Kevin Perjurer (not their real name) recounts the history of Disney's "Living Characters Initiative", a multi-decade attempt to create a more immersive character-driven experience.
spoilers
This is basically an introductory course on AI as told through the history of Disney's animatronics. There is a companion video which covers the early decades of robotics and focuses on Walt's futurism; this longer video focuses on how AI has attempted to ~~pull money out of customer wallets~~ delight park visitors by putting smiles onto faces. Perjurer focuses on concrete examples; there's no talk of hyperreality here, although there is a bit of theory-building which fits each example into a generic framework for understanding conversations.
The video has too many good sneers for me to choose. A common theme is guests tricking AI hosts into behaving inappropriately. There's this theme of the robots only functioning properly within controlled conditions, as if every robot were its own science experiment. This lines up with what I've seen in manufacturing and logistics; robots sure can work fast but they are inflexible, pre-programmed, and highly sensitive to unexpected variance in their environment.
No, I take it back. Listening to E.T. say "D-D-D-D-D-D-" or "lasagna, lasagna" is very funny. Skip to the interlude about Universal Studios for that.
Of course, little of this is truly new, but it's nice to see a version of this history which puts everything together to point out that Disney's goal of creating robots which imitate inhuman characters is fucked-up horror but which isn't a fucked-up horror story. Going in the other direction, an AI-skeptical viewpoint could maybe make those stories more interesting.
Patreon CEO Jack Comte uploaded a visionary CEO talk about AI and artists and the future. I don't fully understand why they needed an interpretative dance section, or multiple people playing synthesizers, but I guess AI is good for artists, but also bad for artists, but also a big opportunity for artists, but also taking opportunities away from artists, but also? Also lots of bragging about how many millions of followers he has.