I didn't take forever to write this one and it didn't turn into a novella either \o/
Warning: death, mild gore. This is a horror short story.
The lady has matted, dirty-blond hair swinging in front of her face as she stumbles towards me, bare feet dragging over glass-littered stone. A bit further along the train station, the rest of her people huddle in a clump like sluggish zombies. I always thought they were doing heroin around there, but whatever this woman is on might be worse.
I stumble backwards and into the shade between the old train station and the looming hotel next to it, hoping she wasn’t going for me, but she clumsily switches course. I groan. There’s a fence somewhere behind me.
“Do you, do you have a euro?” She slurs, and I only understand what she wants because I’ve heard that question a billion times around these parts.
“No, sorry. I only carry my card.” My answer doesn’t disturb her. She keeps coming. “Lady, I need you to stay away from me,” I try to reason, maybe only as a pretense so I can feel better about it if I have to get physical in a moment. Miss Meth-Head lurches forward, unperturbed.
I lift my hands in surrender, offering her a reassuring smile as I hug the train station’s wall in an attempt to scoot past her. It was dumb to try to hide in this tiny little space between buildings. A couple of trash cans are helping her block my way out. Then she pounces.
I’m taller and heavier than her, but she’s attacking with drug-addled ferocity and the advantage of surprise. Nails that haven’t seen a clipper in weeks scratch along my cheek and I howl. This could’ve been my eyes. We both go down, slamming into one of the trash cans in the process and spilling its contents across the ground.
I scramble backwards, through the trash, one of my hands erupting into pain as it finds purchase on a piece of glass. I hesitate. If push comes to shove, I can use it to defend myself.
While scanning the ground for a larger shard of glass in the dim light of the moon and kicking at the rabid lady, I spot something even better: a kitchen knife. It’s no huge cleaver, but it’s easier to grip than a shard of glass, and any sane person should fear a stranger swinging around a knife.
My attacker doesn’t care. She’s on me already, hands clawing at my pockets, searching for my wallet or loose cash. A giddy surge of energy sends every nerve in my body on edge. I’m going to stab her. I’ve never stabbed another human in my life.
~~I stab her.~~
I don’t know why anyone would have wanted to throw away this knife. It goes through her flimsy coat like popping a balloon, only meeting resistance against what must be her ribcage. Her struggles only grow more fierce, and now she’s going for the eyes.
I yank on the knife and slash it in front of me to ward her off, hitting her cheek. She screeches, grabbing the wound. Dark blood seeps through her fingers, disappearing into her coat at the wrist. My heart throbs angrily in my throat and my body is tense, ready for battle.
I push the woman off me. The knife slashes the front of the coat in the process. Our roles are reversed. She’s on her back now, in between the used tissues and spoiled food and paper towels that the trash bin vomited across the ground. There’s still fight in her eyes, hands reach out like claws, and her face twists into a snarling grimace behind those messy strands of hair. Like a wild, blond version of that girl from the ring, I think incoherently as I settle on top of her.
The body is squirming beneath the padding of her coat, trash scraping softly against more trash. She’s at my mercy. A hand swings towards me, taking a hold of my hair, but I ignore the pain and drive the knife home. I don’t know where exactly her heart’s supposed to be, but I must have gotten close enough. More blood spurts out of her chest in periodic bursts and her hand slackens. I stare at her in amazement.
I’m laughing. I’ve never felt like this in my life. I just killed someone.
The lady beneath me is still breathing, but her movements are sluggish now, and despite the haze of elation, I know that she’s beyond saving. Maybe, if I called an ambulance right now, they could do something, but I’d be stupid to do that. I was stupid to kill her in the first place. There’s no way anyone would consider this self-defense.
Why did I just kill someone?
One of my hands is still gripping her coat. The blood has seeped into it and is rapidly cooling. I have to consciously will my fingers to uncurl and release her.
I just killed someone because it felt right. It felt good. I’m still smiling, aren’t I? I’ve never killed anyone before.
I get up from the soon-to-be corpse and stare down at her, so frail and small, now that the drugs and the fight have left her. The murder weapon is still in my hand. Looking down, I see blood covering my own coat. I’ll be cold if I take it off. I’ll be found out if I keep it on.
Why was there a knife in that random trash can?
I undo the zipper of my coat despite the chill of the winter night. That lady was no threat to me. Fighting her was the best feeling of my life. Stepping past the body, I ball up my coat to hide the blood-covered front, wiping my hands off on it for good measure.
