Like vanilla, you measure garlic with your heart.

Ranking the bead track options of the Anatex Enterprise’s Classic Bead Maze

https://i0.wp.com/deiequipment.com/wp-content/uploads/2023/07/CBM1310.jpg

• Yellow: A fine tutorial track for bead maze novices. If you have no idea where to start, this functions as a passable introduction and training option. There's not much elevation to be found here, though you do get one brief vertical drop and a 180-degree direction change midway through the track, but this is undercut by the track not ending with this drop, forcing the player to trudge the bead along to its final destination. This track isn't completely devoid of thrills, but they're meager at best.
  • C Tier
• Orange: Less-refined maze fans may be excused for considering this their personal favorite. It does boast the most vertically pronounced track, both track routes end with satisfying vertical drops (including the single largest drop of all options provided) and the bead options, which we rarely discuss, are all the satisfying heavy spherical variety. But, despite all these superlatives, the fatal flaw of the orange track lies in the middle; the TWO vertical hairpin turns diving into the center of the maze field are buckets of cold water that ruin an otherwise terrific experience. Beads are hijacked from their high-flying dreams and drop coldly into this prison where fun goes to die. We all know this to be true as beads will inevitably stack up here, like so many dirty dishes in a lazy person's kitchen sink, until all other options have been spent and you unwillingly are forced into the drudgery of pushing them through the pair of hairpins to their destinations. But, once again, the final drops do provide the user with genuine satisfaction; perhaps an early lesson in cold adult maturity for toddlers that life will be filled with grand ups and downs but they may not be had without hard-earned repetitive effort. These good times are served with a side of morality. You can't ask for much more.
  • A Tier
• Red & Blue : These tracks are neither complex or satisfying enough to warrant separate ranking descriptions. They exist merely to fill space, offering all the fun and delight of a sliding puzzle piece CAPTCHA. With short track heights, it's not uncommon for these tracks to be left untouched entirely during gaming sessions. I will give the red track slightly more credit for both it's height and the choice to be routed through the Orange track's hairpin vertical; a morsel of drama in an otherwise bland, uninspired endeavor.
  • C Tier and D Tier (respectfully)
• Green: When people remember their childhood bead maze experiences, this is what comes to mind. Undoubtedly sacrifices had to be made at the expense of other tracks for this one to shine as it does. Swooping playfully among the highest heights of the field, beads can often complete their full track circuit without the need to retract and re-extend one's hand, this is the experience that designers envisioned, with each track rider capable of completing its journey to either end from the apex with a single flick of the finger. The green track is the pinnacle, a grand achievement in track design, both in form and function.
  • S Tier

Rushkoff wrote a book about consulting for these billionaire peppers.

https://rushkoff.com/books/survival-of-the-richest-escape-fantasies-of-the-tech-billionaires/

Gentlefemme.

The decades of creative, thoughtful non-violent protest and soft influence that followed is what gave rights.

When it’s just “we meet up for an hour on saturday, sing, and go then home,” that’s just not very effective on its own.

That's where the "creative" and "thoughtful" parts come in.

Showing up to yell in a park, or on a busy street, or at an empty building are thoughtless protest actions. Creative disruption captures attention in a non-destructive way and encourages reflection by those who witness it. Blocking traffic or throwing paint on priceless works of art certainly captures attention, but not the kind that encourages reflection.

ACT UP was really good at this sort of thing. https://en.wikipedia.org/wiki/ACT_UP

Violence was the spark. The decades of creative, thoughtful non-violent protest and soft influence that followed is what gave rights.

https://www.openstreetmap.org/#map=17%2F-27.990030%2F153.423950

I was an apologist for Proton during the whole Andy Yen commentary mess, but this is a really sus choice for Proton to be making.

All that matters under capitalism is growth. I wonder if the thinking here is that Proton has already captured all the geek/privacy enthusiast crowd that it's going to, and Andy Yen's social fuck-up basically killed any future expansion in that space, so this is part of a pivot to new markets and abandonment of areas they know they aren't going to win back.

If so, I'd expect to see Proton making expanded ad buys targeting preppers, libertarians, sov-cit types and other "I'm being watched!!" kooks.

A high quality version of the map can be found at the bottom of this PDF: https://railroads.dot.gov/sites/fra.dot.gov/files/2023-12/FY22%20CID%20Project%20Summaries-Map.pdf

And here's a screenshot of the high-res map: https://imgur.com/dHbLmXL

But the slaves' emancipation was right around the corner in 1865, approximately 124 years prior to the release of Belgian techno anthem Pump Up the Jam.