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[-] wewbull@feddit.uk 1 points 1 hour ago

Does he manage to get back to earth in this one?

[-] Trampampoline@sh.itjust.works 4 points 2 hours ago

Movies you haven't seen:

91% 89%

"this might be good, idk... nah, probably not."

[-] lordbritishbusiness@lemmy.world 3 points 6 hours ago

I have. I enjoyed the heck out of it, it's a retelling definitely intended for modern audiences with some things removed and additional historical context added.

It's an excellent telling of an old story that reminds you that the Iliad was not truly glorious, and those that go to war will not come back the same.

[-] OriginEnergySux@lemmy.world 6 points 13 hours ago

Nope, I'm still pissed off at Ridley Scott's Napoleon for changing things historically. It was a fun movie and really entertaining but it pissed me off so I couldn't fully enjoy it.

I'm assuming this movie will be the same, so I'll pass until I learn to let things go

[-] Herr_S_aus_H@lemmy.zip 12 points 10 hours ago

You are aware that the Odyssey is a work of fiction, right?

[-] nexguy@lemmy.world 4 points 2 hours ago* (last edited 2 hours ago)

When Odysseus pulls out his light saber it really puts me in the story againt the one eyed Megatron.

[-] JackbyDev@programming.dev 1 points 2 hours ago

Starscream: Who are you?

Odysseus: I am nobody!

Starscream: Megatron, help me! I am being attacked by nobody!

Freddy Faz Bear: Hor hor hor hor hor

[-] Weirdfish@lemmy.world 3 points 3 hours ago

But it is in and of itself a piece of history.

Changing a story that is thousands of years old is wrong.

Go ahead and make the movie, but be faithful to the original work.

[-] bilb@lemmy.ml 3 points 2 hours ago

The original is still there, though, unchanged. If you need to be completely faithful to the original version, why bother making one at all?

[-] JackbyDev@programming.dev 2 points 1 hour ago

Every retold story is slightly different. Readapting works in the public domain is a tale as old as time.

[-] FavouriteShapes@sh.itjust.works 3 points 12 hours ago

I never trust the critics over normal viewers, lol. I am NEVER the second guy down

[-] noxypaws@pawb.social 8 points 22 hours ago

My partner and I walked out of The Odyssey after ten minutes and got a refund.

WAY too loud. Excruciatingly, painfully, unnecessarily loud. And yet I still had trouble hearing some of the dialogue. We were in an AMC Dolby theater, and I don't think I'll ever go to a Dolby branded theater like that again.

I'm not sure how to split the blame here between AMC, Dolby, or Christopher Nolan, but I'm mad at all three for the ringing in my ear that's still there several hours after we walked out.

Can't comment on the movie itself as we barely saw any of it. Might see it at a different theater but I'll be bringing earplugs just in case, though I may want a refund there too if it's still so loud as to require earplugs.

Nolan really not helping his reputation at being an outright sadist when it comes to sound.

[-] JackbyDev@programming.dev 1 points 1 hour ago

Hey, I go to a lot of AMC theaters, I feel very strongly that it was the "Dolby" theater. I've had similar experiences there (but haven't walked out). It might be a perfect storm of scenarios making it uniquely worse, but I can definitely say everyone in our group has all had the same experience at Dolby theaters.

[-] trslim@pawb.social 8 points 22 hours ago

I watched it, did not care for it. To dark, there were so many points i could not see what was happening, WAY to loud, actually hurt my ears, and, i just did not enjoy it as an experience. Actors are all fine, but there were times where the writing felt clunky or out of place ngl.

[-] noxypaws@pawb.social 7 points 22 hours ago

My partner and I actually walked out after 10 or 15 minutes because it was so painfully loud. Asked for (and received) a refund.

Infuriating that I can't trust movie theaters to maintain reasonable volumes. I shouldn't have to bring earplugs to a movie.

[-] prime_number_314159@lemmy.world 2 points 18 hours ago

Disclaimer: I have only seen the trailers. Multiple things were from substantially incorrect regions or time periods. They could have at least tried.

Also, I bought a Nolan movie to watch at home once, and the sound balancing was complete garbage. It was disappointing that he let his pretentiousness make his movie unwatchable. Maybe someday he'll understand what art is for.

Unless the people in my life that watch more movies than I do say it's really good, I won't see it, but also won't be reviewing it for Rotten Tomatoes.

[-] DandomRude@lemmy.world 7 points 1 day ago

I think the best approach is to find reviewers whose tastes largely align with your own. Their reviews can serve as a good reference when you’re looking for a movie you haven’t seen yet.

