8
Star - Dancefire (europe.pub)
submitted 3 months ago* (last edited 3 months ago) by blackbeard@europe.pub to c/Eurodance@europe.pub
[-] blackbeard@europe.pub 2 points 7 months ago* (last edited 7 months ago)

I don't get it, why is that? I also get: Error code: 503 Service Unavailable

Are you guys referring to this:

https://citizens-initiative.europa.eu/initiatives/details/2024/000001_en

?

[-] blackbeard@europe.pub 1 points 7 months ago

Me like other people, had the idea of ECI (European citizen initiative) to ask EU level entities to start using the Fediverse. The process is quite slow as I do not have much time but, if you are European and can help, have a look here:

An European Citizens' Initiative for the adoption of the Fediverse in the European Union's institutions:

https://europe.pub/post/61266

[-] blackbeard@europe.pub 2 points 7 months ago

I will have a look, thanks!

[-] blackbeard@europe.pub 3 points 7 months ago

It's probably me, but I find yaml file very difficult to edit in nano. I used to use stuff like kate or gedit and it was way easier for me.

PS. besides yaml I use nano or vi for everything else and I love them.

51
submitted 7 months ago by blackbeard@europe.pub to c/linux@lemmy.ml

Is there any possibility to have something similar to X11 forwarding using Wayland?

I have to edit some big config file and would be great to have that functionality back.

2
submitted 7 months ago by blackbeard@europe.pub to c/privacy@europe.pub

Article 1(3) of the General Data Protection Regulation (GDPR) ensures that the free movement of personal data within the European Union (EU) is neither restricted nor prohibited on grounds related to the protection of personal data. This provision primarily targets Member States, which might otherwise be inclined to enact data localisation laws that could impede the free flow of data.

The scope of this free movement is confined to the European Economic Area (EEA), which encompasses all EU Member States along with Iceland, Liechtenstein, and Norway. It is important to note that the status of various special territories associated with EU Member States requires careful consideration, as some are included within the EEA while others are not.

Countries outside the EU/EEA do not enjoy the benefits of the free flow of personal data. The Court of Justice of the European Union (CJEU) has established stringent standards for international data transfers. The free flow of personal data is explicitly limited to the EEA, with rules governing transfers to non-EU/EEA countries, referred to as 'third countries,' detailed in Chapter V of the GDPR.

For instance, when a data controller based in Italy stores personal data with a cloud service provider in Norway, there are no concerns regarding international data flows because the GDPR prohibits restrictions on such flows within the EEA. Conversely, if the Italian data controller utilises a service provider in the UK, an additional legal basis is required to legitimise these data flows.

There is an ongoing debate regarding whether the free flow of personal data solely applies to data transfers between systems located within the EEA or if it also extends to systems outside the EEA that are under the effective control of an EEA-based controller or processor. The European Commission has recently adopted an entity-based approach, focusing on whether the controlling entity falls within the territorial scope outlined in Article 3 of the GDPR, rather than a data-based approach, which would consider whether the data remains physically within the EEA. However, the wording of the GDPR does not appear to support this entity-based approach. Nevertheless, the definition of the GDPR's territorial scope of application is explicitly decoupled from the question of whether the data processing occurs within the Union or not, as stated in Article 3(1).

[-] blackbeard@europe.pub 1 points 7 months ago

I'm not happy about this as well. I'm one of their customer, I will write to them.

1
submitted 7 months ago* (last edited 7 months ago) by blackbeard@europe.pub to c/buyeuropean@feddit.uk

Location: United Kingdom, Ireland Note that the app isn't OS.

Curve is a Google wallet replacement app that consolidates multiple bank cards into a single smart card and digital wallet, making it easier to manage your finances. Here are some key points:

PRO:

  1. Curve allows you to link multiple debit and credit cards to one Curve card, simplifying your wallet and making it easier to switch between accounts.
  2. The app claim to offer robust security features, including instant card freezing, transaction notifications, and the ability to set spending limits.
  3. Curve provides cashback and rewards on purchases, which can add up over time and provide extra value.
  4. The app is intuitive and easy to navigate, with clear transaction histories and spending insights.
  5. Go Back in Time: A unique feature that lets you switch the card used for a transaction after the purchase, providing flexibility and control.

