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Media (i.postimg.cc)
submitted 2 years ago* (last edited 2 years ago) by gon@lemmy.world to c/mediareviews@lemmy.world

I review media. I categorize every piece of media into one of 4 categories:

  • Shows, for anything that's serialized, such as TV Shows and Audio Drama podcasts.
  • Movies, for anything that's one uninterrupted instalment with a large visual component, such as... Well... Movies (duh), musicals, and stand-up specials.
  • Albums, for music albums and, sometimes, musicals, if I didn't WATCH them, and only listened.
  • Books, for the written media, though it does include comics/manga as well.

You can find my Excel spreadsheet here, with the media I've reviewed up to this point with its corresponding ratings.


Ratings:

  • 5 - Very good.
  • 4 - Good.
  • 3 - OK.
  • 2 - Bad.
  • 1 - Very bad.
  • 0 - Horrible.
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A Human Made of Words.

This has been one of the best manga I have ever read.

Oftentimes, you hear about how an author "paints with their words" or something to that effect -- Hagimoto does something different. It's not painting, it's not even sculpting... They do something more akin to Prometheus shaping a Human out of clay. Every page pulls you in and forces you to face the characters in such a realistic way, that you simply can't help but wholeheartedly believe that they're real people; Breathing humans of flesh and blood, that just happen to be made of lines and words.

Something that bothers me to no end, when it comes to a lot of manga that deal with bullying and topics of self-harm and suicide, is that they are gratuitously violent. I understand that that sort of representation matters, but it falls flat more often than not, I find. Not in That's My Atypical Girl -- here, everything feels real. It's a little hard to explain, actually, because I feel like I can't possibly hope to do justice to the pages, but it simply feels like it happened.

It's reality; It's raw and hard to read at times; It's painful and violent; But it's true. It speaks to you in such an undeniable way, that it transcends its medium.

This isn't the sort of manga that transports you into its world; This isn't an immersive experience that makes you forget reality. No. This is the sort of manga that changes your reality. After reading this, the world of the manga becomes your reality. This has changed the way I think, the way I see other people, and I'm sure it has changed the way I act. It's the sort of manga that will stay with me, even if I forget it.

Perhaps my favourite pannel.

Truly, a life-changing experience, and a heartfelt depiction of depression, anxiety, and ASD.

It is a little odd how self-referential it is, though. It's not bad in any regard, mind you, it's not even off-putting, but it is just noticeable enough that you begin wondering how much the author wants you to pay attention to it. It is a manga about a mangaka, after all, so I guess it makes sense, in a way. Still.

Morita's art is good (and actually gets significantly better as the manga goes on, I think, but I would argue that it is by far the weakest point of this work. Occasionally, the characters do look a little off. I suppose this opinion is a consequence of my being spoiled with lots of very high-quality art in other manga, but I can't let it go unsaid.

I know I didn't really speak too much about the plot or the characters in this review, but I feel that I shouldn't. The characters are complex and deep, all of them; However, I can't bring them to life in a short Lemmy review, so I simply won't attempt to describe them at all. It would be a disservice to the work. The plot is moving and compelling; However, I can't make you believe it happened, so I simply won't attempt to summarize it.

Please, read this.

...and let me know what you think!


Rating: 5/5

Read on Bato.to!

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Blasting production, slashing vocals, heartfelt heartbreak.

Surface Tension is absolutely brilliant.

Every track is packed with granular guitar-heavy production and thrumming bass accompanied by small and sharp drums. It feels like driving really fast down the highway; the rusted engine shakes, trembles, and rattles, almost falls apart but somehow stays together for just another mile. It's a raw sort of feeling, like Dev is grabbing you by the shoulders and looking you in the eyes while she screams her lungs out at you. Still, she manages to find a few moments to take a step back, like in FACE and WHAT ABOUT YOU, which feature restrained acoustic guitars, before delving back into the thick production that's the hallmark of the project.