I spot another coat in the trash. This isn’t right.
With a dreamlike numbness, I watch my own body bend to pick up the coat. The zipper is broken. That’s why it’s in the trash. Still, I can put it on to stay warm. A knife and a coat. It’s as if someone prepared all of this just for me.
Suddenly, I know I’m being watched. I turn around and scan my surroundings. Wall to the left, wall to the right, fence in the back. Nobody here. The moon is watching me, but the moon has no camera with which to incriminate me. Still . . . cameras. I stare up the many floors of the hotel, and suddenly I’m certain there’s a camera hidden behind one of those many windows.
I pull the hood of the coat over my head. Why would I randomly find a coat just large enough for me? Is this a setup? No. No one could have known. I didn’t know. If I didn’t know how much I’d ~~enjoy~~ this, then how could anyone else?
I sneak out between the buildings, but no one is around to see me. It’s like they emptied out the streets just for me. It’s a setup. The knife, the coat, the streets an empty stage just for me. For me. I hide the murder weapon inside the coat. There’s an inner pocket conveniently large enough to keep it in. Why would anyone set this up?
And doesn’t that also explain the ~~ecstasy~~ at what I did? It’s drugs. They drugged me, so I’d want to kill that woman. I never would have murdered another human being in cold blood if it wasn’t all staged. They fed me something, and they sent that meth-head or heroin junky. It’s all fucked up. It’s a dystopian reality TV show. Big Brother is watching me, and it’s all to entertain some rich fucks. I’d never kill. I’m not a murderer.
If I didn’t feel the hard bulge of the knife softly slapping against my chest with every step, I would’ve thought this was a dream. Surely, I didn’t just kill an innocent woman? She wasn’t innocent, though. She attacked me first. She attacked me first, and she was put there by someone else. If anyone’s responsible, it’s whichever sick fuck put her there and made me kill her.
She’s probably not even dead. No matter how rich, we’re still in a civilized country. They can’t make me kill someone for entertainment. It’s fake blood. It’s one of those tricks where they have bags of fake blood that spurt when you stab them, like in the movies. I laugh, quietly, scared that I’ll draw attention, but there’s no one there, so eventually, I let it all out, howling at the moon and at the ridiculous situation they put me in.
Where are the cameras? With modern technology, I’ll never find them. I’ve made it to the tram station. Inside the trams, it’s easy. Several surveillance cameras in every cart. I look up at one and offer it a wide smile. Do I have blood on my face? I wipe at it, but my hands come back clean. The knife swings in its pocket with every movement.
I’m getting away with murder. I’ve never been this elated in all my life. I’m not getting away with murder. It’s all staged, anyway.
I can’t sit down for the ride. My legs refuse to calm. Instead, I’m walking up and down, past a group of kids on their way home from a night out, drunkenly chatting with each other. Are they plants? Am I expected to go on a rampage and take them all out? I wave at the camera above me. No, that wouldn’t be very elegant.
It’s not many stops, and I’m out again. The wind is stronger here, no longer blocked by the tall buildings of the inner city. No one exited the tram with me. I’m alone. It’s perfect. It’s all made for me, the special boy. I stroll down the two streets to my house, checking the surrounding windows in case I can spot one of the cameras they must have put between the tram station and home, but they’re clever and I don’t see any.
I never would have killed if I was in my right mind. There’s no way killing would make me this happy. I whistle a song I picked up in the grocery store earlier today. Did they film me in there as well? They must have. My entire life, how much of it have I spent as entertainment for the masses? Did they laugh when I got fired last spring? Was it good television when Marie broke up with me? Was she ever in love with me or was she just another story beat in the magnum opus that they’re writing about my life?
The good mood swings violently into anger. Sure, they just prepared the perfect scene for me and I love, love, loved it so, so much, but what about everything that came before? What about the hardship? Do they really think it’s all okay because they throw me a druggy to knife down?
In the plot next to my home, new neighbors are building a house. The workers said they’d be pouring the foundation tomorrow. How convenient, except I know it’s no coincidence. It’s all planned. This is where they want me to put the knife. The ground is flattened, wood lines the rectangle where they want to pour the concrete.
I hop down. They aren’t getting a basement, so it’s not far. Digging into the dirt, I carefully place the bloody knife only a few centimeters deep. They won’t want to find it. Helping me get away with this is part of the story, I’m sure of it. I shovel the loose dirt back on top of it and flatten it with my hands. Like new. Tomorrow, they’ll make sure it’s never found.
