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submitted 2 weeks ago* (last edited 2 weeks ago) by fasterandworse@awful.systems to c/notawfultech@awful.systems

invidious link https://inv.nadeko.net/watch?v=OkfzjmY9cF8

He has sample photos starting around 12 minute mark - the colour tone he's getting is amazing

Example:

Colour photo of piled up old computers and computer peripherals from the grey/beige era. The colours are muted but not completely desaturated. It resembles film more than the average post-processed digital photo

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[-] self@awful.systems 4 points 2 weeks ago* (last edited 2 weeks ago)

this is awesome! I’ve wanted to go down this same route and make either a fully custom camera or a digital back for a medium or large format camera, but the amount of expertise and expense involved in making even a relatively simple scanner back (much less a full CCD camera) is daunting. til then, I suppose I can always do an 8mm cinema camera if I get that kind of itch: https://youtu.be/cuwTC194y_8

and because my palms are now sweating about building a cinepi:

and as always, it’s a shame they’re just shy of good 4k and reliable in-camera audio sync because of how flaky raspberry pi’s engineering tends to be. it’d be interesting to spec out a version of this camera with a different SBC and sensor architecture, though I do like how singularly inexpensive and scriptable the cinepi itself is

[-] self@awful.systems 5 points 2 weeks ago

apparently the CinePi XL sensor is already available and supported by CineMate, and there’s also an even more advanced sensor sporadically available and also supported…

fuck. a 1.2” Sony sensor plus manual controls taken together are more than good enough for still photography alongside cinema use. I must not start a photography project, I will go bankrupt

but I really want to design a camera system around this!

this post was submitted on 29 Sep 2024
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