The vocals also leave nothing to be desired in both performance and variety. Dev is known for her generally weird demeanour and delivery, and she does go some rather weird places with her performance on several songs. DON'T PINCH ME might be the most intense example of this, but other tracks - like MEDIA TRAIN's second screaming half - also illustrate this rather well. I can totally understand how this might turn some people off to the tracks, but I think she always manages to strike that balance of artistic explosion and connection to the very emotional themes of the songs. She has no issue getting melodic - just listen to BROKE YOUR COVER and STUCK AGAIN - and she can keep a flow, but what really makes the album is how she mixes all the disciplines to paint this vivid picture of despair, frustration, and resignation, while never fully letting go of her silly personality.

It's almost paradoxical how she manages to merge such seriously nasty criticism of her failed attempts at love and hilariously quippy lines.

Speaking of failed love; That's undeniably and unmistakably the theme of the record. Every song talks about it - which honestly could get a bit repetitive, if not for this album being rather short at just over 20 minutes - sometimes ravaging her past partners' blatant disrespect and failure to commit, sometimes more seriously introspective and questioning her own meek behaviour and lack of determination, while staying stuck in an unfulfilling half-relationship.

The one issue I have with her lyrics are that... Well... They can get a little awkward - and I don't mean in the emotional sense, but in the technical sense. The words just don't quite fit sometimes; she does get too absurd and silly at times, which does hurt. DON'T PINCH ME is by far the biggest offender, though MEDIA TRAIN does also get a little too crazy, in my opinion. It still has some appeal, but I feel like the insanity of the words and the mismatched-jigsaw nature of the verses take away from the overall emotional weight of the album, as a whole. That's, honestly, my only criticism of the project.

Mind you, I don't think any song on here is a skip - I'd actually argue that skipping any song here would be tantamount to sacrilege - but it does have low points; that's all I'm saying.

Now, I'd like to mention the MVs. I usually don't comment on them (or even watch them...) but this is one of those rare cases where watching sincerely adds to the experience. Every song has an MV and they're all insane - either in concept or in eclectic execution - but they're all incredible. The visuals are full of personality; you can really tell Dev loved making them. If you're like me and usually skip the videos, consider checking these out anyway. It's worth it, I swear!

I've listened to the whole thing front to back more times than I've bothered to count.

What do you think?


Best song: DROP YOUR COVER
Worst song: DON'T PINCH ME
Rating: 4/5

Listen on YouTube!

4
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submitted 6 months ago by gon@lemm.ee to c/mediareviews@lemmy.world

Recently, I watched both Mulan (1998) and The Iron Giant (1999), and I feel like these movies show two extremes of animation, in a way. As such, I felt like talking about them, a little bit.

First, I'll tell you where I stand on both, individually: I think Mulan is mediocre and The Iron Giant is a masterpiece.

Maybe on the surface, both these movies might not appear to have that much in common, other than having come out at about the same time, but I think they're actually similar, in a way. They both center the idea of breaking out from a mold, of going beyond expectations and cracking open social norms, even overcoming great discrimination and severe resistance.

In Mulan's case, we have a young lady living in a world where the expectations for a woman, or rather, what the world demands of a woman is to be pretty and bear children. War is a man's business, so much so that the simple thought that a woman might participate in the war is outrageous, and the act is akin to sin and very much illegal, worthy of the death-penalty, no less.

As for The Iron Giant, we have a living weapon that chooses not to be one anymore. People aren't just wary, they're scared, and they react violently, being ready to obliterate it at a moment's notice. The army is mobilized, nuclear missiles are launched!

Our two hero's - though, in The Iron Giant's case, the protagonist is actually Hogarth, not the giant himself - both struggle and succeed in proving to the world that they're more than what they're told they are. Yet, one comes off as bland and uninspired, while the other is a magnificent cornucopia of emotional depth and intense characters.

Why is that?

Well, many things.

I'd like to highlight what I think is perhaps the most jarring difference between these two movies: the villain, or rather, the main antagonist.

In Mulan's case, that is Shan Yu, the Hun. He's violent and ruthless, as well as immensely powerful and terrifying. There, you know everything there is to know about Shan Yu. Another antagonist is the counsel of the emperor, Chi-fu. He, at least, isn't strictly evil either - he does what he thinks is right for his people - but he's also just an asshole. He's a talking caricature. A joke. He wields power, and is therefore a danger to Mulan's objectives, considering he's strongly opposed to her being in the army and being a pompous prick.