When I climb out of the building site again, my feelings are mixed. Did they know I’d love this? Did they expect me to despair? Is this to be the grand conclusion to some arc that sends me to prison? They wouldn’t have prepped this construction site if they wanted that.
I unroll my old coat and fish for my keys, unlocking the front door. A quick shower rinses off the rest of the blood. Do they have cameras in here? Are people seeing my privates every single day? Would that be worse than filming murder, real or not? I search the entire bathroom but find nothing.
Head spinning, I lie down in my bed. No obvious cameras in here either. Tomorrow, after work, I’ll turn the house on its head.
The next morning is as usual. I keep expecting to find cameras, but there are none. They must be microscopic. Cameras in my mirrors. Cameras in my lamps. Cameras in my cereal.
The job they have me working since spring—this is the job they want me to have, that’s why they had my old boss fire me—is mind-numbing, until a colleague jumps up from her cubicle with a gasp. “They found a corpse near the train station!”
Soon, half the office has clustered around her, all staring at her screen that shouldn’t be showing a news site while she’s working. “That’s only two minutes away from here,” another colleague says. It’s all performative. They want to get a rise out of me. I take a call, because I won’t be playing their game.
The chatter continues. People are wondering if the perpetrator has been caught yet or if anyone has seen them. There won’t be any evidence because it’s all been set up specifically for me. A warmth settles in my stomach at the knowledge that nothing will happen to me. At the same time, I’m sick from anger that everything is a lie.
The next day is more of the same. Lunchtime discussions about the murder. They still don’t have a suspect. Everyone is talking about this. There aren’t many murders in my city. My colleagues simply won’t shut up about this.
The neighbors have poured their foundation and that knife is gone for good. The bloody coat has been picked up together with my general waste by the rubbish collection service. The timing for that was near perfect as well to save me from worrying about having all that genetic material waiting in my house.
Towards the end of the week, the topic slows down. People still talk about it, but their attention has shifted. They must be exhausted, trying to get a rise out of me day in and day out. Even actors aren’t perfect machines. Still, I commend them. Somehow, every few hours, one of them manages to mention the murder at least as an off-hand comment.
On Friday, I spot a casket in the cemetery on my way from work. There aren’t many people around it. I immediately know who’s in there. Of course, they’d stage this to happen at the end of my work day.
Weighing annoyance at these people controlling my life against morbid curiosity, I head over there. When are we finally done with this particular chapter of the story? When will they give me the next person to kill? Is this going to be a serial killer arc? The thought makes me giddy.
The bystanders don’t pay me any attention. It’s strange after days of finally knowing that I am the main character. The casket is closed, but there’s an image of the deceased on a stand next to it to make absolutely sure that I’ll know. Two disappointing wreaths are laying at its foot. Trashy flowers for a trashy druggy. Of course the casket would be closed. Whatever part of me thought these people were rich enough to have me actually kill another human being must have still been high on whatever drugs made me stab her in the first place.
Of course there’s no real human body in there, because the lady was an actor and she didn’t actually die. This new certainty makes something within me snap. I close the distance to the coffin in a rage, brushing past a sniffling lady that looks eerily similar to the woman I “killed”, maybe her sister, maybe the same actress.
Someone shouts something at me and the priest pauses whatever he was saying to eye me with alarm. They don’t react in time, because they don’t expect this sort of behavior in a civilized society. But none of this is civilized. This show they’re producing is barbaric. The way they made me feel, that ecstasy, all a trick. They’ll never let me feel like that again.
This coffin is an eyesore. This coffin. This coffin. This coffin. This coffin. This coffin.
I rip open the coffin to expose the scam, and I’m face to face with her. Miss Meth-Head looks like she went to a beauty spa. Her face is all done up, and she’s wearing a dress she could never afford. It’s a trick. She’s an actor. They knew I’d do this. They know every little thing about me because they’ve been filming me all my life. Of course, they’d know.
In my fury, I grab her by the front of her dress and give it a yank. “Stop this shit!” I yell at her. “I’m done with you people!” Someone grabs my right arm to pull me away. People are shouting. Another person is tackling me to the ground. We take the stand with her picture down with us. “You're not fooling anybody! I know none of this is real!” I scream at the top of my lungs, but they’re good actors, and they keep acting like I’m some sort of lunatic.
I struggle against the man holding me in place. They might have the upper hand for now, but I’ll bring them down. I’ll bring their whole fucking show down. If it’s the last thing I do.