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Why We Love to Get Lost in Games: The Enduring Appeal of Metroidvanias (www.nytimes.com)
submitted 2 days ago* (last edited 2 days ago) by ampersandrew@lemmy.world to c/games@lemmy.world
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Interesting that in the title, stated in absolute terms in the text, and from the designers they interviewed, they cite getting lost as crucial for the genre. Personally, I disagree. Getting lost has tended to be why I didn't care for certain games in this genre, like Axiom Verge, and it soured my otherwise higher opinion of games like Hollow Knight and Symphony of the Night. Still, I think this is a good exploration of the genre and what makes it tick.

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[-] ampersandrew@lemmy.world 2 points 2 days ago

But that's exactly why we have the word metroidvania.

The term Metroidvania initially referred to entries in Konami’s gothic 2-D action Castlevania series whose mazey maps closely evoked the Metroid games

It was sometimes used derisively in forums, but it was to tell apart the likes of Symphony of the Night from the likes of the linear ones. And then as we got more Castlevanias like Symphony of the Night in the GBA era, it became part of the definition of what this genre is.

this post was submitted on 20 Feb 2025
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