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Doctor Who Social Club
A community for discussing all things Doctor Who.
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to longtime fans feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
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5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episode. Spoiler protection will not be granted to information that is out in the mainstream media.
6 Keep on-topic
All submissions must be directly about the DW franchise (the shows, movies, books, etc.). Off-topic discussions are welcome at c/Quarks.
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Upcoming Episodes
Date | Episode | Title |
---|---|---|
05-10 | DW 2x05 | "The Story & the Engine" |
05-17 | DW 2x06 | "The Interstellar Song Contest" |
05-24 | DW 2x07 | "Wish World" |
05-31 | DW 2x08 | "The Reality War" |
TBA | TWB 1x01 | TBA |
A really nice episode that improves on the already-quite-good first installment in pretty much every way.
Jack works a lot better once he's integrated into the main plot - he actually fits in quite seamlessly. He's still not quite as charming as he's clearly meant to be, but I think it's a big step up from last episode.
The "go to your room" bit is a lousy way to solve a cliffhanger that I nonetheless find very amusing. I'd also completely forgotten about the banana gag. Good stuff.
Jack suggests Pompeii on volcano day as a good place to visit if you're running a con. Hmm...
Nancy continues to be an outstanding character, balancing vulnerability with authority and toughness. Her confrontation with the owner of the house works really well, though it bumps up against problematic-yet-appropriate-for-the-era topics.
We get our first mention of Villengard, the weapons manufacturer that gets occasional shout-outs to this day.
The two-parter as a whole manages to seed its major plot developments - the nanogenes and Nancy secretly being Jamie's mother - without making it glaringly obvious - no small feat.
And, of course, we get the "everybody lives" monologue. It's iconic for a reason.