There are simply too many criteria you could apply. The "Cinesiasts", for example—who like films like Citizen Kane or works by Ingmar Bergman, Aki Kaurismäki, and the like—naturally know a great deal about their field. However, that by no means means their reviews would be a good reference point for the general public, who simply want to be entertained and don’t place too much value on artistic merit or the most elaborate technical skills of filmmakers.

[-] ConstantPain@lemmy.world 9 points 1 day ago

I have so little incentive to go to the movies these days that any negativity, deserved or not, is just enough.

[-] deft@lemmy.wtf 3 points 1 day ago

You don't have to go to the movies to see a movie

[-] ConstantPain@lemmy.world 2 points 7 hours ago

Yeah, even without piracy, I don't care to wait a month or two to see something that peek my interest

[-] deft@lemmy.wtf 1 points 6 hours ago

That's fair

[-] andxz@lemmy.world 3 points 1 day ago* (last edited 11 hours ago)

Just came home from watching it. I've read it quite a few times, both out loud to students and by myself, so I didn't go in completely blind so to speak.

Still, it managed to confuse me a few times, especially a few conversations, and at some points, a little who's who. (Might just have been me, though. See below).

Still, overall, it was a pleasure to watch. Damon gives one of his best performances. It's perhaps not the best he's ever done, but he's good enough to carry a large part of the movie by himself. There are other standouts as well, a few from his crew, and Pattinson is his usual brooding self, which fits right in here. Casting Tom Holland as Telemachus perhaps wasn't completely fair to his capabilities, but he did well enough with his limited time and lines.

It's quite hard to write about further details without spoiling stuff, but one thing I can say is that the scenery is very well done. If you go in expecting Greek summer sunshine, you're in for another thing altogether. The backdrops were gorgeous. The CGI is also quite well done, imo.

Anyway, to be completely honest here, I have issues with my spine and right leg (the ischias nerve) so I'm pretty heavily medicated and that might have put a positive tint on the whole thing, I don't know.

(tl;dr) Still, in my opinion, it's very much worth watching, and if you can afford it, it's worth watching it in a movie theatre because of the effects and sound.

Edits: I had to repair my broken and not very sober English after the fact.

[-] Zacryon@feddit.org 9 points 1 day ago

Things to do when bored: arguing about taste.

[-] BackgrndNoize@lemmy.world 7 points 1 day ago

The Odyssey trailers did not appeal to me much, so I'm confused by the praise it's getting, is it because it's actually good or normies just giving it 10/10 because it's a Nolan movie. I watched Oppenheimer in theater and realized I could have saved the cost of the ticket and watched it at home without losing much, how does this movie compare to that, I've liked most of Nolans other movies except Tenet

[-] cmbabul@slrpnk.net 74 points 2 days ago

I swear rotten tomatoes and IMDb fucked up movies and tv more than anyone talks about. You can’t REALLY make an review of a work of art, even if it is corporate produced tripe, with a percentage scale or */10 system, and before anyone comes at me I know it’s been done for decades but it was never a be all and end all thing, critics wrote articles about things and you might disagree with their sensibilities and go see it specifically because a particular critic didn’t like it, the opposite is also true.

At some point though we crossed a line where no one actually reads the criticism and internalizes it, instead they just look at the number and make it either a personal attack or validation. Thats a really bad way to experience art of any kind.

This isn’t a complete thought I feel, but I hate the reality of film and television criticism today, not because critics are worthless, because that’s just silly. If you like something Peter Travers said was dog shit go find a critic that speaks to your taste it’s not difficult and doesn’t mean your favorite movie actually sucks.

[-] JDPoZ@lemmy.world 25 points 2 days ago* (last edited 2 days ago)

I agree they both fucked it up, but my main problem is how there seems to have been a clear shift in how they "weigh" reviews after both IMDB and RT were bought by large corporate entities (Amazon and Fandango, respectively).

I can't help but feel like a lot of the movies coming out from those companies or their subsidiaries (...and at least some number of politically expedient allies) somehow manage to get higher overall review scores on RT and IMDB than they maybe deserve.

For example, that shitty right-wing nationalist churchslop movie "Young Washington" got relatively high scores on RT...

...and IMDB...

...but not on Letterbox'd...

...which is one of the main reasons I shifted to checking Letterbox'd for reviews... but unfortunately, another day to shift to a different platform be coming soon again.

[-] NaibofTabr@infosec.pub 15 points 1 day ago

In Darknet Diaries Ep 27: Chartbreakers, Jack Rhysider describes how cheap and easy it is to buy your way to the top of the Apple Podcasts rating chart or onto the New York Times bestseller list.