However, here's the thing with Chi-Fu: being a misogynist isn't special in this universe. Mulan's dad, while incredibly loving, also feels the same way about her being in the army. Sure, he loves her and doesn't want harm to come to her, but there's nothing in the movie that indicates he would've allowed her to go if her safety was guaranteed or something. It was simply, "not her place." Li Shang is the same! Even after Mulan saves his life, he doesn't change. Sure, a seedling of change may have been sown in his mind, but he disregards her warnings regardless.

The Iron Giant, on the other hand, doesn't have a villain. There's an antagonist, sure, Kent Mansley, but he's not evil. He's not violent, ruthless, immensely powerful, or terrifying. As a matter of fact, he's good. The government, as a whole, is also an antagonist, but it acts more as a force wielded by Kent which even then resists his misguided actions when the truth reveals itself.

The Iron Giant is set in 1957, during the cold war. People are scared - terrified, even - and Kent is no exception. We see what the kids learn in school through Hogarth, learning to hide under their desks to miraculously survive a nuclear strike... And then, an iron giant falls from the sky and starts eating cars! Kent definitely makes mistakes, and from our perspective - understanding the true nature of the giant - it seems that what he's doing is rather stupid and misguided. However, is it even? He wants to protect everyone! He just wants people to be safe, and he's a victim of the paranoia. He goes too far and lies, he exerts too much power, power he was not entitled to or ready to wield, and that led to terrible consequences, but he never aimed to harm. He wasn't a mindless, one-dimensional murderer. He was a civil servant trying to serve the public. His crime is fear and rashness.

Now, don't get me wrong. Misogyny isn't logical, so it does make sense that the character's aren't necessarily logical in their approach to it. It's about social norms, things that are taken for granted and left unquestioned. It makes sense that Mulan's struggle isn't just with the system, but with the unbending minds of those shaped by said system. However, I would mention that Mushu doesn't seem to have much of an issue with it, though he is painted as a bit of a cook and an outsider... Still, the antagonistic forces, the barriers that she overcomes are just that: they're barriers. Mindless barriers. The Iron Giant's antagonists aren't that at all, they're people. They're beings that have goals and objectives that go beyond "conquer China because me conquer" and "women weak because women."

There's a lot to both these movies, really, but that alone is enough to firmly place them on two very different tiers of animation.

Really, I found myself enraptured by every character in The Iron Giant maybe a thousand times more than any character in Mulan. Even Earl Stutz, the crazy fisherman, is more interesting than Mulan's companions. He, at least, tries to do something, instead of being comedy relief. He must have, what, 3 minutes of screen time? Maybe.

Overall, I feel like Mulan is populated by single-minded husks that sometimes say something funny and hit some notes, while The Iron Giant is a living and breathing world.

Brad Bird, I'm single.

But what do you think?


Mulan: 3/5
The Iron Giant: 5/5

5
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submitted 9 months ago by gon@lemm.ee to c/mediareviews@lemmy.world

More than meets the eye, again and again.

At first, things seem quiet and unremarkable. A cliché premise, cliché developments, cliché characters... Actually, things didn't seem quiet and unremarkable at all; Re:Zero seemed boring and uninteresting. More of that ever-pouring slop Japanese webnovels insist on becoming, more of that persistent stench of mediocrity and the unbridled numbness of barren creativity.

Re:Zero is just more of the same old, same old.

At first...

But, at first, even the normal is strange. Even as we're born, we cry. We're confused, lost, terrified as the world that we now take for granted assaults our senses and wrecks our mind and body alike. Voices endless, smells, feelings, all of it is so much---too much! What makes life beautiful aren't the large pieces that we all have in common, but the small distinctions that make us unique. One would assume death is the same, of course.

All one can do is assume death is the same. That is, of course, except for Natsuki Subaru.

Re:Zero throws us into the typical isekai fantasy world---it even tricks us for a bit!---but pretty soon we understand that that's not the case at all. Natsuki Subaru doesn't die. Or rather, he dies and is then reborn. He gets to try again. That's what Re:Zero is about.