CONS:

  1. While the basic version is free, some premium features come with a subscription fee.
  2. Curve is not available in all countries, however, should be available in all EU and the UK.
  3. Isn't an Open Source app and very likely they will sell your transactions history to other company (like google)

8
submitted 7 months ago by blackbeard@europe.pub to c/Eurodance@europe.pub

"Better Off Alone" is a iconic song by Alice Deejay, a Eurodance project led by Dutch producer DJ Jurgen in collaboration with Wessel van Diepen, Dennis van den Driesschen, Sebastiaan Molijn, and Eelke Kalberg (Pronti & Kalmani). Initially released as an instrumental by DJ Jurgen in 1997, the track later featured vocals by Judith Pronk, who became a key part of the Alice Deejay project. The song was included on their debut album, "Who Needs Guitars Anyway?" (2000) 12.

The song's creation was influenced by Sebastiaan Molijn's emotional state following a breakup, leading to the memorable line, "Do you think you're better off alone?" 12. The track was produced in various remixes, including the "Vocal Clubmix" and "Pronti & Kalmani Vocal Remix," which contributed to its popularity in clubs and on dance charts worldwide 12.

"Better Off Alone" is known for its fast tempo and catchy melody, written in the key of B major. It has been described as a turning point in the development of commercialized techno sound, sharing similarities with other Eurodance hits of the time, such as "Blue (Da Ba Dee)" by Eiffel 65 12.

The song received mixed initial reviews but has since gained acclaim and recognition. It has been featured on Billboard's lists of the "Best Pop Songs of All Time" and "Best Dance Songs of All Time" in 2023 and 2025 12. The track has also been covered and sampled by various artists, including David Guetta and Lindsay Lohan, showcasing its enduring influence on electronic music 2.

YouTube: https://www.youtube.com/watch?v=Lgs9QUtWc3M

[-] blackbeard@europe.pub 1 points 7 months ago

Fixed, thanks!

3
submitted 7 months ago* (last edited 7 months ago) by blackbeard@europe.pub to c/Eurodance@europe.pub

My favourite's radio for Eurodance is the German BDJ that you can listen here

If you are looking for a radio client for your phone, have a look at Transistor:

https://codeberg.org/y20k/transistor!

[-] blackbeard@europe.pub 1 points 7 months ago

I'm doing very well mate.

1
submitted 7 months ago by blackbeard@europe.pub to c/Eurodance@europe.pub

Let a Boy Cry" is a song written and recorded by Italian singer-songwriter Gala. Released in January 1997 as the second single from her debut album, Come into My Life, the song was co-written by Gala, Filippo Andrea Carmeni, and Maurizio Molella, who also produced the track12.

The song describes a society where men are not ridiculed for their sensitivity, allowing women to be freer. It achieved significant success in Europe, receiving platinum records in France and Belgium, and peaking at number one in Belgium, France, Israel, and Italy. On the Eurochart Hot 100, "Let a Boy Cry" reached number three12.

Critically, the song received positive reviews. Music Week gave it five out of five, praising its catchiness and potential for strong radio airplay. Chris Finan from RM Dance Update rated it four out of five, predicting vigorous demand upon its UK release. Pop Rescue noted that while Gala's vocals occasionally sound flat, the song's tempo and chorus are strong points2.

The accompanying music video, directed by Philippe Antonello, Luca Bigazzi, and Gala, was shot in black-and-white in Venice during the Carnival. It features a scene with two boys kissing, which caused controversy at the time but was seen as a progressive statement by Gala12.

Overall, "Let a Boy Cry" is a notable track from Gala's discography, known for its message of acceptance and its impact on European dance music in the late 1990s

Youtube: https://www.youtube.com/watch?v=_bxaDvSTGl0

8
submitted 7 months ago* (last edited 7 months ago) by blackbeard@europe.pub to c/Eurodance@europe.pub

"What Is Love" is a song by Trinidadian-German singer Haddaway, released as his debut single from his debut album, The Album (1993). The song, both written and produced by Dee Dee Halligan and Karin Hartmann-Eisenblätter, was released by Coconut Records in January 1993. It was a hit across Europe, becoming a number-one single in at least 13 countries and reaching number two in Germany, Sweden and the United Kingdom. Outside Europe, the single peaked at number 11 in the United States, number 12 in Australia, number 17 in Canada, and number 48 in New Zealand.