After listening to this, it's pretty easy to extend the logic to every other rating platform. Paying for review manipulation is basically part of the marketing budget.

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[-] brachiosaurus@mander.xyz 3 points 1 day ago

You can’t REALLY make an review of a work of art,

They are not reviewing work of art though, they are reviewing products.

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[-] thethrilloftime69@feddit.online 20 points 1 day ago

I have a very simple system. If the movie was made for legitimate artistic reasons, then I think it was worth the effort to make it. If the movie was made to sell tickets, I don't bother.

I decide which artistry is legitimate.

[-] Trampampoline@sh.itjust.works 1 points 2 hours ago

Simpler than that. The movie was made because Nolan saw the Titans movies and thought, "someone should make a not 'ass' version".

[-] QuinnyCoded@sh.itjust.works 14 points 1 day ago

understandable but like, aren't 99% of movies made to make a profit?

[-] thethrilloftime69@feddit.online 10 points 1 day ago* (last edited 1 day ago)

Yes that's true but I have a pretty simple algorithm for movies that were "made to sell tickets"

  • franchise movies, especially if the story ended already
  • comic book movies
  • remakes
  • movies based on a property that doesn't translate well into movies(video games, certain kinds of books)
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[-] stark@sopuli.xyz 9 points 1 day ago* (last edited 1 day ago)

You forgot the “haha go woke go broke” and “fucking NPC” line. For some reason the people that take movie and game reviews too seriously are those right wing basement dwelling chuds

[-] Remember_the_tooth@lemmy.world 35 points 2 days ago

Is anyone else getting a little uncomfortable having their confirmation bias put in the spotlight like this?

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[-] jsheradin@fedia.io 18 points 1 day ago

Historically I never had the patience but I've watched a ton of movies over the past couple years (easily 300+) and initially I agreed with audience rating. Although I'm far from an insufferable cinephile and really don't care about underlying theory and whatnot, I definitely find myself agreeing more with critic rating now. Of course there's plenty of exceptions where I disagreed with both. Movies can be fun or awful for you regardless of what anyone else thinks.

That being said, I think Roger Ebert's reviews usually nail it. That man was a connoisseur of weird enjoyable movies and quick to call out corporate crap.

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[-] Zarobi@aussie.zone 7 points 1 day ago

For me it's more, "I wonder why critics / audience disagree with me?" It's an interesting thing to think about.

I try not to expose myself to any social media surrounding a movie before I watch it. No reviews, no trailers, nothing. Then I compare my experience with others, and it's usually wildly different. It makes me wonder how much of a review is "inertia" from the environment surrounding the movie, rather than the movie itself?

As an example, I absolutely loved the film Chappie. I thought it was a great film, but the general population AND critics absolutely blasted it. I actually agreed with some of their points in the reviews, but overall I still like that movie a lot, and I still rate it 9/10.

If I'd seen the 30% rating beforehand, would I have even bothered watching the movie? Maybe not…

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[-] Luisp@lemmy.dbzer0.com 10 points 1 day ago

Disney movies like zootopia 2 are 100% but v for fucking vendetta is like 70? Wtf RT

Read the "professional reviews" and are like "my daughter liked it so 10/10"

[-] chiliedogg@lemmy.world 7 points 1 day ago

I love me some V for Vendetta, but Zootopia is also really good at what it is. It's meant to entertain children while also having some laughs for the parents, and Disney is really good at that shit.

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[-] mlg@lemmy.world 7 points 1 day ago

RT lost its credibility a long time ago and IMDB just results in the bell curve effect where most things end up at 3.5/5 which is too accurate/condensed for most people.

You need to follow a couple or even just one film critic who makes quality reviews on their own if you want good information.

[-] cattywampas@lemmy.world 21 points 2 days ago

Seeing it on Sunday!

I do have an issue with the amount of stars in the movie, especially Zendaya, but I'll try to keep an open mind.

I don't care about the historical accuracy or the racial makeup of the cast, all I care about is whether it's a movie I enjoy watching.

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[-] Dookieman12@piefed.social 19 points 2 days ago

See also: everyone driving slower than me is an idiot, everyone driving faster than me is an asshole.

[-] QuinnyCoded@sh.itjust.works 7 points 1 day ago

cars 2 is the best one fight me

[-] qevlarr@lemmy.world 2 points 1 day ago

Oh man, I knew I couldn't be the only one!

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this post was submitted on 17 Jul 2026
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