What if you could try again? What if your biggest failures were erased and you had a do-over?

As a premise, this is brilliant. It's not the first time I've read a time-travel story with a somewhat similar outline---shout-out to Mother of Learning---but Re:Zero is unique enough from within what I've read to trigger that novelty factor.

The cast is extensive and varied, including several of the traditional isekai tropes while continuously subverting them in some of the most creative ways possible. Even Subaru himself, the MC, is a subversion of the typical isekai MC. He reminds me of Kazuma from KonoSuba, actually, at first.

That's always the point, isn't it? At first, at first, at first... There's always more than meets the eye.

If that was all that Re:Zero was, it would be enough to make for a good story. However, Subaru is faced with the flip-side of his condition: he loses all the good parts too. The pain, the suffering, the despair that dripped from the pages when he loses everything was at times so overwhelming I actually had to take a breather. It's like the Witch's miasma bled through the screen and seeped into my eyes---that's the only reason I cried, of course...

What if you had to choose? What if you could try again, but even then you failed?

The ever-growing pressure of his mistakes digs into your heart and crushes your very soul, I'm telling you. Seeing him come to terms with how much he's lost and watching him gather the courage to keep going... It's beyond fantastic.

My biggest gripes with the novel are the following:

  • The translation is mediocre and littered with errors;
  • Subaru does too much talk no jutsu.

Still, it's not a big deal. I'm used to reading webnovels, so reading a poor translation isn't a significant problem; I just expected more. Subaru's incessant yapping can get frustrating at times, but I can rationalize it by saying that, well, if he dies, he can just try something else. When it works, it's hard to say that that wasn't the best option so... I can't really complain... I just don't like it that much. Let it be known, though, Re:Zero isn't just Subaru's yapsesh; he very much works! He tries, and fails, and tries, and fails, and he tries again. He tries everything he can think of. What I love most, perhaps, is that he doesn't get random power-ups like you see in other series. He gets stronger by failing and learning. He improves slowly by trial and error. It's really satisfying to see him figure things out!

The world is getting more and more complex by the volume, by the chapter, by the page really. By Volume 15, it felt like the world had grown ten-fold, both geographically and lore-wise. It's so complex and enticing with so many mysteries to dive into. I can't wait to learn more.

I mentioned the extensive cast already, but there's really no reason not to bring it up again. There isn't a single character I dislike in this whole thing. There are characters that are very much despicable, yes, but there aren't any of those cliché "bad because they're bad" or "good no matter what" characters. Every character is either extremely complex, with believable and deeply emotional motivations, or simply not developed enough to tell just yet. After all, there's so many characters but only so many pages to talk about them. I don't think that's to the detriment of the narrative in the slightest, though.

Really, the only character I actually have sincere gripes with is Subaru himself! Specifically in regards to his choice of heroine. He's wrong, and I'll stand by that. He's the only character in the whole series whose motivation I question. You'd think this would be a big deal, but it really isn't. He's an idiot, an irredeemable moron. That's what makes his story so compelling: we get to see an irredeemable moron turn into a somewhat redeemable moron, little by little, life by life, death by death.

Is this the greatest masterpiece of the 21st century? The century isn't over just yet, but it's in the running; I'll tell you that much.

What do you think?


Rating: 5/5

Read on Witch Cult Translations!
Disclaimer: I read the Light Novel version of Re:Zero, not the WCT webnovel translation.

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submitted 2 years ago by gon@lemm.ee to c/mediareviews@lemmy.world

Peak romance!

I absolutely loved this show. I've been looking for some nice romance in the past few weeks, and this really hit the spot. It's a classic really, there's a reason this gets recommended every single time anyone asks for romance recs.

The way Lovely Complex explores insecurity is simply beautiful, the constant hesitation, the fear that you might not be enough, and the certainty that begins to come over you as you fail over and over again at achieving your goals. Your fears manifest, a confirmation that your own body, that which you were born with and cannot change, is wrong. But through all that, the persistence of the characters, the way they persevere through these tribulations, is truly inspiring.

