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My local opera company does one new opera and two traditional operas every season, so I’ve seen quite a few over the years. The wildest one was definitely The (R)evolution of Steve Jobs, a 2017 opera by Bates about the Apple founder.
I kind of want to hate watch that Jobs one!
I appreciate that they're doing new stuff though! I love historical performance, but I absolutely understand that is a niche interest. If opera is going to survive as an art form (and I think it should), it needs to be a living medium.
The university is putting an a brand new, world premiere opera called That Hellbound Train here in a couple weeks, and I hope to attend.