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The enforcement of copyright law is really simple.
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this post was submitted on 15 May 2023
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Technology
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@chucker @kkarhan @panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think that being unable to use nor remix music for years is far too long.
It doesn't remain broadly relevant for all that long in popular culture anyway. Before the internet that cycle was at the very most decade-long, now it has shrunk dramatically as information travels faster and more broadly.
Copyright also inherently assumes you have a right to control the minds of others, which I deem unconscionable.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think a lot of musicians (cf. R.E.M.) with sizable back catalogs to which they own the rights would disagree with you, and honestly, I don't know what the right answer is.
That said, if you would, please explain why you mean by "copyright also inherently assumes you have a right to control the minds of others." I'm not following.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Copyright inherently means you cannot replicate an idea you might have come across before in any way without licensing it (which is profoundly exclusionary due to the economic dynamics involved).
Given that human culture generally involves the sharing of stories and ideas, it turns all culture covered by copyright into cognitohazards that poison any attached material.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Much like patents it also fails to account for the concept of parallel invention, which is made worse by the general way humans assimilate patterns from stories and art with the distinct possibility of reusing some bit without even meaning to (hence the cognitohazard bit).
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon OK. So let's say there were no such thing as copyright law. How, then, would artists, writers, musicians, etc., make a living?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon The same way any other creative labor is paid.
I certainly wouldn't write code for companies without fair remuneration.
Most other forms of creative work also lend themselves a bit better to crowdsourced patronage & merch than my own craft.
In any case, the value is with the labor, not the resulting work. Mostly only labor can lead to new works or improvements to old ones.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Also, the guy in the video says we should either ban copyright or severely shorten its length. Those are two VERY different things. I have to wonder whether severely shortening its length and streamlining the process for obtaining rights wouldn't solve most of the problems currently surrounding U.S. copyright while still allowing creative people a chance to make money.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Your model for writing code implies that all code writers must be someone else's employee. But what if they want to be independent? How do those folks get paid?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Well, that's where the crowdsourced patronage & merchandise models (among two typical options) come in.
Both unfortunately rely on popularity with an audience will & able to pay to really work.
They're hardly the only options, streamers have found corporate sponsors for example, but I couldn't call myself an expert in alternative monetization practices.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Having been a freelancer and independent contractor off and on for 45 years, I've looked into most of them, and in most cases, for them to "work" -- by which I mean provide a living -- the artist must still be protected by copyright law; otherwise, others could duplicate and sell his/her work as their own and receive money that otherwise would have gone to the creator.
what do you think of a hypothetical law that would allow reproduction and modification of work and selling it, but only at cost and one would have to include credit to the original author?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon One would think the ease of attribution and finding out plagiarism on the internet would help mitigate that.
Credit/attribution remains essential.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Even with copyright law, plagiarism happens all the time, albeit usually on the personal level rather than the industrial level. Imagine how bad, and how industrialized, it would get if we had no copyright law.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think it might finally motivate people to participate in the indexing efforts I care about, since they're the only real way to mitigate that.
Currently other than archival nerds and data hoarders, barely anyone seems to care.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Your mileage may vary, but in my experience, particularly online, when people can get a copy of a particular work they want without paying the creator, that's what they do, if only because it's one less step.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Well yes, the notion of productivized digital works is an inevitable casualty (it never really made sense either, as Taxxon highlights in her videos).
Voluntary support remains.
On the software side of things, I'd most definitely welcome the death of proprietary software and productivized software.
It has led to an absolutely awful amount of corporate malware being normalized, among other atrocities.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon For reasons on which I'm not immediately clear, there seems to be a lot more of an appetite for that sharing approach in the coding community than in the musician community.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I've noticed that too. I think it might relate to the difference in how usually it's seen as normal & necessary to hire us for labor rather than to buy (or license ๐ฌ) specific products/works ready-made.
With musicians having the rougher end of things there. Their labor is less commonly recognized.
And then of course malware, corporate or not, tends to have direct negative impacts on users or their victims.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon That's plausible.
indexing efforts? ๐
@salarua Stuff like MusicBrainz or the various boorus & iqdb/saucenao, for two examples that are mostly crowdsourced (whereas Google Images is very much a corporate-made tool that's also often much harder to use).
i'm gonna be totally honest, i forgot Musicbrainz existed lmao
but i do care about the preservation of our history and culture, and i'll make an effort to contribute to these archives/indexes once i'm less buried in college work. are there any other indexing efforts that need help at the moment?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon A more long-form and less idiosyncratic take that I mostly resonate with would be found linked here: https://mastodon.top/@lispi314/109918144425104762
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon OK, I'll take a look.