The setting is very adolescent, and this is a love comedy so even the most emotional moments are somewhat light-hearted. I think that's good, actually, it keeps the story flowing; the show is incredibly well-paced. I said adolescent, because it is set in high school and that's what the characters life revolve around, but the themes are very mature. I mentioned the insecurity, which the main theme of the show, but many episodes also touch on what it means to be in love, to be in a committed relationship, and what sacrifices one must make to maintain healthy relationships with those they care for.

It's beautiful.

The production quality is top notch, though very much outdated. It's Toei, the animation and music are both great, and the voice acting is fantastic too. Especially Nobu-chan, Higashi Saori might just be the GOAT. I'm not even joking, this was an all time performance by her.

What do you think?


Rating: 5/5

Watch on CrunchyRoll!
Arr🏴‍☠️!!

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submitted 2 years ago* (last edited 2 years ago) by gon@lemm.ee to c/mediareviews@lemmy.world

Beautiful and emotional!

I really liked this show. I was sceptical at first... I think it's very easy for shows that surround something seemingly inconsequential (such as a high-school club) to severely overplay how much people actually care about these things. Hibike! Euphonium did this very well though, from the onset. I guess it's about managing expectations, and what the audience can expect from the characters by showing what the characters expect from each other. I really liked the set up.

I love how distinct each character is too. They have unique personalities and interests, though a bit cliché (the big silent guy, the bubbly girl, the cold beauty). The main character though was just something else. I really, really liked her! I love how she treats the people around her, it felt very human, I think this was just excellent writing. She's cold sometimes and bursting with emotion in the next scene, but it never feels out of place. We really get to explore how she sees the world and what she values in relationships, as well as how much she's willing to sacrifice in her personal life to achieve her goals. I just love Kumiko.

The animation was very good too. I guess that's to be expected from KyoAni. What I really appreciated, as someone who has played in a band for many years (trumpet), is that they didn't try to make the performances magical. A lot of sports and art anime (Haikyu!!, Blue Lock, Blue Period) depict their subject as sort of nigh-magical, with colours flying everywhere and cool names for special moves. Hibike! Euphonium leans more into realism, it doesn't try to make music seem magical, it just lets the music be magical, if that makes sense. I thought it was beautiful; in a way, it's the animation holding back, but it's just really well done.

The music of course was just fantastic. Don't have much to say on this subject in particular, it's a music anime, it has great music. I will say that I loved how much silence there was. Especially before and after an emotional performance, they just let the notes hang, letting the emotion build. Beautiful, I say!

The one criticism I have is that it's very short. It's only 13 episodes, and there's too many loose ends. I WANT MORE!!! Well, there is more of course but it's in the next season, which I haven't gotten to YET. This show is definitely worth a watch.

What do you think?


Rating: 4/5

Watch on CrunchyRoll!
Arr🏴‍☠️!!

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submitted 2 years ago by gon@lemmy.world to c/mediareviews@lemmy.world

A brilliant musical journey.

I've listened to a lot of music. A lot of great music. And I can tell you, this is special.

It's one thing to infuse your art with a message, another thing to actually convey it properly, and a whole other debacle to manage to do that while creating something truly enjoyable. Little Simz made something magical. This album is way more than just music, it's a whole experience. And one that I'm sad I won't be able to experience again for the first time.

Being a woman, being black, her culture, her desires and aspirations. Little Simz shows all of herself for us to see. This album is incredibly personal, and one of the most majestic things I've ever listened to.

I already knew she was a brilliant rapper; her lyricism is nigh unmatched, and her delivery is second to none. Of course, the production leaves nothing to be desired either.

But really, the message is what elevates this to the next level.

There's a nice variety of sounds too, some hardcore hip-hop cuts, some jazzy tracks, pop, soul, and plenty of time to cleanse your palate before the next stop on the Introvert train by way of several interludes. Some spoken word passages as well, which I really appreciate.

I tend to dislike longer albums; 30 minutes is plenty, 60 minutes is pushing it. But this is different, I can't have enough of this!! I wish it would last forever...

If I could tattoo this album on my brain, I would.


Best song: Rollin Stone
Worst song: Never Make Promises (Interlude)
Rating: 5/5

Listen on SoundCloud!

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