Such a beautiful game but I couldn’t stand being on edge the whole time. I’m stressed enough as it is.
Playing on the Nintendo Switch was an interesting experience, with a rendering distance so short that by the time anything dangerous pops into view it’s already too late.
I visited that island way too early in the game
This is excellent. Thank you! I genuinely didn’t get it until reading your reply. In fact, I was thinking of posting a meme along the lines of ‘I don’t understand how the microblog feature works and at this point I’m too afraid to ask’. No need anymore.
Now all I DO need is a way to save/bookmark posts for future reference.
Kind of discouraging to be downvoted for sharing a differing opinion. Surely, other people’s preferences merit consideration too?
Just my two cents: I prefer the way it is. The Hacker News way always trips me up, especially when switching from Apollo – where post titles link to the post. I realize how bad this is going to sound, but the OP and the comments are what I’m here for. I judge whether the linked content is worth visiting based on the comments, so that’s where I prefer to start.
For All Mankind and Foundation's are both incredible. Didn't skip them once. Someone over at Apple TV really cares about strong openings.
Nicolas Jaar’s Space Is Only Noise and Olafur Arnalds’ For Now I Am Winter (slightly more neo-classical/acoustic) are two I regularly revisit precisely for how cohesively the tracks fit together. Oh, and anything by Floating Points.
Mind, none of these use 100% electronic/synthesized sounds, so I don’t know if they count.
Taking a page out of OpenAI’s book, I see
slither.io 🐍 Become the longest snek in the multiplayer pit by tripping up other players and feasting on the dead – until the inevitable moment when the same happens to you. Nothing like thinking you’re the very biggest, only to discover you’ve slowly been completely encircled by a much, much bigger snake and no amount of coiling is going to change the outcome.