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My debut into solarpunky vocaloid music. Music produced by me in garageband/piapro/synthv, art made in clip studio, video rendered with a neato little tool called vizzy.

Quick caveat: I know it says Kasane Teto "AI" as one of the artists. This is not generative AI. Vocaloid is way, way older than any of them there GPTs, and is a wholly different kind of computer-assisted music. It's the difference between digital artists spending hours on digital art (Good!) and prompt peddlers generating "AI Art" (the devil). While Kasane Teto is now an "AI voicebank", her voice was still provided by a single, paid individual, and honestly I'm... not entirely sure what the AI part is. I made her voice do the sing thing. There might have been some natural language processing with how she's able to pronounce English, I think?

I will 100% unleash my autism to rant and rave further about how vocaloid works, if anyone's interested. But mostly I want to share my music and its meanings. This song was basically made for this instance, which I do love so dearly.

If anyone has questions about my music creation process or my lyric writing thoughts, uh, please ask. I'll answer. That's a promise and a threat.

Excerpt from the album notes:

In an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.

https://green-house.bandcamp.com/album/a-host-for-all-kinds-of-life

This emerging genre called botanica/petalcore feels very solarpunk to me.

https://phritz.bandcamp.com/album/-

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cross-posted from: https://slrpnk.net/post/13067768

I finally got around to making a playlist of the music used to score the starter campaign, Fully Automated: Regulation!

I think it's a collection of real bangers. I hope that for people who haven't played these stories, this might give an enticing taste of what to expect. And for people who might've played, perhaps it takes you back to some memorable moments.

Demonstration of Power

• The stakeout: “This DJ” by Warren G
• Fight scene!: “Dare to be Stupid”, covered by The Cybertronic Spree
• Roll credits: “Fine”, by Lemon Demon

Psychonautica

• Opening Sparing match: “Champion” by Buju Banton
• Entering neurospace: “Just dropped in” by Kenny Roger
• The mindscape: “Ghandi, Dalai Lama, Your Lord & Savior J.C.” by André 3000
• Dance battle: “Do the Damn Thing” by Rupee
• The Bathhouse: “Ants to You, Gods to Who?” by André 3000
• Android assault: “Robot Rock” by Daft Punk
• Synthesizing the cure: “The Oligo Separation Verse” and “Analytical Gangster” by True Speak
• Roll credits: “Pony” by Deluxe

Piece of Mind

• Surf Intro: “Cecilia Ann” by The Pixies
• Fighting back: “Headshot” by she
• Starting the investigation: “No Time for Dreaming” by Charles Bradley & Menahan Street Band
• Sneaking around: “The Sensual Woman” by The Herbaliser
• Piecing things together: “Cause for Alarm” by The Heavy
• Research montage, pt.1: “Metrocenter 84” by Sunset Neon.
• Research montage, pt.2: “You Rock Me” by she
• Making a plan: “Drag and Drop” by the Soul Motivator
• Showtime: “Swing Break” by the McMash Clan, feat. Kate Mullins
• Showdown: “Mastermind” by Deltron 3030 and Dan the Automater
• Showdown, cont’d: “Don’t Get In My Way” by Zach Hemsey
• Roll credits: “UNLVD” by Socalled

Olives Fair in Love and War

• Vampire fight: “Dark Entities” cover by Daniel Guerra Caballero
• Roll credits: “Birdhouse in your Soul” by They Might Be Giants

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LYRICS

Thank you, Mr. Officer Great

For all the things you've said to me

For all the good that you have ever done

Without you, what would I be?

You're the gas upon my flames

My love and rage all rolled up into one

For every time your gun goes off

A new rebel is born

So when there's 41 bullets

It's 41,000 thorns in your side

We'll take a ride down to Precinct 29

And we'll sing and dance and break the code of silence

Thank you Governor, thank you Governor

To the Mayor and the commissioner

Your monster is alive now

She's taking to the streets

Crashing through your operahouse

And tearing out the seats

For every time you've signed your name

Someone out there dies

Found a wallet, not a gun

And mother's wiping tears from her eyes

We despise your hollow truths and honest lies

Now you can't sing the monster into slumber

Thanks, bastards!

You made me what I am

Thanks, bastards!

I took the goods and ran

Homeland security vs. civil liberty

I'm studying in the shadows of our state

I've seen the bones they try to hide

Cutthroat living's other side

The flood of U.S. bathwater displaced

The funeral march of all the victims

Of your power war

Rob the rights and steal the nights

And rebels shall be born

Forevermore

You're the storm

We shall play after it pours

And joy is sure to come after your silence

Thanks, bastards!

You made me what I am

Thanks, bastards!

I took the goods and ran

In some of his greatest songs, the Godfather of Punk explored LGBTQ+ lives. But the story of his trans partner Rachel Humphreys remains an unsung part of rock history.

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