"What Is Love" earned Haddaway two awards at the German 1994 Echo Award, in the categories "Best National Single" and "Best National Dance Single." The music video for "What Is Love" was directed by Volker Hannwacker and received heavy rotation on music television such as MTV Europe.

The song remains Haddaway's most popular and signature song.

YouTube: https://www.youtube.com/watch?v=YTLVNSnbKOI

A Tip on listening music with more privacy and to maybe help the fediverse too.

I use GrayJay as client instead of the Youtube site or android client.

https://grayjay.app/

GrayJay is open source, syncs between devices (locally) , allow offline usage and can be use for different streaming platform, including Spotify and PeerTube. It also stop you be potentially conditionated by google on watching certain content and create unheathy habits.

[-] blackbeard@europe.pub 3 points 7 months ago

Hi, didn't login for quite a while.

Globalisation has yielded a machine that was produced from all over the world. It’s a 2008 machine.

Mine too.

Not sure what point you’re trying to make here

The dependency of Europe on the US, especially in the tech sector, is endemic. There is no easy and quick fix for this. Whoever told you that was feeding you bullshit. Think about it: we can't make microchips, and most of the IT and media production we watch is made by US companies and therefore under the control of the US. We need to make compromises on our initial efforts, or we risk pushing a lot of people away from this cause. And people have to be free to follow their own pace.

As long as you are dependant on US tech giants, you don’t have ETS.

I totally agree with you in this.

It’s easily a replacement for content creators.

Not sure about that. Do you use PeerTube?

I'm using GrayJay as a YouTube client. It might not be for you, but it works for me. It has resolved most of my issues with using YouTube (I was also a Premium subscriber). You can also use it for other platforms, including PeerTube. Clients like GrayJay can help the PeerTube cause by making people discover creators on those platforms too and making the transition easier.

3
submitted 8 months ago by blackbeard@europe.pub to c/ETS@europe.pub

We have extensive discussions about our enormous dependence on American clouds, but what exactly are we talking about? And is Europe equally dependent on all types of cloud? This article is aimed at policy makers, but it may also provide some clarity about the broader landscape to actual cloud users.

https://berthub.eu/articles/posts/the-european-cloud-ladder/

[-] blackbeard@europe.pub 2 points 8 months ago

I'm working on a ECI (a sort of petition at EU level), the scope is the Fediverse, however, after that step I'm sure we can push for other changes as well. I totally agree with you but the change has to come from us.

[-] blackbeard@europe.pub 2 points 8 months ago

I'm pretty sure you are writing from a device that has most of his fundamental components not made in Europe but the US.

What we need to have it's a programmatic approach to this. Removing the possibility for us to use US tech from day one it's non only impossible but also unnecessary. YouTube is a monopoly, there isn't anything out there that be even close to it. I know peertube very well, is not a replacement for YouTube. Not now.

The video isn't mine.

7
submitted 8 months ago by blackbeard@europe.pub to c/ETS@europe.pub
16
submitted 8 months ago by blackbeard@europe.pub to c/ETS@europe.pub

"It's just possible that you, a sentient being with active sensory input, have cause for concern about the security of data hosted both in the United States and by Microsoft. GitHub has been ubiquitous and indispensable for technologists. But maybe it's time to reconsider that status."

https://taggart-tech.com/migrate-to-codeberg/

[-] blackbeard@europe.pub 3 points 8 months ago

Yes, it is absolutely ridiculous and imagine the potential here, we could see the usage of the fediverse skyrocketing just having the EU institution on there and push for the same everywhere.

5
submitted 8 months ago* (last edited 8 months ago) by blackbeard@europe.pub to c/ETS@europe.pub
view more: next ›

blackbeard

joined 8 months ago
MODERATOR OF