I am vehemently against AI and no this is not AI. This is photo editing done using Onelab, Snapseed, & Affinity Photo. That being said, I don't fault you for confusing this for AI. It wouldn't be the first time a glitch "artist" used my art in their AI models.
Darkest piece I have ever seen.
Very nice
I usually make art inspired by music. When I made this particular piece, I was inspired by Hunter by Scott Barley
For this picture, there were a alot of channel multipliers, difference layers, color gradients, and wave flows. The channel multipliers and difference layers where for the figure itself to achieve the unique lighting on her. Color gradients and wave flows for the background. Then change the color palette globally so the figure matches the background colors more.
I'm still trying to get on pixelfed. And the closest thing to mastodon I have is blue sky. And thank you very much
For this particular piece, I used ghosting merge, post-impression, pixel sorting, and a lot of recoloring on GlitchLab. Then I did a lot of dodging and burns on Snapseed to add the highlights and shadows. Especially around the eyes. Sometimes I overemphasize the shading on the eyes because it's the central part in alot of my pieces.
I wouldn't call it a whore song but it was based on the song, Emptiness Will Eat the Witch by Have a Nice Life
Pixel Sorting & Difference layers for added texture. There's also a fractal layer of the image difference layered on top for the circle pattern you see and was based on the pixel sorting image, creating the blend between the lines.
Thank you very much
Pipeline? I'm not quite sure what you're asking but if you're referring to my workflow for this particular piece; I took an image of a skull and edited it multiple times using blurs, repeating patterns, color dispersions, and lots of difference layers. A lot of the editing was down in OneLab, touch-ups & overlaps were down in Snapseed, and anything I couldn't do on those two, I did in Affinity Photo. Specifically stuff like custom layers and selections.