that is going to be anachronistic to a modern reader who isn't using a heavily annotated version, at which point a lot of the genuine wit gets beaten down by footnotes. Art has a way of losing its impact when you need it explained.
That's why I say most people shouldn't bother. It is legitimately almost impossible for a modern reader to experience the book the way it was written to be experienced unless you spend a graduate degree working up to it. Instead what you will get is akin to a painting which has been blurred over by a foggy window, with someone standing on the other side trying to describe it to you. There are just many better ways to spend a dozen or so hours.
Any recommendation or favourites?
The Great Gatsby is actually a good one. Catcher in the Rye. As I Lay Dying. The Waves.
I read 4 words of that and was already fantasizing about guzzling the entire contents of a bottle of ADD meds
I don't get why we can't all objectively agree how boring that is?
""Occasionally she'd cook meals(?) of fish for him and place on his heartsfoot [hearth's foot? heart's foot, figurative language for joy?] her meddery [???] eggs, sausages, and stainish [burnt/crispy] bacon on toast, and a wishy-washy cup of Greenland tea or soup-can(?) of coffee, milk and sugar, or Si-Kiang sugary [some sort of sweet tea?], or ale of ferns [herbal ale?] in trueart [skillfully crafted] pewter, and a bit of bread "??? ???" to please him and keep his stomach porky, until her (???)knees shrunk to nutmeg graters while her joints shucked [peeled] with gout; and as rash as she'd rush with her peak-load of provisions up on her sieve [???] "(???) rage, it swells and rises", my hardy Hek [Hector?], he'd cast them from him, with a stour [force] of scorn, as much as to say you sow and you sorrow, and if he didn't peg it flat on her (tail/head/heel?), believe you me, she was safe enough.""
I don't know what kind of rural Irish hell this comes out of, but some of the words don't even look English. I hated trying to decipher that and I'm sure I wasn't accurate for half of it.
Yo, what? Is the book all written like this?? Kinda badass, but also super challenging to wring meaning from
Pretty much, yes. In fact this bit is on the clearer side compared to most of the text. It's very challenging and one should probably not dive into it unprepared (there are a lot of side literature and guides to accompany it). However it's well worth the effort once you learn how to read it (e.g. the words draw their meanings via how they're sounding in addition to how they're written).
Sounds fun